Tango in 1956

Carlos Di Sarli — recorded in Tango in 1956 (25 recordings)1956[1]Single source

Alfredo De Angelis — recorded in Tango in 1956 (24 recordings)1956[1]Single source

Francisco Canaro — recorded in Tango in 1956 (21 recordings)1956[1]Single source

Juan D'Arienzo — recorded in Tango in 1956 (19 recordings)1956[1]Single source

Héctor Varela — recorded in Tango in 1956 (16 recordings)1956[1]Single source

Aníbal Troilo — recorded in Tango in 1956 (16 recordings)1956[1]Single source

Osvaldo Pugliese — recorded in Tango in 1956 (16 recordings)1956[1]Single source

Enrique Francini — recorded in Tango in 1956 (14 recordings)1956[1]Single source

Quinteto Pirincho (Francisco Canaro) — recorded in Tango in 1956 (13 recordings)1956[1]Single source

Armando Pontier — recorded in Tango in 1956 (12 recordings)1956[1]Single source

Alfredo Gobbi — recorded in Tango in 1956 (12 recordings)1956[1]Single source

José Basso — recorded in Tango in 1956 (12 recordings)1956[1]Single source

Enrique Francini Plays with Podestá at Club Ambos Mundos in Junín.[2]Single source

Rodolfo Galé Records Noche de locura with Di Sarli.[3]Single source

Oscar Serpa Los Señores del Tango debut on Radio Belgrano; seasons at the confitería Richmond on Suipacha and the Dominó.[4]Single source

Armando Garrido Sings Buscándote in El último perro, premiered at Cine Ocean.[5]Single source

Alberto Arenas Latest catalogued Canaro side, the milonga Me gusta bailar milonga.[6]Single source

Roberto Florio First recordings with Carlos Di Sarli: Fogón de huella and Porque regresas tú.[7]Single source

Jorge Durán Returns to Carlos Di Sarli's orchestra for a second spell lasting to 1958, with 19 recordings.[8]Single source

Alfredo Belusi Hired by José Basso; debuts on Radio Belgrano singing Recordándote.[9]Single source

Antonio Scatasso Dies in Buenos Aires.[10]Single source

Jorge Vidal Lead role in El tango en París, premiered at Cine Suipacha.[11]Single source

Guillermo Rico Records again with Canaro, including Meditación maleva.[12]Single source

Juan Carlos Godoy First record with Ricardo Tanturi for RCA Victor, Decís que no te quiero.[13]Single source

Carlos Gavito Starts dancing tango in Buenos Aires.[14]Single source

Osvaldo Centeno After learning at Club Sol's prácticas, starts dancing at the Centro Asturiano (Solís and Venezuela).[15]Single source

Héctor Mayoral Starts giving exhibitions at neighbourhood clubs.[16]Single source

Ruben Juarez Plays bandoneon in the youth orchestra of Club Atlético Independiente.[17]Single source

Osvaldo Centeno Through the 1950s dances from 7 pm to 3 am every night in the downtown confiterías, cabarets and clubs; Club Almagro becomes his favourite.[18]Single source

Elba Berón The duo ends when Rosita marries and moves to Colombia.[19]Single source

Armando Pontier Oscar Ferrari replaces Roberto Florio as singer.[20]Single source

Osvaldo Ramos Sings with the Romero-Spinelli orchestra as Osvaldo De Santis, at Palacio Güemes and Salón Colegiales.[21]Single source

Domingo Federico Plays a dance at Newell's Old Boys in Rosario, where he meets his future wife.[22]Single source

Roberto Goyeneche Becomes the singer of Aníbal Troilo's orchestra, staying until 1963.[23]Single source

Hugo Duval Last Odeon session (Alguien) in March; from late August records with Biagi for CBS-Columbia.[24]Single source

Argentino Ledesma Joins Carlos Di Sarli for about three months, on Radio El Mundo, at the Marabú and at the carnival dances of Club San Lorenzo.[25]Single source

Manuel Sucher Writes Muriéndome de amor with Carlos Bahr.[26]Single source

Lorenzo Barbero Tours Mendoza, San Rafael, Río Cuarto, Córdoba, Villa Mercedes and Rosario.[27]Single source

Eduardo Rovira Plays in Alfredo Gobbi's orchestra.[28]Single source

Enrique Francini Joins Astor Piazzolla's Octeto Buenos Aires.[29]Single source

Argentino Ledesma Returns to Varela and records hits including 'Fueron tres años' and 'Qué tarde has venido'; sings on Radio El Mundo's 'Glostora Tango Club'.[25]Single source

Roberto Pansera Back with Fresedo nightly at the Rendez-Vous, then leaves for the United States.[30]Single source

Oscar Ferrari Joins Armando Pontier, singing beside Julio Sosa, until 1960.[31]Single source

Rodolfo Lesica Records Historia de un amor with Varela, a major success.[32]Single source

Alberto Mancione Tours Chile, one of his only two trips abroad.[33]Single source

Carlos Figari Arranges and accompanies six TK recordings by Edmundo Rivero.[34]Single source

Ismael Spitalnik Joins Osvaldo Pugliese's orchestra and tours the Soviet Union and China with it.[35]Single source

Oscar Herrero Writes the instrumental Nochero soy.[36]Single source

Carlos Almada Broadcasts with Demare on Radio Belgrano.[37]Single source

Jorge Ledesma Brief spell with Lucio Demare at the Hotel Crillón; then with Héctor D'Espósito on Radio Belgrano.[38]Single source

Ricardo Malerba Records eight more sides for Odeon between March 1956 and January 1957, then five for Music Hall in 1957.[39]Single source

Floreal Ruiz Joins José Basso's orchestra, replacing Rodolfo Galé; about 40 recordings.[40]Single source

Raul Iriarte Theatre season in Mexico City; at the cabaret El Patio he records 'Prohibido' and 'Noche de locura' with Luis Álvarez's group.[41]Single source

Catulo Castillo Writes La última curda with Troilo.[42]Single source

Simón Bajour Di Sarli records his tango Duele más, signed with the pen name Tito Simón.[43]Single source

Amanda Ledesma Retires from show business.[44]Single source

Jorge Casal Tours the United States and Colombia; appears on the TV show El tango, señor de la ciudad.[45]Single source

Carlos Acuña First record with Mores, La calesita, for Odeon.[46]Single source

Roberto Caló Joins RCA Victor with Roberto Rufino; Soñemos is a hit, bringing Radio El Mundo and the Marabú and Chanteclair cabarets.[47]Single source

Hugo Baralis First violin of José Basso's orchestra until 1957.[48]Single source

Mario Pomar Forms Los Señores del Tango with Oscar Serpa; they broadcast on Radio Belgrano and record for Music Hall.[49]Single source

Francisco Amor Guest of Canaro on Radio El Mundo's Glostora Tango Club.[50]Single source

Francisco Canaro Publishes his memoirs to mark fifty years in popular music.[51]Single source

Osvaldo Fresedo Dizzy Gillespie improvises over his orchestra in a live recording at the Rendez Vous.[52]Single source

Julio Martel Leads his own orchestra, directed by Américo Podestá, and records four sides for Odeon.[53]Single source

Carlos Roldán Sings with Miguel Caló; records Desorientado.[54]Single source