Tango in 1950

Juan D'Arienzo — recorded in Tango in 1950 (24 recordings)1950[1]Single source

Alfredo De Angelis — recorded in Tango in 1950 (18 recordings)1950[1]Single source

Osvaldo Pugliese — recorded in Tango in 1950 (16 recordings)1950[1]Single source

Edgardo Donato — recorded in Tango in 1950 (12 recordings)1950[1]Single source

Orquesta Francini-Pontier — recorded in Tango in 1950 (11 recordings)1950[1]Single source

Florindo Sassone — recorded in Tango in 1950 (11 recordings)1950[1]Single source

Ricardo Pedevilla — recorded in Tango in 1950 (10 recordings)1950[1]Single source

José Basso — recorded in Tango in 1950 (10 recordings)1950[1]Single source

Miguel Caló — recorded in Tango in 1950 (10 recordings)1950[1]Single source

Domingo Federico — recorded in Tango in 1950 (8 recordings)1950[1]Single source

Francisco Canaro — recorded in Tango in 1950 (8 recordings)1950[1]Single source

Alfredo Gobbi — recorded in Tango in 1950 (8 recordings)1950[1]Single source

Pedro Datila Last Maderna recording, Al compás de tu mentira.[2]Single source

Jorge Casal Joins Aníbal Troilo; first TK recording, Che bandoneón, on 24 November.[3]Single source

María Celia Blanco Born.[4]Single source

Rodolfo Lesica Debuts with Héctor Varela's orchestra at the Chantecler, beside Armando Laborde.[5]Single source

Arturo de Bassi Dies in Buenos Aires.[6]Single source

Alberto Mancione First RCA Victor record: "Ventarrón" and "Tinta roja".[7]Single source

Carlos Almada First recordings, with Edgardo Donato on Pampa, among them Pituca.[8]Single source

Andrés Domenech Dies.[9]Single source

Hugo Duval First recording, the waltz Serenata campera with Heredia, for Odeon.[10]Single source

Omar Mollo Born in Pergamino.[11]Single source

Alberto Rivera Last recording, Alma de loca, shortly before Lomuto's death in December.[12]Single source

Rodolfo Dinzel Born in Buenos Aires on 7 October.[13]Single source

Carlos Copello Born in Santiago del Estero (date given as approximately 1 November).[14]Single source

Jorge Vidal Last recordings with Pugliese: Barra querida and Un baile a beneficio.[15]Single source

Armando Garrido First recording with Fresedo, Del tiempo de Gardel, for Columbia.[16]Single source

Julio Martel Last record with De Angelis, 'Tus palabras y la noche'.[17]Single source

Francisco Lomuto Dies suddenly in Tortuguitas, two months after his last recordings.[18]Single source

El Chino Perico Starts frequenting clubs, milongas and prácticas in his mid-teens (13–15 depending on the source).[19]Single source

Armando Garrido Debuts with Osvaldo Fresedo's orchestra on LR1 Radio El Mundo.[20]Single source

Tete Rusconi Starts dancing at about 14, first as a rock and roll contest dancer.[21]Single source

Alberto Dassieu At 14 goes to the downtown milongas; Alfredo Gobbi sponsors him into Sans Souci.[22]Single source

Joaquin Do Reyes Signs with the new TK label; his first recordings are Trece and El amanecer.[23]Single source

Dante Amicarelli Forms Casablanca Jazz with Mario Cosentino.[24]Single source

Hugo Duval Joins Rodolfo Biagi after the carnival dances, with Carlos Heredia.[10]Single source

Juan Carlos Godoy Stands out with Mario Luzzi's orchestra.[25]Single source

José Libertella Joins Osmar Maderna's orchestra, where he meets Luis Stazo; stays in the Orquesta Símbolo under Aquiles Roggero until 1955.[26]Single source

Julian Plaza Writes his first arrangement, the milonga Dominguera, for Caló.[27]Single source

Roberto Pansera Joins Osvaldo Fresedo's orchestra and soon becomes its arranger.[28]Single source

Ubaldo De Lío Records for Victor on mandolin in a jazz quintet with Lalo Schifrin.[29]Single source

Mario Bustos Appears in the film Mary tuvo la culpa.[30]Single source

Jorge Casal Sings in the film Al compás de tu mentira.[31]Single source

Maria de la Fuente Begins recording with Astor Piazzolla's orchestra for TK (to 1952).[32]Single source

Juan Cambareri Begins recording for Pampa, an Odeon subsidiary, starting with "El choclo".[33]Single source

Edmundo Rivero Starts his solo career, accompanied by guitars and at times by Víctor Buchino's orchestra.[34]Single source

Carlos Waiss Writes Bien pulenta with D'Arienzo and Varela.[35]Single source

Atilio Stampone Wins a scholarship to the Santa Cecilia conservatory in Rome, then tours for two years.[36]Single source

Carlos Lázzari Joins Juan D'Arienzo's orchestra, later becoming first bandoneon and arranger.[37]Single source

Roberto Di Filippo Joins Horacio Salgán in April and records four titles for Victor.[38]Single source

Roberto Grela Begins recording for Odeon as Nelly Omar's guitarist, until 1955.[39]Single source

Oscar Ferrari Venganza with Basso becomes a best-seller.[40]Single source

Carlos Saavedra Leaves Biagi with Alberto Amor after the carnival season; goes solo.[41]Single source

Héctor Varela Leaves D'Arienzo and forms his own orchestra, with a contract at the Chantecler cabaret; first recordings for Pampa with singers Armando Laborde and Rodolfo Lesica.[42]Single source

Alberto Mancione Exclusive with Radio El Mundo, plays the Montecarlo dance hall at Corrientes and Libertad; Francisco Fiorentino joins in March.[7]Single source

Edmundo Rivero Sings the title tango, with Astor Piazzolla's orchestra, in the film El cielo en las manos.[34]Single source

ANGEL DOMINGUEZ Plays bandoneon and arranges for Alberto Mancione's orchestra.[43]Single source

Ricardo Pedevilla Leads his own orchestra, recording for Pampa.[44]Single source

Simón Bajour Joins Carlos Di Sarli's orchestra; plays the solo of A la gran muñeca.[45]Single source

Héctor Varela Plays the Marabú cabaret and the radio show Glostora Tango Club in the 1950s; Argentino Ledesma replaces Laborde.[42]Single source

Donato Racciatti Starts a contract with Radio Carve that runs until 1972.[46]Single source

Alberto Suárez Villanueva Begins ten years at the Café El Ateneo in Montevideo.[47]Single source

Héctor Grané Jorge Dragone takes his place at Laurenz's piano for a few months.[48]Single source

Armando Moreno Sings with Domingo Federico beside Enzo Valentino.[49]Single source

Alfredo De Angelis Appears in the film 'Al compás de tu mentira'.[50]Single source

Astor Piazzolla Dissolves his orchestra and turns to classical study.[51]Single source

Horacio Salgan Returns with a new orchestra on Radio Belgrano.[52]Single source

Raul Iriarte Tours Chile, Peru, Venezuela and Mexico, then settles in Colombia.[53]Single source

Eduardo Bianco Leaves again on tour abroad.[54]Single source

Manuel Pizarro Returns to France (1950 per Wikipedia, 1951 per his own account).[55]Single source

Ciriaco Ortiz Plays in Mariano Mores's orchestra at the Teatro Alvear.[56]Single source

Enrique Alessio Joins Juan D'Arienzo as first bandoneon and arranger, debuting on record with his own Un tango para mi vieja.[57]Single source