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Tangopedia

Year

Tango in 1941

Our catalogue holds 279 recordings from 1941. The orchestras recorded most that year were Francisco Canaro (42 recordings), Juan D'Arienzo (26 recordings), and Carlos Di Sarli (25 recordings).

72 facts · 58 sources · every fact links its source

Our catalogue holds 279 recordings from 1941. The orchestras recorded most that year were Francisco Canaro (42 recordings), Juan D'Arienzo (26 recordings), and Carlos Di Sarli (25 recordings).[1][2][3]

That year

Quinteto Suárez Paz: Born in Ramos Mejía.[4]

Ricardo Tanturi: First record with Castillo, the vals 'Recuerdo'.[5]

Elba Biscay: Born.[6]

Luis Petrucelli: Dies suddenly in Buenos Aires, aged 38.[7]

Article r1 · batch articles-2026-10-28 · every sentence cites a published fact

Recorded in12

Francisco Canaro — recorded in Tango in 1941 (42 recordings)1941[1]

Juan D'Arienzo — recorded in Tango in 1941 (26 recordings)1941[1]

Carlos Di Sarli — recorded in Tango in 1941 (25 recordings)1941[1]

Aníbal Troilo — recorded in Tango in 1941 (24 recordings)1941[1]

Ricardo Tanturi — recorded in Tango in 1941 (18 recordings)1941[1]

Rodolfo Biagi — recorded in Tango in 1941 (18 recordings)1941[1]

Francisco Lomuto — recorded in Tango in 1941 (18 recordings)1941[1]

Osvaldo Fresedo — recorded in Tango in 1941 (16 recordings)1941[1]

Ángel D'Agostino — recorded in Tango in 1941 (12 recordings)1941[1]

Edgardo Donato — recorded in Tango in 1941 (11 recordings)1941[1]

Cuarteto Típico Los Ases — recorded in Tango in 1941 (10 recordings)1941[1]

Julio De Caro — recorded in Tango in 1941 (9 recordings)1941[1]

What happened60

Quinteto Suárez Paz Born in Ramos Mejía.[2]

Ricardo Tanturi First record with Castillo, the vals 'Recuerdo'.[3]

Elba Biscay Born.[4]

Luis Petrucelli Dies suddenly in Buenos Aires, aged 38.[5]

Alfredo De Angelis Debuts his own orchestra with singer Héctor Morea; Todo Tango's biography puts the debut at Café Marzotto on Corrientes, its orchestra chronicle at the Marabú cabaret.[6]

Agustín Bardi Dies.[7]

A. Bardi Dies in Bernal; Julio De Caro completes his unfinished last tango.[8]

Amadeo Mandarino Records the duet Pájaro ciego with Fiorentino and Troilo.[9]

Abel Córdoba Born Abelardo González in Caballito; raised in San Francisco, Córdoba.[10]

Armando Moreno Records Llorar por una mujer with Rodríguez for Odeon.[11]

Francisco Amor Premieres En esta tarde gris.[12]

Enrique Saborido Dies at the War Ministry offices in Buenos Aires.[13]

Orlando Medina First recordings with Ricardo Malerba for Odeon: Noches de Montmartre and Salí del paso Manolo.[14]

Carlos Roldán Records Negra María with Osvaldo Fresedo, a single session.[15]

Eduardo Adrian First recording with Canaro, the waltz Anoche soñé.[16]

Francisco Amor Farewell Canaro session, El cuarteador; leaves with Ernesto Famá and debuts as a duo on Radio Splendid.[12]

Carlos Roldán First record with Francisco Canaro, the waltz La vida en mil gramos.[15]

Rodolfo Cieri Learns tango from his father before age ten; dances at La Paternal milongas (approximate).[17]

Juan Bruno Starts dancing tango at 16.[18]

Domingo Federico Joins Miguel Caló's orchestra as bandoneonist; writes Al compás del corazón and Yo soy el tango.[19]

Enrique Mario Francini Writes Bajo un cielo de estrellas with Héctor Stamponi.[20]

Reinaldo Yiso Ricardo Tanturi premieres his first song, Por eso canto yo.[21]

Beba Bidart Debuts as a chorus dancer at the Teatro Casino.[22]

Lorenzo Barbero Around this year debuts the Agrupación Copacabana at the Teatro Capitol in Córdoba.[23]

Carlos Figari Joins José García's orchestra Los Zorros Grises.[24]

Atilio Stampone Plays with Roberto Dimas's orchestra at Café Marzotto on Corrientes.[25]

Mario Demarco Plays in Antonio Rodio's orchestra.[26]

Roberto Di Filippo First recordings with Roberto Zerrillo's orchestra: El repique and Aquel preludio de amor.[27]

Eduardo Adrian Wins the Radio Belgrano contest for a new Canaro singer.[16]

Armando Moreno Appears with Enrique Rodríguez in Hogar, dulce hogar, singing María.[28]

Jorge Ledesma Carnival debut at Club Juventud Unida Independiente, Lanús, with Raúl Rodríguez's orchestra, as Alberto Deluchi.[29]

Homero Expósito Writes Yo soy el tango with Domingo Federico.[30]

Julio Martel Joins Juan Giordano's orchestra, playing the Hotel Hurlingham in Mar del Plata and the City Hotel in Buenos Aires.[31]

Carlos Bahr Writes Humillación with Rodolfo Biagi.[32]

Julian Centeya Publishes his first book of poems as Enrique Alvarado.[33]

Oscar Herrero Plays with Romeo Gentile on LR2 Radio Argentina.[34]

Carlos Acuña Hired by Carlos Di Sarli; sings on Radio El Mundo and at the Marabú; records Cuando el amor muere on 2 August.[35]

Roberto Caló Forms the Juan y Roberto Caló orchestra with his brother Juan; it lasts about a year, then he tours the United States and Latin America.[36]

José Garcia Carlos Alberti is the orchestra's singer.[37]

Francisco Fiorentino First RCA Victor session with Troilo, including Yo soy el tango and Mano brava.[38]

Roberto Rufino Sings briefly with Alfredo Fanuele's orchestra.[39]

Enrique Campos Sings with the orchestra billed as Pintín Castellanos at the Palacio de la Cerveza, the Tabarís cabaret and Radio Monumental.[40]

José María Contursi Writes Toda mi vida with Aníbal Troilo and En esta tarde gris with Mariano Mores.[41]

Juan José Guichandut Writes Sencillo y compadre with Carlos Bahr.[42]

Carlos Posadas Aníbal Troilo records El jagüel, Cordón de oro and El tamango.[43]

Andrés Domenech Writes El antifaz rojo with Fernández Blanco.[44]

Victor D'Amario Appears in the film La mujer del zapatero.[45]

Alfredo Attadia Tres esquinas, written with D'Agostino and Enrique Cadícamo, dates from this year.[46]

Alberto Castillo His first record with Ricardo Tanturi's orchestra, the waltz Recuerdo, becomes a best seller.[47]

Homero Manzi Writes Malena to Lucio Demare's music.[48]

Catulo Castillo Writes Tinta roja with Sebastián Piana.[49]

Armando Baliotti Writes Ahora no me conocés with Carlos Giampé.[50]

Eduardo Escaris Méndez Publishes the poem Ya que en la España me encuentro.[51]

Ricardo Malerba Begins recording for Odeon: thirty sides through 1945, mostly with Orlando Medina.[52]

Pintín Castellanos Writes Candombe oriental.[53]

José Tinelli Moves from Radio Belgrano to Radio Mitre, with Chola Bosch and Horacio Acosta singing.[54]

Antonio Maida Appears in Joven viuda y estanciera.[55]

José Bohr Records Por el camino as a singer of the Típica Victor.[56]

Antonio Rodio Debuts his own orchestra on Radio Splendid, with Alberto Serna and Mario Corrales singing.[57]

Héctor María Artola Joins Osvaldo Fresedo's orchestra in March, staying until early 1942.[58]

Timeline

  1. 1941

    Recorded in Francisco Canaro[1]

  2. 1941

    Recorded in Juan D'Arienzo[1]

  3. 1941

    Recorded in Carlos Di Sarli[1]

  4. 1941

    Recorded in Aníbal Troilo[1]

  5. 1941

    Recorded in Ricardo Tanturi[1]

  6. 1941

    Recorded in Rodolfo Biagi[1]

  7. 1941

    Recorded in Francisco Lomuto[1]

  8. 1941

    Recorded in Osvaldo Fresedo[1]

  9. 1941

    Recorded in Ángel D'Agostino[1]

  10. 1941

    Recorded in Edgardo Donato[1]

  11. 1941

    Recorded in Cuarteto Típico Los Ases[1]

  12. 1941

    Recorded in Julio De Caro[1]

  13. 1941

    Rodolfo Cieri: Learns tango from his father before age ten; dances at La Paternal milongas (approximate).[17]

  14. 1941

    Juan Bruno: Starts dancing tango at 16.[18]

  15. 1941

    Domingo Federico: Joins Miguel Caló's orchestra as bandoneonist; writes Al compás del corazón and Yo soy el tango.[19]

  16. 1941

    Enrique Mario Francini: Writes Bajo un cielo de estrellas with Héctor Stamponi.[20]

  17. 1941

    Reinaldo Yiso: Ricardo Tanturi premieres his first song, Por eso canto yo.[21]

  18. 1941

    Beba Bidart: Debuts as a chorus dancer at the Teatro Casino.[22]

  19. 1941

    Lorenzo Barbero: Around this year debuts the Agrupación Copacabana at the Teatro Capitol in Córdoba.[23]

  20. 1941

    Carlos Figari: Joins José García's orchestra Los Zorros Grises.[24]

  21. 1941

    Atilio Stampone: Plays with Roberto Dimas's orchestra at Café Marzotto on Corrientes.[25]

  22. 1941

    Mario Demarco: Plays in Antonio Rodio's orchestra.[26]

  23. 1941

    Roberto Di Filippo: First recordings with Roberto Zerrillo's orchestra: El repique and Aquel preludio de amor.[27]

  24. 1941

    Eduardo Adrian: Wins the Radio Belgrano contest for a new Canaro singer.[16]

  25. 1941

    Armando Moreno: Appears with Enrique Rodríguez in Hogar, dulce hogar, singing María.[28]

  26. 1941

    Jorge Ledesma: Carnival debut at Club Juventud Unida Independiente, Lanús, with Raúl Rodríguez's orchestra, as Alberto Deluchi.[29]

  27. 1941

    Homero Expósito: Writes Yo soy el tango with Domingo Federico.[30]

  28. 1941

    Julio Martel: Joins Juan Giordano's orchestra, playing the Hotel Hurlingham in Mar del Plata and the City Hotel in Buenos Aires.[31]

  29. 1941

    Carlos Bahr: Writes Humillación with Rodolfo Biagi.[32]

  30. 1941

    Julian Centeya: Publishes his first book of poems as Enrique Alvarado.[33]

  31. 1941

    Oscar Herrero: Plays with Romeo Gentile on LR2 Radio Argentina.[34]

  32. 1941

    Carlos Acuña: Hired by Carlos Di Sarli; sings on Radio El Mundo and at the Marabú; records Cuando el amor muere on 2 August.[35]

  33. 1941

    Roberto Caló: Forms the Juan y Roberto Caló orchestra with his brother Juan; it lasts about a year, then he tours the United States and Latin America.[36]

  34. 1941

    José Garcia: Carlos Alberti is the orchestra's singer.[37]

  35. 1941

    Francisco Fiorentino: First RCA Victor session with Troilo, including Yo soy el tango and Mano brava.[38]

  36. 1941

    Roberto Rufino: Sings briefly with Alfredo Fanuele's orchestra.[39]

  37. 1941

    Enrique Campos: Sings with the orchestra billed as Pintín Castellanos at the Palacio de la Cerveza, the Tabarís cabaret and Radio Monumental.[40]

  38. 1941

    José María Contursi: Writes Toda mi vida with Aníbal Troilo and En esta tarde gris with Mariano Mores.[41]

  39. 1941

    Juan José Guichandut: Writes Sencillo y compadre with Carlos Bahr.[42]

  40. 1941

    Carlos Posadas: Aníbal Troilo records El jagüel, Cordón de oro and El tamango.[43]

  41. 1941

    Andrés Domenech: Writes El antifaz rojo with Fernández Blanco.[44]

  42. 1941

    Victor D'Amario: Appears in the film La mujer del zapatero.[45]

  43. 1941

    Alfredo Attadia: Tres esquinas, written with D'Agostino and Enrique Cadícamo, dates from this year.[46]

  44. 1941

    Alberto Castillo: His first record with Ricardo Tanturi's orchestra, the waltz Recuerdo, becomes a best seller.[47]

  45. 1941

    Homero Manzi: Writes Malena to Lucio Demare's music.[48]

  46. 1941

    Catulo Castillo: Writes Tinta roja with Sebastián Piana.[49]

  47. 1941

    Armando Baliotti: Writes Ahora no me conocés with Carlos Giampé.[50]

  48. 1941

    Eduardo Escaris Méndez: Publishes the poem Ya que en la España me encuentro.[51]

  49. 1941

    Ricardo Malerba: Begins recording for Odeon: thirty sides through 1945, mostly with Orlando Medina.[52]

  50. 1941

    Pintín Castellanos: Writes Candombe oriental.[53]

  51. 1941

    José Tinelli: Moves from Radio Belgrano to Radio Mitre, with Chola Bosch and Horacio Acosta singing.[54]

  52. 1941

    Antonio Maida: Appears in Joven viuda y estanciera.[55]

  53. 1941

    José Bohr: Records Por el camino as a singer of the Típica Victor.[56]

  54. 1941

    Antonio Rodio: Debuts his own orchestra on Radio Splendid, with Alberto Serna and Mario Corrales singing.[57]

  55. 1941

    Héctor María Artola: Joins Osvaldo Fresedo's orchestra in March, staying until early 1942.[58]

  56. 1941-01-01

    Quinteto Suárez Paz: Born in Ramos Mejía.[2]

  57. 1941-01-08

    Ricardo Tanturi: First record with Castillo, the vals 'Recuerdo'.[3]

  58. 1941-02-26

    Elba Biscay: Born.[4]

  59. 1941-02-28

    Luis Petrucelli: Dies suddenly in Buenos Aires, aged 38.[5]

  60. 1941-03-20

    Alfredo De Angelis: Debuts his own orchestra with singer Héctor Morea; Todo Tango's biography puts the debut at Café Marzotto on Corrientes, its orchestra chronicle at the Marabú cabaret.[6]

  61. 1941-04-21

    Agustín Bardi: Dies.[7]

  62. 1941-04-21

    A. Bardi: Dies in Bernal; Julio De Caro completes his unfinished last tango.[8]

  63. 1941-05-28

    Amadeo Mandarino: Records the duet Pájaro ciego with Fiorentino and Troilo.[9]

  64. 1941-07-19

    Abel Córdoba: Born Abelardo González in Caballito; raised in San Francisco, Córdoba.[10]

  65. 1941-07-23

    Armando Moreno: Records Llorar por una mujer with Rodríguez for Odeon.[11]

  66. 1941-08-09

    Francisco Amor: Premieres En esta tarde gris.[12]

  67. 1941-09-19

    Enrique Saborido: Dies at the War Ministry offices in Buenos Aires.[13]

  68. 1941-09-25

    Orlando Medina: First recordings with Ricardo Malerba for Odeon: Noches de Montmartre and Salí del paso Manolo.[14]

  69. 1941-10-10

    Carlos Roldán: Records Negra María with Osvaldo Fresedo, a single session.[15]

  70. 1941-10-22

    Eduardo Adrian: First recording with Canaro, the waltz Anoche soñé.[16]

  71. 1941-10-22

    Francisco Amor: Farewell Canaro session, El cuarteador; leaves with Ernesto Famá and debuts as a duo on Radio Splendid.[12]

  72. 1941-10-28

    Carlos Roldán: First record with Francisco Canaro, the waltz La vida en mil gramos.[15]

Related

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