Tango in 1957

Héctor Grané — recorded in Tango in 1957 (32 recordings)1957[1]Single source

Juan D'Arienzo — recorded in Tango in 1957 (26 recordings)1957[1]Single source

Mariano Mores — recorded in Tango in 1957 (19 recordings)1957[1]Single source

Armando Pontier — recorded in Tango in 1957 (18 recordings)1957[1]Single source

Astor Piazzolla — recorded in Tango in 1957 (17 recordings)1957[1]Single source

Héctor Varela — recorded in Tango in 1957 (17 recordings)1957[1]Single source

Lucio Demare — recorded in Tango in 1957 (14 recordings)1957[1]Single source

Alfredo De Angelis — recorded in Tango in 1957 (14 recordings)1957[1]Single source

Carlos Di Sarli — recorded in Tango in 1957 (12 recordings)1957[1]Single source

Osvaldo Pugliese — recorded in Tango in 1957 (12 recordings)1957[1]Single source

Francisco Canaro — recorded in Tango in 1957 (11 recordings)1957[1]Single source

Ricardo Tanturi — recorded in Tango in 1957 (10 recordings)1957[1]Single source

Alfredo Del Rio With Francisco Rotundo records Disfrazado and Nunca es tarde.[2]Single source

Rodolfo Galé Records Limosna de amor with Roberto Caló, in duet with Héctor De Rosas.[3]Single source

Fulvio Salamanca Records his last side with D'Arienzo, Sin barco y sin amor.[4]Single source

Juan D'Arienzo Salamanca makes his last recording with the orchestra before leaving to lead his own.[5]Single source

Eduardo Escaris Méndez Dies at the Hospicio de las Mercedes.[6]Single source

Jorge Valdez First recording with D'Arienzo: the tango "Andate por Dios".[7]Single source

Juan Polito Returns to D'Arienzo, recording Llegando a puerto.[8]Single source

Mario Demarco Pugliese records his tango Pata ancha for Odeon.[9]Single source

Carlos Marcucci Dies in Buenos Aires.[10]Single source

Tito Reyes First professional recording, Frente al espejo, with Roberto Caló's orchestra.[11]Single source

Héctor de Rosas Records Rosa de fuego with Roberto Caló's orchestra.[12]Single source

Raul Lavié Records Señora princesa with Héctor Varela's orchestra for Columbia.[13]Single source

Raúl Ledesma Last Caldara recording, No ves que nos queremos, for RCA Victor.[14]Single source

Jorge Caldara Records No ves que nos queremos with Raúl Ledesma for RCA Victor.[15]Single source

Alfredo Belusi Records De puro curda with Basso for Odeon.[16]Single source

Maria de la Fuente Records Tata llevame pa'l centro with Francisco Rotundo for Odeon.[17]Single source

Osvaldo Berlingieri Joins Aníbal Troilo's orchestra, replacing Osvaldo Manzi; stays until May 1968.[18]Single source

Carlos Yanel Records Reflexionemos with Alfredo Gobbi, the orchestra's last record for RCA Victor.[19]Single source

Alfredo Gobbi Last Victor session, Reflexionemos with Carlos Yanel; records for Orfeo in 1958.[20]Single source

Nina Miranda Marries and stops performing at her husband's request.[21]Single source

Horacio Sanguinetti Dies in Montevideo.[22]Single source

Enrique Maroni Dies in Buenos Aires.[23]Single source

Jorge Dispari Born in Buenos Aires.[24]Single source

Olga Delgrossi Joins Donato Racciatti's orchestra in Montevideo, replacing Nina Miranda.[25]Single source

Jorge Valdez Heard singing at the Aconcagua cinema in Villa Devoto by D'Arienzo's bandoneonist Carlos Lazzari, who brings him to audition.[7]Single source

Nelly Vázquez Second place in a Radio Splendid new-voices contest; wins a radio contract.[26]Single source

Hugo Marcel Sings with Leopoldo Federico's orchestra as a teenager.[27]Single source

Jorge Valdez Joins Juan D'Arienzo's orchestra together with Mario Bustos, replacing Alberto Echagüe and Armando Laborde.[7]Single source

José Colangelo Debuts on Radio Splendid with Ángel Genta's orchestra.[28]Single source

Armando Guerrico Joins Fulvio Salamanca's orchestra, takes the name Guerrico, and records Mano cruel and Adiós corazón.[29]Single source

Pepito Avellaneda Takes the stage name Pepito Avellaneda (around 1957–58) at a manager's suggestion.[30]Single source

Raúl Bravo Wins a dance contest at Confitería Dominó; later ones follow in 1964 and 1968.[31]Single source

ABEL AZNAR Writes De puro curda with Carlos Olmedo.[32]Single source

Ernesto Baffa | Ubaldo De Lío A record of his solos with Salgán appears on Antar Telefunken.[33]Single source

Alberto Di Paulo Becomes director and arranger for singers Alberto Echagüe and Armando Laborde, playing the Confitería Richmond.[34]Single source

Fulvio Salamanca Debuts his own orchestra on Radio Splendid in June.[4]Single source

Ubaldo De Lío Forms the duo with Horacio Salgán at the Jamaica club, where they play three years.[35]Single source

Domingo Federico Settles in Rosario.[36]Single source

Alberto Echague Leaves D'Arienzo with Armando Laborde to form an orchestra directed by Alberto Di Paulo, recording for Odeon and Philips.[37]Single source

Armando Laborde Sings in a duo with Alberto Echagüe, backed by Alberto Di Paulo's orchestra.[38]Single source

Oscar Rubens With his brother Elías writes ¿Por qué seguir?, recorded by Miguel Caló with Roberto Mancini.[39]Single source

Ángel Cabral La foule, Piaf's version with Michel Rivgauche's words, is published.[40]Single source

Carlos Olmedo Writes De puro curda with Abel Aznar.[32]Single source

Osvaldo Manzi Starts standing in for Osvaldo Pugliese at the piano of Pugliese's orchestra.[41]Single source

Carlos Lázzari Composes Pienso; his arranging marks D'Arienzo's recordings from this year on.[42]Single source

Hugo Duval Sings Mariposita on Biagi's Music Hall LP.[43]Single source

Lorenzo Barbero Plays Santiago and Valparaíso in Chile, then the Confitería La Armonía in Buenos Aires.[44]Single source

Mario Bustos Joins Juan D'Arienzo with Jorge Valdez after an audition at Radio El Mundo; debut at the Marabú.[45]Single source

Alfredo Del Rio Co-leads the Del Río-Rovira group with Eduardo Rovira on Radio Splendid.[46]Single source

Argentino Ledesma Starts a solo career recording for Odeon, accompanied by pianist Jorge Dragone.[47]Single source

Héctor Pacheco Leaves Fresedo; soloist on Radio El Mundo with Carlos García's orchestra.[48]Single source

Rodolfo Lesica Forms Los Ases del Tango with Raúl Lavié; records Si te llegara a perder for RCA Victor.[49]Single source

Horacio Salgan Meets guitarist Ubaldo De Lío at the Jamaica bar and begins their duo.[50]Single source

Carlos Figari Plays a season at the Confitería Adlon and tours São Paulo and Rio de Janeiro with Carlos Lombardi.[51]Single source

Francisco Rotundo Disbands the orchestra, barred for his Peronist views, and returns to the family paper business.[52]Single source

Raul Iriarte Works in Cuba on television, radio and in cabarets.[53]Single source

Juan Sanchez Gorio Tours Brazil; afterwards Mendoza and Bazán leave the orchestra.[54]Single source

Alberto Arenas Leaves Canaro (1957 per Todo Tango; Wikipedia says 1956).[55]Single source

Carlos Dante Leaves De Angelis after a last show at the carnival dances of the Club Provincial de Rosario.[56]Single source

Roberto Arrieta Tours Brazil and Mexico with Juan Canaro's orchestra.[57]Single source