Tango in the 1930s
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705 facts from published timelines, each with its source · Showing 60 of 705
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- www.todotango.com547
- es.wikipedia.org123
- jantango.wordpress.com10
- en.wikipedia.org8
- www.lanueva.com3
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- tangovoice.wordpress.com2
- festitangomedellin.blogspot.com2
- www.lanacion.com.ar2
- www.youtube.com1
- www.bn.gov.ar1
- soymilonguera.com1
- www.fundacionkonex.org1
- tangosalbardo.blogspot.com1
1930-01-02Antonio Rodio: Debuts with Pedro Maffia's orchestra at the Glorieta Río de la Plata.
1930-02-27Carlos Varela: First recordings with Firpo: A Montmartre and Qué querés con ese loro.
1930-03-20Ángel Domingo Riverol: First recordings with Carlos Gardel, with Barbieri and Aguilar.
1930-04-01Rodolfo Biagi: Records with Carlos Gardel for Odeon as part of his accompanying group.
1930-04-06Eduardo Pareja: Born on 6 April (inferred from his 90th birthday video; the 2012 homage gives his age as 82).
1930-04-19Antonio Rodio: Accompanies Carlos Gardel on record with Rodolfo Biagi at the piano.
1930-05-21Carlos Alberto Anzuate: Born; grows up in Almagro.
1930-06-21Luis Stazo: Born in Buenos Aires.
1930-06-26Alberto Gómez: Records Lloró el gaucho with Augusto Vila and the Típica Victor.
1930-08-26Lalo Martel: Born Raúl Oscar Harispe in San Justo.
1930-08-29JORGE UZUNIAN: Born on 29 August.
1930-10-31Fernando Díaz: First record, 'No tenés perdón de Dios', with Juan Maglio.
1930-11-06Teófilo Ibáñez: Records No te hagas curar with the Orquesta Típica Victor.
1930-11-30Pepito Avellaneda: Born José Domingo Monteleone in Avellaneda.
1930-12-05Mauricio Mise: Accompanies four Carlos Gardel recordings with Francisco Canaro's musicians.
1930Horacio Salgan: Starts working as a pianist at the cine Universal in Villa Devoto, then a silent-film house.
1930Florindo Sassone: Debuts professionally in Antonio Polito's group on Radio Belgrano.
1930José García: His new orquesta típica plays at the Teatro San Martín; grey suits give the band the name that becomes the Zorros Grises.
1930Héctor Marcó: Adopts the stage name Marcó.
1930Manuel Sucher: Forms a group with the bandoneonist Félix Lipesker in Rosario.
1930Eduardo Del Piano: The Del Piano-Paradiso group debuts at the Salón Liguria; Roberto Firpo hires him for the Palace Teatro.
1930Roberto Grela: Turns professional at seventeen, backing Roberto Maida on radio LR3.
1930Jorge Omar: Starts as a radio soloist accompanied by a guitar duo, already as Jorge Omar.
1930Alberto Rivera: Emigrates with his family to Argentina and settles in Santa Fe province.
1930Petróleo: Meets Esperanza Díaz at a milonga; she is his partner until 1949.
1930Aníbal Troilo: Joins the sextet of Elvino Vardaro and Osvaldo Pugliese, which never recorded.
1930Ricardo Malerba: The tour ends; the Malerba brothers stay on in Europe, playing in Portugal.
1930Ángel Vargas: Debuts at the café Marzotto, Corrientes 1124, singing afternoons with the Lando-Mattino orchestra.
1930Luis Rubistein: Carlos Gardel records his Tarde gris, with music by Juan Bautista Guido.
1930Carlos Pesce: El penado catorce, with Agustín Magaldi and Pedro Noda, appears.
1930Típica VICTOR: Records Queja melodiosa with Ernesto Famá and No te hagas curar with Teófilo Ibáñez.
1930Tino García: Joins Carlos Marcucci's sextet, heard on Radio Prieto and Radio Argentina and at the cabaret Dancing Ocean.
1930Homero Manzi: After the September coup he is jailed briefly and loses his literature posts at the Mariano Moreno and Sarmiento colegios.
1930Carlos Lenzi: Writes Araca París with Ramón Collazo, in Paris.
1930Rodolfo Sciammarella: Writes Vieja recova with Enrique Cadícamo.
1930Mario Canaro: Composes in Paris the tango Viejo gaucho, later Quiero verte una vez más.
1930Manuel Meaños: Writes Mi dolor with Marcucci.
1930José Horacio Staffolani: Writes Taconeando with Maffia.
1930Armando Baliotti: Forms the Baliotti-Ginzo orchestra, at the cabaret Imperio.
1930Andrés Domenech: His vals El payador takes third prize in Max Glücksmann's vals contest.
1930Juan Bautista Abad Reyes: Gives his views on lunfardo in tango in an interview for the magazine Femenil.
1930Héctor María Artola: Joins Bachicha's orchestra at the Montparnasse cabaret in Paris.
1930Tania: First recordings, with Osvaldo Fresedo's orchestra.
1930Principe Azul: Replaces Charlo in Francisco Lomuto's orchestra; fourteen recordings.
1930Edgardo Donato: Donato-Zerrillo dissolves after a tour with Azucena Maizani and Donato leads his own orchestra.
1930Alfredo Gobbi: Plays in the sextet of Elvino Vardaro and Osvaldo Pugliese, with Aníbal Troilo.
1930Roberto Maida: Premieres "Te odio" in a revue at the Teatro Sarmiento and records for Columbia.
1930Agustín Bardi: Writes Madre hay una sola with José de la Vega and Nunca tuvo novio with Enrique Cadícamo.
1930Alejandro Scarpino: Carlos Gardel records his No llore viejita.
1930Ramón Collazo: Writes Araca París with Carlos Lenzi, later recorded by Gardel.
1930Enrique Carrera Sotelo: Tita Merello records his comic tango Trabajar ¡nunca!
1930A. Bardi: Nunca tuvo novio appears.
1930Rosita Quiroga: Performs at the Teatro Empire.
1930Sofía Bozán: Records for Odeon, including Yira yira, which she premiered at the Teatro Sarmiento.
1930Roberto Diaz: Records Tinieblas with Carlos Marcucci's orchestra for Victor.
1930Carlos Viván: Records his own Cómo se pianta la vida with Maffia for Brunswick.
1930Casimiro Aín: Returns to live in Argentina (Todotango's chronicle says 1927).
1930Ángel D'Agostino: Plays at the opening of the Cine Edix at Corrientes and Callao, with Francisco Fiorentino singing refrains.
1930Manuel Buzon: Ends the Spanish tour by opening the Salón Moderno at the Seville Exposition; in August plays the Teatro Rívoli in Villa Crespo.
1930Enrique Santos Discepolo: Appears with Carlos Gardel in the short films in which Gardel sings Yira yira.