Tango in 1929

Francisco Canaro — recorded in Tango in 1929 (199 recordings)1929[1]Single source

Roberto Firpo — recorded in Tango in 1929 (75 recordings)1929[1]Single source

Francisco Lomuto — recorded in Tango in 1929 (46 recordings)1929[1]Single source

Carlos Di Sarli — recorded in Tango in 1929 (24 recordings)1929[1]Single source

Juan D'Arienzo — recorded in Tango in 1929 (7 recordings)1929[1]Single source

Julio De Caro — recorded in Tango in 1929 (6 recordings)1929[1]Single source

Orquesta Típica Brunswick — recorded in Tango in 1929 (2 recordings)1929[1]Single source

Eduardo Du Perron — recorded in Tango in 1929 (1 recordings)1929[1]Single source

Luis Petrucelli — recorded in Tango in 1929 (1 recordings)1929[1]Single source

Toto Faraldo Born on 3 January.[2]Single source

Ernesto Famá Performs with Fresedo and Carlos Gardel at the La Copa de Leche benefit in Paris.[3]Single source

Ernesto Franco Born in Caballito, Buenos Aires.[4]Single source

Ubaldo De Lío Born in Boedo, Buenos Aires.[5]Single source

Ciriaco Ortiz First Victor session of his trio, 20 March 1929.[6]Single source

Finito Born in La Paternal, Buenos Aires, on 24 March.[7]Single source

Rafael Canaro Debuts at the Teatro Empire in Paris with Carlos Dante as refrain singer.[8]Single source

Carlos Marcucci Records the bandoneon solo Aires españoles for RCA Victor.[9]Single source

Manuel Buzon Sails for a tour of Spain, playing the Principal Palace in Barcelona and Maipú Pigall's in Madrid and recording for Victor.[10]Single source

Argentino Ledesma Born in Santiago del Estero.[11]Single source

Alberto Di Paulo Born Antonio J. Di Paolo in Buenos Aires.[12]Single source

Carlos Hernani Macchi Dies of cardiac arrest.[13]Single source

Ada Falcón Begins recording with Francisco Canaro on 24 July; about 180 sides to 28 September 1938.[14]Single source

Ricardo Vidort Born in Buenos Aires on 30 August.[15]Single source

Antonio Todaro Born in Chacarita, Buenos Aires; later raised in Mataderos.[16]Single source

Roberto Florio Born in Buenos Aires.[17]Single source

Elvira Santamaría Born in La Tablada.[18]Single source

Héctor Varela Starts professionally in Salvador Grupillo's orchestra, then plays in Alberto Gambino's orchestra for the radio show Chispazos de Tradición.[19]Single source

Mariano Mores The family moves to Spain; he returns to Buenos Aires around 1935.[20]Single source

Luis Rubistein Writes the words of Inspiración to Peregrino Paulos's music.[21]Single source

Victor D'Amario Plays matinées with Ponciano García's group at the cine América and the cine-bar Colón.[22]Single source

Amanda Ledesma Wins a singers' contest at the Gaumont cinema and debuts on Radio Prieto.[23]Single source

Hugo del Carril Starts on Radio del Pueblo, singing refrains with its orchestras.[24]Single source

Antonio Maida Debuts at about sixteen with a youth orchestra at the Café Germinal, then sings with Juan Maglio.[25]Single source

Carlos Varela Debuts on Radio Prieto; Roberto Firpo hires him late in the year.[26]Single source

Armando Baliotti Plays piano in Miguel Caló's first orchestra at the Astral.[27]Single source

Andrés Domenech Writes El barbijo with Jesús Fernández Blanco; Canaro records it with Charlo.[28]Single source

Juan Bautista Abad Reyes Writes Te fuiste ja ja with Gerardo Matos Rodríguez, later recorded by Gardel.[29]Single source

Antonio Rodio Records violin and piano duets with Enrique Delfino for Odeon, March to May.[30]Single source

Teófilo Ibáñez Last refrains with Firpo in November 1929.[31]Single source

Luis Díaz Becomes a leading Brunswick singer; sings in Julio De Caro's carnival orchestra.[32]Single source

Miguel Caló Forms his first orchestra, then disbands it to tour Spain with Cátulo Castillo's orchestra.[33]Single source

Carlos Dante Leaves for Europe with Rafael Canaro's orchestra; sings at El Garrón in Montmartre with Manuel Pizarro's orchestra.[34]Single source

Ernesto Famá Back in Buenos Aires, records briefly with Carlos Di Sarli's sextet.[3]Single source

Mario Battistella Travels to Italy and then to Paris, where he works as a translator for Paramount.[35]Single source

Ivo Pelay Writes Fondín de Pedro Mendoza with Raúl de los Hoyos and Luis César Amadori.[36]Single source

Juan José Guichandut Writes Misa de once with Tagini.[37]Single source

Joaquín Mora Plays in Vicente Fiorentino's group with Francisco Fiorentino.[38]Single source

Juan Polito Co-leads the Polito-D'Arienzo orchestra for the carnival at the Palais de Glace, with Carlos Dante singing.[39]Single source

Ada Falcón Records for Odeon with Enrique Delfino and Manuel Parada.[14]Single source

Libertad Lamarque Stars in El conventillo de la Paloma.[40]Single source

Sofía Bozán Records for Electra with Francisco Pracánico's orchestra.[41]Single source

Carlos Viván Records No me beses mujer with Pedro Maffia for Brunswick.[42]Single source

El Cachafaz Co-credited on the tango 'Tras cartón'.[43]Single source

Jesús Fernández Blanco El barbijo, with Domenech, appears and is recorded by Gardel.[28]Single source

Lito Bayardo Sings refrains with De Caro's orchestra at the carnival dances at the Teatro Ópera.[44]Single source

Armando Tagini Writes Misa de once with Guichandut.[37]Single source

María Luisa Carnelli Writes Se va la vida with Edgardo Donato and Pa'l cambalache with Rafael Rossi.[45]Single source

Luis Visca Muñeca brava, with Cadícamo, appears.[46]Single source

Alfredo Bigeschi Ignacio Corsini premieres Tango argentino, with Juan Maglio; Gardel records it soon after for Odeon.[47]Single source

Fernán Silva Valdés Writes carnival verses for the Troupe Moderna as Juan Corrales.[48]Single source

Gabriel Clausi Joins Pedro Maffia's orchestra in September, recording for Columbia and Brunswick until 1934.[49]Single source

Agustin Magaldi Moves to Brunswick; writes El penado catorce; seasons at the Cine Real.[50]Single source

Tita Merello Records twenty sides for Victor.[51]Single source

Elvino Vardaro Co-leads the Vardaro-Pugliese sextet, playing the Café Nacional.[52]Single source

Miguel Bucino Becomes the first to dance tango at the Teatro Colón, in Orfilia Rico's shows.[53]Single source

Gabino Coria Peñaloza Margaritas is a winner in the Glücksmann tango contest.[54]Single source

Agustin Magaldi The duo begins recording for Brunswick and writes El penado catorce, with Carlos Pesce's words.[55]Single source

José Bohr Acts in Sombras de gloria in Hollywood.[56]Single source

Anselmo Aieta Writes the vals Palomita blanca with Francisco García Jiménez.[57]Single source