Cited facts
560 facts from published timelines, each with its source and batch · Showing 60 of 560
By source
- www.todotango.com445
- es.wikipedia.org67
- en.wikipedia.org15
- www.lacapital.com.ar3
- elfirulete.wordpress.com3
- www.lanacion.com.ar3
- sites.google.com2
- mailman.mit.edu2
- soymilonguera.com2
- elchinoperico.blogspot.com2
- jantango.wordpress.com2
- abrazo-tango.fr1
- www.ecured.cu1
- inheritingthetango.blogspot.com1
- ireneandmanyung.blogspot.com1
- danieltrenner.com1
- www.losandes.com.ar1
- www.lanueva.com1
- trascarton.com.ar1
- enlamilonga.blogspot.com1
- www.ultimatetango.com1
- www.ventanadelnorte.com1
- semanariodejunin.com.ar1
- www.barryhashimototangoarts.com1
- nl.wikipedia.org1
1950-02-02Pedro Datila: Last Maderna recording, Al compás de tu mentira.
source · batch heritage-timeline-2026-10-28
1950-03-02Jorge Casal: Joins Aníbal Troilo; first TK recording, Che bandoneón, on 24 November.
source · batch heritage-timeline-2026-10-28
1950-05-17María Celia Blanco: Born.
source · batch heritage-timeline-2026-10-28
1950-06-06Rodolfo Lesica: Debuts with Héctor Varela's orchestra at the Chantecler, beside Armando Laborde.
source · batch heritage-timeline-2026-10-28
1950-06-18Arturo de Bassi: Dies in Buenos Aires.
source · batch heritage-timeline-2026-10-28
1950-07-28Alberto Mancione: First RCA Victor record: "Ventarrón" and "Tinta roja".
source · batch heritage-timeline-2026-10-28
1950-08-14Carlos Almada: First recordings, with Edgardo Donato on Pampa, among them Pituca.
source · batch heritage-timeline-2026-10-28
1950-09-02Andrés Domenech: Dies.
source · batch heritage-timeline-2026-10-28
1950-09-13Hugo Duval: First recording, the waltz Serenata campera with Heredia, for Odeon.
source · batch heritage-timeline-2026-10-28
1950-09-21Omar Mollo: Born in Pergamino.
source · batch heritage-timeline-2026-10-28
1950-10-01Alberto Rivera: Last recording, Alma de loca, shortly before Lomuto's death in December.
source · batch heritage-timeline-2026-10-28
1950-10-07Rodolfo Dinzel: Born in Buenos Aires on 7 October.
source · batch heritage-timeline-2026-10-28
1950-11-01Carlos Copello: Born in Santiago del Estero (date given as approximately 1 November).
source · batch heritage-timeline-2026-10-28
1950-11-16Jorge Vidal: Last recordings with Pugliese: Barra querida and Un baile a beneficio.
source · batch heritage-timeline-2026-10-28
1950-11-29Armando Garrido: First recording with Fresedo, Del tiempo de Gardel, for Columbia.
source · batch heritage-timeline-2026-10-28
1950-12-12Julio Martel: Last record with De Angelis, 'Tus palabras y la noche'.
source · batch heritage-timeline-2026-10-28
1950-12-23Francisco Lomuto: Dies suddenly in Tortuguitas, two months after his last recordings.
source · batch heritage-timeline-2026-10-28
1950El Chino Perico: Starts frequenting clubs, milongas and prácticas in his mid-teens (13–15 depending on the source).
source · batch heritage-timeline-2026-10-28
1950Armando Garrido: Debuts with Osvaldo Fresedo's orchestra on LR1 Radio El Mundo.
source · batch heritage-timeline-2026-10-28
1950Tete Rusconi: Starts dancing at about 14, first as a rock and roll contest dancer.
source · batch heritage-timeline-2026-10-28
1950Alberto Dassieu: At 14 goes to the downtown milongas; Alfredo Gobbi sponsors him into Sans Souci.
source · batch heritage-timeline-2026-10-28
1950Joaquin Do Reyes: Signs with the new TK label; his first recordings are Trece and El amanecer.
source · batch heritage-timeline-2026-10-28
1950Dante Amicarelli: Forms Casablanca Jazz with Mario Cosentino.
source · batch heritage-timeline-2026-10-28
1950Hugo Duval: Joins Rodolfo Biagi after the carnival dances, with Carlos Heredia.
source · batch heritage-timeline-2026-10-28
1950Juan Carlos Godoy: Stands out with Mario Luzzi's orchestra.
source · batch heritage-timeline-2026-10-28
1950José Libertella: Joins Osmar Maderna's orchestra, where he meets Luis Stazo; stays in the Orquesta Símbolo under Aquiles Roggero until 1955.
source · batch heritage-timeline-2026-10-28
1950Julian Plaza: Writes his first arrangement, the milonga Dominguera, for Caló.
source · batch heritage-timeline-2026-10-28
1950Roberto Pansera: Joins Osvaldo Fresedo's orchestra and soon becomes its arranger.
source · batch heritage-timeline-2026-10-28
1950Ubaldo De Lío: Records for Victor on mandolin in a jazz quintet with Lalo Schifrin.
source · batch heritage-timeline-2026-10-28
1950Mario Bustos: Appears in the film Mary tuvo la culpa.
source · batch heritage-timeline-2026-10-28
1950Jorge Casal: Sings in the film Al compás de tu mentira.
source · batch heritage-timeline-2026-10-28
1950Maria de la Fuente: Begins recording with Astor Piazzolla's orchestra for TK (to 1952).
source · batch heritage-timeline-2026-10-28
1950Juan Cambareri: Begins recording for Pampa, an Odeon subsidiary, starting with "El choclo".
source · batch heritage-timeline-2026-10-28
1950Edmundo Rivero: Starts his solo career, accompanied by guitars and at times by Víctor Buchino's orchestra.
source · batch heritage-timeline-2026-10-28
1950Carlos Waiss: Writes Bien pulenta with D'Arienzo and Varela.
source · batch heritage-timeline-2026-10-28
1950Atilio Stampone: Wins a scholarship to the Santa Cecilia conservatory in Rome, then tours for two years.
source · batch heritage-timeline-2026-10-28
1950Carlos Lázzari: Joins Juan D'Arienzo's orchestra, later becoming first bandoneon and arranger.
source · batch heritage-timeline-2026-10-28
1950Roberto Di Filippo: Joins Horacio Salgán in April and records four titles for Victor.
source · batch heritage-timeline-2026-10-28
1950Roberto Grela: Begins recording for Odeon as Nelly Omar's guitarist, until 1955.
source · batch heritage-timeline-2026-10-28
1950Oscar Ferrari: Venganza with Basso becomes a best-seller.
source · batch heritage-timeline-2026-10-28
1950Carlos Saavedra: Leaves Biagi with Alberto Amor after the carnival season; goes solo.
source · batch heritage-timeline-2026-10-28
1950Héctor Varela: Leaves D'Arienzo and forms his own orchestra, with a contract at the Chantecler cabaret; first recordings for Pampa with singers Armando Laborde and Rodolfo Lesica.
source · batch heritage-timeline-2026-10-28
1950Alberto Mancione: Exclusive with Radio El Mundo, plays the Montecarlo dance hall at Corrientes and Libertad; Francisco Fiorentino joins in March.
source · batch heritage-timeline-2026-10-28
1950Edmundo Rivero: Sings the title tango, with Astor Piazzolla's orchestra, in the film El cielo en las manos.
source · batch heritage-timeline-2026-10-28
1950ANGEL DOMINGUEZ: Plays bandoneon and arranges for Alberto Mancione's orchestra.
source · batch heritage-timeline-2026-10-28
1950Ricardo Pedevilla: Leads his own orchestra, recording for Pampa.
source · batch heritage-timeline-2026-10-28
1950Simón Bajour: Joins Carlos Di Sarli's orchestra; plays the solo of A la gran muñeca.
source · batch heritage-timeline-2026-10-28
1950Héctor Varela: Plays the Marabú cabaret and the radio show Glostora Tango Club in the 1950s; Argentino Ledesma replaces Laborde.
source · batch heritage-timeline-2026-10-28
1950Donato Racciatti: Starts a contract with Radio Carve that runs until 1972.
source · batch heritage-timeline-2026-10-28
1950Alberto Suárez Villanueva: Begins ten years at the Café El Ateneo in Montevideo.
source · batch heritage-timeline-2026-10-28
1950Héctor Grané: Jorge Dragone takes his place at Laurenz's piano for a few months.
source · batch heritage-timeline-2026-10-28
1950Armando Moreno: Sings with Domingo Federico beside Enzo Valentino.
source · batch heritage-timeline-2026-10-28
1950Alfredo De Angelis: Appears in the film 'Al compás de tu mentira'.
source · batch heritage-timeline-2026-10-28
1950Astor Piazzolla: Dissolves his orchestra and turns to classical study.
source · batch heritage-timeline-2026-10-28
1950Horacio Salgan: Returns with a new orchestra on Radio Belgrano.
source · batch heritage-timeline-2026-10-28
1950Raul Iriarte: Tours Chile, Peru, Venezuela and Mexico, then settles in Colombia.
source · batch heritage-timeline-2026-10-28
1950Eduardo Bianco: Leaves again on tour abroad.
source · batch heritage-timeline-2026-10-28
1950Manuel Pizarro: Returns to France (1950 per Wikipedia, 1951 per his own account).
source · batch heritage-timeline-2026-10-28
1950Ciriaco Ortiz: Plays in Mariano Mores's orchestra at the Teatro Alvear.
source · batch heritage-timeline-2026-10-28
1950Enrique Alessio: Joins Juan D'Arienzo as first bandoneon and arranger, debuting on record with his own Un tango para mi vieja.
source · batch heritage-timeline-2026-10-28
Counts: TangoCloud catalogue · batch catalogue-counts