Tango in 1934

Francisco Canaro — recorded in Tango in 1934 (59 recordings)1934[1]Single source

Francisco Lomuto — recorded in Tango in 1934 (23 recordings)1934[1]Single source

Edgardo Donato — recorded in Tango in 1934 (14 recordings)1934[1]Single source

Roberto Firpo — recorded in Tango in 1934 (11 recordings)1934[1]Single source

Osvaldo Fresedo — recorded in Tango in 1934 (4 recordings)1934[1]Single source

Miguel Caló — recorded in Tango in 1934 (3 recordings)1934[1]Single source

Orquesta Típica Los Provincianos (Ciriaco Ortiz) — recorded in Tango in 1934 (2 recordings)1934[1]Single source

Adolfo Carabelli — recorded in Tango in 1934 (2 recordings)1934[1]Single source

Orquesta De Tangos Ingles — recorded in Tango in 1934 (1 recordings)1934[1]Single source

Mario Melfi — recorded in Tango in 1934 (1 recordings)1934[1]Single source

Pedro Maffia — recorded in Tango in 1934 (1 recordings)1934[1]Single source

Antonio Maida First record, Esto es el colmo, with Edgardo Donato for RCA Victor.[2]Single source

Juan Maglio Records for the last time, for Odeón, on 17 April.[3]Single source

Teófilo Ibáñez Back at Victor; records Derecho viejo with lyrics on 1 June.[4]Single source

Roberto Ray Records 'Canto de amor' with Fresedo for RCA-Victor.[5]Single source

Juan Maglio Dies at his home at Bulnes 948.[3]Single source

Maria Nieves Born on 6 September in Saavedra, Buenos Aires.[6]Single source

Maria Nieves Born on 6 September in Saavedra, Buenos Aires.[6]Single source

Félix Gutiérrez Records A través de los años with Pedro Maffia for RCA Victor.[7]Single source

Ernesto Ponzio Dies of a heart aneurysm.[8]Single source

Leonardo Lerman Born in Buenos Aires.[9]Single source

Alberto Mancione First paid job, in bandoneonist José Figueroa's trio, touring and playing on Radio Mitre.[10]Single source

Armando Guerrico Sees Carlos Gardel perform at the Teatro Cristoforo Colombo in Quilmes.[11]Single source

Alfredo De Angelis Plays briefly as pianist in Graciano De Leone's orchestra, after accompanying singers and playing with Anselmo Aieta.[12]Single source

Alberto Castillo Sings with Julio De Caro's orchestra.[13]Single source

Roberto Lambertucci Writes his first tango, Viejo farolito, to music by his father.[14]Single source

Luciano Leocata Plays theatre seasons with José Tinelli at the Apolo, then the San Martín in 1936.[15]Single source

Maruja Pacheco Huergo Acts in Galería de esperanzas, written by Enrique Cadícamo.[16]Single source

ANGEL DOMINGUEZ Joins Ángel D'Agostino's orchestra.[17]Single source

José Libertella Arrives in Argentina as a baby and grows up in Villa Lugano.[18]Single source

Ricardo Pedevilla Plays in Daniel Álvarez's group with Armando Baliotti.[19]Single source

Félix Lipesker Moves to Buenos Aires to join Julio De Caro's orchestra.[20]Single source

Ricardo Ruiz Acts and sings on radio in Arsenio Mármol's Estampas porteñas.[21]Single source

Osvaldo Pugliese Pianist for Pedro Laurenz, writing his first arrangements for him.[22]Single source

Horacio Salgan Joins Radio Belgrano as a soloist, later playing on Radio Excelsior, Prieto and Stentor.[23]Single source

Francisco Fiorentino With Roberto Zerrillo's orchestra, sings a full lyric on the record of Serenata de amor rather than just the refrain.[24]Single source

Mario César Gomila Writes Farolero with Julio De Caro and Bibelot with Francisco De Caro.[25]Single source

Félix Gutiérrez Leaves Donato's orchestra; Antonio Maida replaces him.[2]Single source

Ricardo Tanturi The orchestra plays at the Alvear Palace Hotel.[26]Single source

Enrique Rodríguez Plays in a trio accompanying Francisco Fiorentino on Radio Belgrano.[27]Single source

Alfredo Malerba Accompanies Francisco Fiorentino's debut as a soloist on LR3 Radio Nacional.[28]Single source

Antonio Polito Writes Fiesta porteña with Juan Giliberti.[29]Single source

Roberto Arrieta Joins the quartet Los Magos del Tango on Radio Ultra.[30]Single source

Juan D'Arienzo Playing at the Chantecler cabaret on Paraná street with Luis Visca on piano; Carlos Di Sarli fills in for a month.[31]Single source

César Vedani Adiós muchachos is used in the Hollywood film Wonder Bar.[32]Single source

José Luis Padula Writes the vals Mi vida with Enrique Cadícamo.[33]Single source

José Dames Forms the duo Las Dos D with the pianist Rolando Dodero.[34]Single source

Joaquín Mora Writes Yo soy aquel muchacho with Vicente Russo and Máximo Orsi.[35]Single source

Julio César Sanders Adiós muchachos is used in Lloyd Bacon's film Wonder Bar.[36]Single source

Mario Melfi Writes Remembranza with Mario Battistella.[37]Single source

Juan Bautista Abad Reyes Begins writing for radio, on Belgrano, Fénix, Prieto and Argentina.[38]Single source

Raúl Kaplun In Caló's orchestra, which records twelve discs for Odeon through 1938.[39]Single source

Tino García Sings at bars on the Costanera Sur with Mariano Mores at the piano.[40]Single source

Pedro Laurenz Debuts his own orchestra at the café Los 36 Billares, Corrientes 965, with Osvaldo Pugliese on piano.[41]Single source

Lito Bayardo Settles in Buenos Aires.[42]Single source

Héctor María Artola Contracted to accompany Libertad Lamarque, until 1937.[43]Single source

Ada Falcón Appears in Ídolos de la radio.[44]Single source

Carlos Di Sarli Leaves his orchestra and moves to Rosario, where he plays with Juan Cambareri.[45]Single source

Miguel Caló Forms a new orchestra that records for Odeon, with Carlos Dante as main singer.[46]Single source

Ángel D'Agostino Forms his first tango-only orchestra, with Aníbal Troilo on bandoneon and Alberto Echagüe as singer.[47]Single source

Alfredo Le Pera Writes Cuesta abajo and Mi Buenos Aires querido for Gardel's films.[48]Single source

Ignacio Corsini Appears in Ídolos de la radio.[49]Single source

Sofía Bozán Begins her long run at the Teatro Maipo, to 1954.[50]Single source

Roberto Maida Joins Francisco Canaro's orchestra in November.[51]Single source

Enrique Santos Discepolo Writes Cambalache.[52]Single source

Emilio Fresedo Vida mía is premiered by Osvaldo Fresedo's orchestra with Roberto Ray at Radio Belgrano's Geniol dances.[53]Single source

Juan Bautista Deambroggio Writes Avellaneda with Mario Girardi.[54]Single source

José María Aguilar Recalled by Gardel to New York late in the year.[55]Single source

Juan Maglio Makes his last appearances on Radio Belgrano.[3]Single source

Horacio Pettorossi Declines Gardel's tour of the Americas; Aguilar replaces him.[56]Single source

Carlos Gardel Films Cuesta abajo, Mi Buenos Aires querido and Tango en Broadway for Paramount in New York.[57]Single source