Key orchestras
- Francisco Canaro518
- Juan D'Arienzo451
- Carlos Di Sarli266
- Aníbal Troilo254
- Osvaldo Fresedo216
- Alfredo De Angelis209
- Francisco Lomuto206
- Miguel Caló177
Recordings per orchestra: TangoCloud catalogue · batch catalogue-counts
What happened
- 1935
Guillermo Barbieri: Sails north with Riverol and Aguilar to join Gardel's tour. source· heritage-timeline-2026-10-28
- 1935
Roberto Maida: First session with Canaro, including "Cambalache" and "Alma de bandoneón". source· heritage-timeline-2026-10-28
- 1935
Roberto Diaz: Records Retazo with Osvaldo Fresedo on 22 March before leaving for Europe. source· heritage-timeline-2026-10-28
- 1935
Carlos Varela: Records Cero a cero with Firpo for Odeon. source· heritage-timeline-2026-10-28
- 1935
Alfredo Le Pera: Dies with Gardel in the air crash at Medellín. source· heritage-timeline-2026-10-28
- 1935
José María Aguilar: Survives the Medellín air crash, badly burned; his playing career ends. source· heritage-timeline-2026-10-28
- 1935
Guillermo Barbieri: Dies in the Medellín air crash with Gardel. source· heritage-timeline-2026-10-28
- 1935
Carlos Gardel: Dies in an air crash in Medellín, Colombia, during a tour of the Caribbean and Latin America. source· heritage-timeline-2026-10-28
- 1935
Ángel Domingo Riverol: Injured in the Medellín air crash; dies two days later. source· heritage-timeline-2026-10-28
- 1935
Principe Azul: Dies on Trinidad after falling ill on the voyage to the United States. source· heritage-timeline-2026-10-28
- 1935
Osvaldo Fresedo: Plays at the inauguration of LR1 Radio El Mundo, adding vibraphone, harp and drums. source· heritage-timeline-2026-10-28
- 1935
Puppi Castello: Born in Buenos Aires (Todotango gives 1936). source· heritage-timeline-2026-10-28
- 1935
Víctor Lavallén: Born in Rosario, Santa Fe. source· heritage-timeline-2026-10-28
- 1935
Rodolfo Biagi: First recording with D'Arienzo, Orillas de plata; with him he also plays on LR1 Radio El Mundo. source· heritage-timeline-2026-10-28
- 1935
Juan D'Arienzo: Rodolfo Biagi, newly on piano, makes his first recording with the orchestra, Orillas del Plata. source· heritage-timeline-2026-10-28
- 1935
Agustin Magaldi: The Magaldi-Noda duo splits on 31 December. source· heritage-timeline-2026-10-28
- 1935
El Negro Lavandina: Starts dancing in the mid-1930s, in the D'Arienzo years (approximate). source· heritage-timeline-2026-10-28
- 1935
Alberto Marino: Makes his singing debut on Radio Mitre. source· heritage-timeline-2026-10-28
- 1935
Maria de la Fuente: Joins Eduardo Ferri's female vocal quartet on the new Radio El Mundo. source· heritage-timeline-2026-10-28
- 1935
José Basso: Starts playing professionally at sixteen in Alberto Cima's orchestra. source· heritage-timeline-2026-10-28
- 1935
Edmundo Rivero: Hired as singer by José De Caro's orchestra, his first orchestra job. source· heritage-timeline-2026-10-28
- 1935
Enrique Alessio: Starts in a bandoneon trio with Manuel Daponte and Luis Bonnat. source· heritage-timeline-2026-10-28
- 1935
Joaquin Do Reyes: Around this time forms his first orchestra, for the Chantecler cabaret on Paraná and Corrientes. source· heritage-timeline-2026-10-28
- 1935
Emilio Balcarce: Joins Ricardo Ivaldi's group, playing dances and the El Indio resort in Vicente López. source· heritage-timeline-2026-10-28
- 1935
Fulvio Salamanca: Founds the Orquesta Mickey in Las Varillas and tours Córdoba province. source· heritage-timeline-2026-10-28
- 1935
Enrique Díaz: Plays double bass with José Pascual and Anselmo Aieta. source· heritage-timeline-2026-10-28
- 1935
Alberto Arenas: Professional debut. source· heritage-timeline-2026-10-28
- 1935
Alberto Amor: Florindo Sassone picks him for his new orchestra and names him Alberto Amor; they play the Café El Nacional. source· heritage-timeline-2026-10-28
- 1935
Astor Piazzolla: Appears as a newspaper boy in Carlos Gardel's film El día que me quieras, shot in New York. source· heritage-timeline-2026-10-28
- 1935
Héctor Varela: Joins Enrique Santos Discépolo's orchestra on Radio Municipal, later Libertad Lamarque's group on Radio Belgrano. source· heritage-timeline-2026-10-28
- 1935
Roberto Caló: Signed by Jaime Yankelevich for three years: Radio Porteña, Mitre and LR3 Radio Belgrano. source· heritage-timeline-2026-10-28
- 1935
Alberto Castillo: Sings with Augusto Berto's orchestra. source· heritage-timeline-2026-10-28
- 1935
José Canet: Writes the vals Me besó y se fue. source· heritage-timeline-2026-10-28
- 1935
José Tinelli: Leads his orchestra on Radio Stentor in Buenos Aires. source· heritage-timeline-2026-10-28
- 1935
Victor D'Amario: Debuts his own orchestra at the Confitería París in La Plata. source· heritage-timeline-2026-10-28
- 1935
Ricardo Pedevilla: Trio with Samuel Averbuj and Oscar de la Fuente on Radio La Nación, into 1936. source· heritage-timeline-2026-10-28
- 1935
Jorge Ortiz: Joins Edgardo Donato; first recordings Dios lo sabe and Rosalinda; records El día que me quieras. source· heritage-timeline-2026-10-28
- 1935
Ricardo Ruiz: Sings in Canaro's musical Rascacielos; stands in for Roberto Ray with Fresedo and records Canto Siboney. source· heritage-timeline-2026-10-28
- 1935
Rodolfo Biagi: Joins Juan D'Arienzo's orchestra at the Chantecler cabaret, replacing pianist Lidio Fasoli. source· heritage-timeline-2026-10-28
- 1935
Carlos Pesce: Writes A pesar de todo with Teófilo and Mario Lespés. source· heritage-timeline-2026-10-28
- 1935
Hugo Baralis: Moves with Troilo into Ángel D'Agostino's orchestra, whose singer was Alberto Echagüe. source· heritage-timeline-2026-10-28
- 1935
Jorge Ortiz: Sings the title tango in the film Picaflor. source· heritage-timeline-2026-10-28
- 1935
Enrique Rodríguez: Forms a quartet to accompany María Luisa Notar, whom he soon marries. source· heritage-timeline-2026-10-28
- 1935
Ángel Vargas: Makes his first records, Brindemos compañero and Ñata linda, with José Luis Padula's orchestra for Odeon. source· heritage-timeline-2026-10-28
- 1935
Alfredo Malerba: Back in Buenos Aires, forms a trio with Antonio Rodio to accompany Libertad Lamarque. source· heritage-timeline-2026-10-28
- 1935
Luis Rubistein: Founds the PAADI school of popular art at the family house on Tejedor street, soon moved to Callao 420. source· heritage-timeline-2026-10-28
- 1935
Ivo Pelay: Writes Casas viejas with Francisco Canaro. source· heritage-timeline-2026-10-28
- 1935
Eduardo Del Piano: Joins Juan Canaro's orchestra late in the year, later playing the Tabarís cabaret. source· heritage-timeline-2026-10-28
- 1935
Antonio Maida: Shares Donato's vocals with Hugo del Carril. source· heritage-timeline-2026-10-28
- 1935
Juan D'Arienzo: Begins his long run as a Victor recording artist, which lasts until 1975. source· heritage-timeline-2026-10-28
- 1935
Alfredo Gobbi: First violin in Pedro Laurenz's orchestra. source· heritage-timeline-2026-10-28
- 1935
Ernesto Famá: Appears in the film El alma del bandoneón. source· heritage-timeline-2026-10-28
- 1935
Manuel Meaños: De puro guapo, with Pedro Laurenz, is introduced at the Club Atlético Independiente carnival dances. source· heritage-timeline-2026-10-28
- 1935
A. Bardi: Leaves the company La Cargadora, which he had come to manage. source· heritage-timeline-2026-10-28
- 1935
Raúl Kaplun: Publishes his first known work, the vals Recordando a Musmé. source· heritage-timeline-2026-10-28
- 1935
Jorge Omar: Wins the audition to replace Fernando Díaz in Francisco Lomuto's orchestra. source· heritage-timeline-2026-10-28
- 1935
Carlos Viván: Appears in Noches cariocas, filmed in Rio de Janeiro. source· heritage-timeline-2026-10-28
- 1935
Manuel Romero: Debuts as a film director, beginning a long run of Lumiton films. source· heritage-timeline-2026-10-28
- 1935
Adolfo Avilés: Hosts the radio cycle Tangos, autores e intérpretes with Pepita Avellaneda. source· heritage-timeline-2026-10-28
- 1935
Agustin Magaldi: The Magaldi-Noda duo breaks up at the end of the year; he continues as a soloist. source· heritage-timeline-2026-10-28
1930s
1997 recordings
1940s
2665 recordings
1950s
2861 recordings
Counts: TangoCloud catalogue · batch catalogue-counts