Tango in 1930

Francisco Canaro — recorded in Tango in 1930 (154 recordings)1930[1]Single source

Roberto Firpo — recorded in Tango in 1930 (64 recordings)1930[1]Single source

Edgardo Donato — recorded in Tango in 1930 (35 recordings)1930[1]Single source

Orquesta Típica Brunswick — recorded in Tango in 1930 (24 recordings)1930[1]Single source

Francisco Lomuto — recorded in Tango in 1930 (22 recordings)1930[1]Single source

Carlos Di Sarli — recorded in Tango in 1930 (16 recordings)1930[1]Single source

Julio De Caro — recorded in Tango in 1930 (12 recordings)1930[1]Single source

Minotto Di Cicco — recorded in Tango in 1930 (3 recordings)1930[1]Single source

Pedro Maffia — recorded in Tango in 1930 (2 recordings)1930[1]Single source

Orquesta Típica Porteña — recorded in Tango in 1930 (1 recordings)1930[1]Single source

Antonio Rodio Debuts with Pedro Maffia's orchestra at the Glorieta Río de la Plata.[2]Single source

Carlos Varela First recordings with Firpo: A Montmartre and Qué querés con ese loro.[3]Single source

Ángel Domingo Riverol First recordings with Carlos Gardel, with Barbieri and Aguilar.[4]Single source

Rodolfo Biagi Records with Carlos Gardel for Odeon as part of his accompanying group.[5]Single source

Eduardo Pareja Born on 6 April (inferred from his 90th birthday video; the 2012 homage gives his age as 82).[6]Single source

Antonio Rodio Accompanies Carlos Gardel on record with Rodolfo Biagi at the piano.[2]Single source

Carlos Alberto Anzuate Born; grows up in Almagro.[7]Single source

Luis Stazo Born in Buenos Aires.[8]Single source

Alberto Gómez Records Lloró el gaucho with Augusto Vila and the Típica Victor.[9]Single source

Lalo Martel Born Raúl Oscar Harispe in San Justo.[10]Single source

JORGE UZUNIAN Born on 29 August.[11]Single source

Fernando Díaz First record, 'No tenés perdón de Dios', with Juan Maglio.[12]Single source

Teófilo Ibáñez Records No te hagas curar with the Orquesta Típica Victor.[9]Single source

Pepito Avellaneda Born José Domingo Monteleone in Avellaneda.[13]Single source

Mauricio Mise Accompanies four Carlos Gardel recordings with Francisco Canaro's musicians.[14]Single source

Horacio Salgan Starts working as a pianist at the cine Universal in Villa Devoto, then a silent-film house.[15]Single source

Florindo Sassone Debuts professionally in Antonio Polito's group on Radio Belgrano.[16]Single source

José Garcia His new orquesta típica plays at the Teatro San Martín; grey suits give the band the name that becomes the Zorros Grises.[17]Single source

Héctor Marcó Adopts the stage name Marcó.[18]Single source

Manuel Sucher Forms a group with the bandoneonist Félix Lipesker in Rosario.[19]Single source

Eduardo Del Piano The Del Piano-Paradiso group debuts at the Salón Liguria; Roberto Firpo hires him for the Palace Teatro.[20]Single source

Roberto Grela Turns professional at seventeen, backing Roberto Maida on radio LR3.[21]Single source

Jorge Omar Starts as a radio soloist accompanied by a guitar duo, already as Jorge Omar.[22]Single source

Alberto Rivera Emigrates with his family to Argentina and settles in Santa Fe province.[23]Single source

Petróleo Meets Esperanza Díaz at a milonga; she is his partner until 1949.[24]Single source

Aníbal Troilo Joins the sextet of Elvino Vardaro and Osvaldo Pugliese, which never recorded.[25]Single source

Ricardo Malerba The tour ends; the Malerba brothers stay on in Europe, playing in Portugal.[26]Single source

Ángel Vargas Debuts at the café Marzotto, Corrientes 1124, singing afternoons with the Lando-Mattino orchestra.[27]Single source

Luis Rubistein Carlos Gardel records his Tarde gris, with music by Juan Bautista Guido.[28]Single source

Carlos Pesce El penado catorce, with Agustín Magaldi and Pedro Noda, appears.[29]Single source

Típica Victor Records Queja melodiosa with Ernesto Famá and No te hagas curar with Teófilo Ibáñez.[9]Single source

Tino García Joins Carlos Marcucci's sextet, heard on Radio Prieto and Radio Argentina and at the cabaret Dancing Ocean.[30]Single source

Homero Manzi After the September coup he is jailed briefly and loses his literature posts at the Mariano Moreno and Sarmiento colegios.[31]Single source

Carlos Lenzi Writes Araca París with Ramón Collazo, in Paris.[32]Single source

Rodolfo Sciammarella Writes Vieja recova with Enrique Cadícamo.[33]Single source

Mario Canaro Composes in Paris the tango Viejo gaucho, later Quiero verte una vez más.[34]Single source

Manuel Meaños Writes Mi dolor with Marcucci.[35]Single source

José Horacio Staffolani Writes Taconeando with Maffia.[36]Single source

Armando Baliotti Forms the Baliotti-Ginzo orchestra, at the cabaret Imperio.[37]Single source

Andrés Domenech His vals El payador takes third prize in Max Glücksmann's vals contest.[38]Single source

Juan Bautista Abad Reyes Gives his views on lunfardo in tango in an interview for the magazine Femenil.[39]Single source

Héctor María Artola Joins Bachicha's orchestra at the Montparnasse cabaret in Paris.[40]Single source

Tania First recordings, with Osvaldo Fresedo's orchestra.[41]Single source

Principe Azul Replaces Charlo in Francisco Lomuto's orchestra; fourteen recordings.[42]Single source

Edgardo Donato Donato-Zerrillo dissolves after a tour with Azucena Maizani and Donato leads his own orchestra.[43]Single source

Alfredo Gobbi Plays in the sextet of Elvino Vardaro and Osvaldo Pugliese, with Aníbal Troilo.[44]Single source

Roberto Maida Premieres "Te odio" in a revue at the Teatro Sarmiento and records for Columbia.[45]Single source

Agustín Bardi Writes Madre hay una sola with José de la Vega and Nunca tuvo novio with Enrique Cadícamo.[46]Single source

Alejandro Scarpino Carlos Gardel records his No llore viejita.[47]Single source

Ramón Collazo Writes Araca París with Carlos Lenzi, later recorded by Gardel.[32]Single source

Enrique Carrera Sotelo Tita Merello records his comic tango Trabajar ¡nunca![48]Single source

A. Bardi Nunca tuvo novio appears.[49]Single source

Rosita Quiroga Performs at the Teatro Empire.[50]Single source

Sofía Bozán Records for Odeon, including Yira yira, which she premiered at the Teatro Sarmiento.[51]Single source

Roberto Díaz Records Tinieblas with Carlos Marcucci's orchestra for Victor.[52]Single source

Carlos Viván Records his own Cómo se pianta la vida with Maffia for Brunswick.[53]Single source

Casimiro Aín Returns to live in Argentina (Todotango's chronicle says 1927).[54]Single source

Ángel D'Agostino Plays at the opening of the Cine Edix at Corrientes and Callao, with Francisco Fiorentino singing refrains.[55]Single source

Manuel Buzon Ends the Spanish tour by opening the Salón Moderno at the Seville Exposition; in August plays the Teatro Rívoli in Villa Crespo.[56]Single source

Enrique Santos Discepolo Appears with Carlos Gardel in the short films in which Gardel sings Yira yira.[57]Single source