Tango in 1951

Juan D'Arienzo — recorded in Tango in 1951 (20 recordings)1951[1]Single source

Carlos Di Sarli — recorded in Tango in 1951 (20 recordings)1951[1]Single source

Francisco Canaro — recorded in Tango in 1951 (15 recordings)1951[1]Single source

Aníbal Troilo — recorded in Tango in 1951 (15 recordings)1951[1]Single source

Alfredo De Angelis — recorded in Tango in 1951 (14 recordings)1951[1]Single source

Florindo Sassone — recorded in Tango in 1951 (12 recordings)1951[1]Single source

Héctor Varela — recorded in Tango in 1951 (11 recordings)1951[1]Single source

Osvaldo Pugliese — recorded in Tango in 1951 (10 recordings)1951[1]Single source

Osvaldo Fresedo — recorded in Tango in 1951 (10 recordings)1951[1]Single source

Alberto Mancione — recorded in Tango in 1951 (8 recordings)1951[1]Single source

Ricardo Pedevilla — recorded in Tango in 1951 (8 recordings)1951[1]Single source

Edgardo Donato — recorded in Tango in 1951 (8 recordings)1951[1]Single source

Mario Pomar Di Sarli's new orchestra, with Pomar and Oscar Serpa, opens at Radio El Mundo.[2]Single source

Adolfo Rivas Records Los mareados and Mimí Pinsón at Osmar Maderna's last session, for RCA Victor.[3]Single source

Osmar Maderna Makes his last Víctor recording on 29 March, his 52nd title for the label.[4]Single source

Jorge Ledesma First recording with Mancione, Sorbos amargos, for RCA Victor.[5]Single source

Oscar Larroca Debuts with Alfredo De Angelis on Radio El Mundo's Glostora Tango Club.[6]Single source

Enrique Carrera Sotelo Dies in San Telmo.[7]Single source

Juan Velich Dies in Buenos Aires.[8]Single source

Osmar Maderna Dies when his light plane collides with another near Lomas de Zamora.[4]Single source

Homero Manzi Dies of cancer in Buenos Aires; Troilo writes Responso in his memory.[9]Single source

Oscar Larroca First De Angelis recordings for Odeon: Flor de fango, Llevátelo todo, Por qué me das dique.[6]Single source

Hugo Baralis Directs Alberto Marino's orchestra; their first Odeon record, Margot, is cut on 21 May.[10]Single source

Rodolfo Galé First record with Florindo Sassone, Testamento de arrabal, for RCA Victor.[11]Single source

Victor D'Amario Records for the first time, for Pathé: Griseta with Alberto Santillán and the instrumental Jueves.[12]Single source

Antonio Sureda Dies in Buenos Aires.[13]Single source

Enrique Campos Back with Rotundo, records 'Llorando la carta'; in December he records 'El viejo vals' in duet with Floreal Ruiz.[14]Single source

Mario Bustos First recording with Eduardo Del Piano, Margot; seasons at the confitería Adlón on Florida.[15]Single source

Héctor de Rosas First recording with Eduardo Del Piano, No me pregunten por qué.[16]Single source

Juanjo Dominguez Born in Junín; the family moves to Lanús.[17]Single source

Oscar Larroca Records Almagro, a lifelong hit.[6]Single source

Carlos Di Sarli Returns with recordings for the Music Hall label, with Oscar Serpa and Mario Pomar.[18]Single source

Juan Carlos Copes Wins first prize with Nieves at a Luna Park contest of about 300 couples (15 November).[19]Single source

Armando Garrido Last recording with Fresedo, Sombra de humo.[20]Single source

Ricardo Pedevilla Records El Cachafaz for Pampa.[21]Single source

José María Aguilar Dies at Hospital Álvarez after being hit by a car.[22]Single source

Enrique Santos Discepolo Dies in Balvanera.[23]Single source

Ginamaría Hidalgo Plays Amelia in Corazón fiel.[24]Single source

Osvaldo Requena y Leopoldo Federico Pianist in Raúl Kaplún's orchestra; writes his first arrangement.[25]Single source

Roberto Florio First recordings with Lorenzo Barbero's Orquesta de la Argentinidad.[26]Single source

Orlando Tripodi Takes the piano of the Orquesta Símbolo Osmar Maderna, led by Aquiles Roggero, and arranges for it.[27]Single source

Víctor Lavallén Joins Miguel Caló's orchestra until 1954, touring Brazil.[28]Single source

Arturo Penón Joins Julio De Caro's orchestra; records for Odeon in June and July and plays on Radio El Mundo.[29]Single source

Ernesto Franco Replaces Leopoldo Federico in Osmar Maderna's orchestra until Maderna's death on 28 April.[30]Single source

Osvaldo Ramos Wins a contest at the confitería La Armonía on Corrientes.[31]Single source

Armando Laborde Joins Héctor Varela's re-formed orchestra, recording 24 sides for Pampa.[32]Single source

Lorenzo Barbero Starts recording for Odeon in October, with Roberto Florio singing.[33]Single source

Mario Demarco Forms his own orchestra late in the year, recording 18 titles for Pathé until mid-1953.[34]Single source

Héctor de Rosas Joins Florindo Sassone early in the year for a few months.[16]Single source

Alberto Podestá Starts a solo career on Radio Splendid and sings at the Maipú Pigall cabaret.[35]Single source

Eduardo Rovira Forms his own orchestra for Radio Splendid.[36]Single source

Roberto Di Filippo Joins the Radio Splendid house orchestra, later switching to oboe there.[37]Single source

Jorge Vidal Starts his solo recording career; six sides with Argentino Galván's orchestra for Pampa.[38]Single source

Francisco Fiorentino Joins pianist José Puglia and bandoneonist Edgardo Pedroza in Uruguay and makes his last three recordings in November.[39]Single source

ANGEL DOMINGUEZ Spends most of the year in Florindo Sassone's orchestra.[40]Single source

Andrés Falgás Sings with Julio De Caro's orchestra, without recording.[41]Single source

Nelly Omar Records for RCA Victor with Domingo Marafioti's orchestra.[42]Single source

Juan Sanchez Gorio Signs with the new Orfeo label and records Rodríguez Peña in September.[43]Single source

Sofía Bozán Plays herself in El patio de la morocha.[44]Single source

Alberto Arenas With Canaro on Radio El Mundo's Glostora Tango Club; tours of Brazil and the interior through 1954.[45]Single source

Alfredo De Angelis Appears in the film 'El cantor del pueblo'; Oscar Larroca sings beside Dante around this time.[46]Single source

Roberto Caló First records for Orfeo: El metejón with Oscar Larroca and a Troilo selection.[47]Single source

Carlos Marcucci Joins the Radio Splendid house orchestra under Francisco Trópoli, until 1957.[48]Single source

Oscar Serpa Returns to Di Sarli, sharing the vocals with Mario Pomar.[49]Single source

Ángel Vargas Begins recording with Armando Lacava's orchestra, his most recorded accompaniment after D'Agostino.[50]Single source

José Tinelli Records piano duets with César Zagnoli for RCA Victor.[51]Single source

Julio Martel Leaves De Angelis after the carnival dances at Club Gimnasia y Esgrima de La Plata.[52]Single source