Tango in 1928

Francisco Canaro — recorded in Tango in 1928 (211 recordings)1928[1]Single source

Osvaldo Fresedo — recorded in Tango in 1928 (106 recordings)1928[1]Single source

Roberto Firpo — recorded in Tango in 1928 (61 recordings)1928[1]Single source

Francisco Lomuto — recorded in Tango in 1928 (46 recordings)1928[1]Single source

Juan D'Arienzo — recorded in Tango in 1928 (34 recordings)1928[1]Single source

Julio De Caro — recorded in Tango in 1928 (24 recordings)1928[1]Single source

Juan Carlos Cobian — recorded in Tango in 1928 (15 recordings)1928[1]Single source

Carlos Di Sarli — recorded in Tango in 1928 (2 recordings)1928[1]Single source

Luis Petrucelli — recorded in Tango in 1928 (2 recordings)1928[1]Single source

Pippo Rache — recorded in Tango in 1928 (1 recordings)1928[1]Single source

Eduardo Bianco - Bachicha — recorded in Tango in 1928 (1 recordings)1928[1]Single source

Teófilo Ibáñez Debuts with Roberto Firpo at the Teatro Casino; first Odeon recordings on 8 February 1928.[2]Single source

Osvaldo Berlingieri Born in Haedo, Buenos Aires Province.[3]Single source

Tito Reyes Born Tito Cosme Sconza in Puente Alsina.[4]Single source

Carlos Viván Records Cocot de lujo with Juan Maglio for Odeon.[5]Single source

Edgardo Donato Buenos Aires debut as Los 9 ases del tango; plays the Select Lavalle cinema and starts recording for Brunswick.[6]Single source

Enrique Dizeo Azucena Maizani introduces Andate con la otra at the Teatro Maipo in the revue Misia Presidencia.[7]Single source

Simón Bajour Born in Poland; his parents ran a café opposite the town theatre.[8]Single source

Manuel Buzon Debuts his orchestra at the Cine Villa Crespo as leader, pianist and singer.[9]Single source

Luis Petrucelli His own orchestra records 54 sides between 2 July 1928 and 8 January 1931.[10]Single source

Julian Plaza Born in General Manuel Campos, La Pampa.[11]Single source

Rosa Cove Born.[12]Single source

Enrique Saborido Tells the story of La morocha in Caras y Caretas.[13]Single source

César Vedani Azucena Maizani makes the first recording of Barra querida; Vedani and Sanders travel to Paris and Barcelona to promote Adiós muchachos.[14]Single source

Carlos Gardel Opens in Paris at the Théâtre Fémina, followed in October by the Florida cabaret in Montmartre.[15]Single source

Típica Victor First vocal recording, Piba, sung by the violinist Antonio Buglione.[16]Single source

Antonio Buglione Sings Piba, the first vocal recording of the Orquesta Típica Victor.[16]Single source

Rodolfo Lesica Born Rodolfo Aiello in Buenos Aires; grows up in Parque Chacabuco.[17]Single source

Carlos Di Sarli First recording session for Victor: T.B.C. and La guitarrita.[18]Single source

Hugo Duval Born Luciano Hugo Giurbino in Buenos Aires.[19]Single source

Enrique Carrera Sotelo Gardel records Patadura in Paris.[20]Single source

Rodolfo Galé Born in Mendoza.[21]Single source

Gerardo Portalea Born (1928 per La Nación and his 2007 age; Clarín gives 1929).[22]Single source

Petróleo Starts dancing and meets el Negro Navarro, who refines his tango.[23]Single source

Francisco Fiorentino Joins Francisco Canaro's orchestra as bandoneonist, sometimes singing the refrain.[24]Single source

Ernesto Famá Goes to Paris with Osvaldo Fresedo's orchestra; they open the Nouvelle Garrón cabaret on rue Fontaine in Montmartre and also play the Paramount and the Lido.[25]Single source

Vicente Demarco Plays piano with José Arturo Severino, and with Juan Maglio the next year.[26]Single source

Orlando Goñi Debuts in Alfredo Calabró's orchestra.[27]Single source

Hugo Baralis Debuts at fourteen on Radio Cultura and with Minotto Di Cicco's orchestra at the Armenonville cabaret.[28]Single source

Juan D'Arienzo First recordings for the Electra label, owned by his relative Alfredo Améndola, with Carlos Dante among the singers.[29]Single source

Carlos Dante Sings at the Cine Hindú on Lavalle, with Anselmo Aieta's orchestra and then Pedro Maffia's sextet; first recordings for Electra.[30]Single source

Alfredo Malerba Joins Cátulo Castillo's orchestra for Spain with his brothers; debuts at the Teatro Empire and the Excelsior cabaret in Barcelona and records for Odeón.[31]Single source

Rodolfo Sciammarella Gardel records No te engañes corazón and Che Bartolo.[32]Single source

Juan José Guichandut Writes Marioneta with Tagini.[33]Single source

Nolo López D'Arienzo records Chirusa with Carlos Dante.[34]Single source

Joaquín Mora Debuts on bandoneon in Antonio Bonavena's orchestra and writes his first tango, Viejo barrio.[35]Single source

Feliciano Brunelli Records accordion solos for Odeon, to 1930.[36]Single source

Juan Polito Plays with Anselmo Aieta's sextet at the cafés Germinal and Guaraní, then forms his first orchestra at the Salón Imperio.[37]Single source

Raúl Kaplun With Armando Baliotti's group at Cine Los Andes; first broadcast on Radio Prieto.[38]Single source

David Díaz Leaves the family group to settle in Bahía Blanca, where he plays in the LU2 and LU7 radio orchestras.[39]Single source

Tania Sings on Radio Prieto, then Radio París, Belgrano and others.[40]Single source

Principe Azul Records Flor de noche and Piedad in Brazil with José Luis Andreoni's orchestra for Parlophone.[41]Single source

Roberto Maida Travels to Spain as vocalist of Cátulo Castillo's orchestra and records for Odeon there.[42]Single source

Alfredo Le Pera El Mundo sends him to the United States and Europe.[43]Single source

Luis César Amadori Portero suba y diga, with Eduardo de Labar's music, appears.[44]Single source

Lito Bayardo Writes Duelo criollo with Juan Rezzano; in October his trio tours with Julio De Caro's orchestra.[45]Single source

María Luisa Carnelli De Caro records El malevo on 2 February, as an instrumental; she writes Primer agua with Francisco De Caro.[46]Single source

Juan Caldarella Francisco Canaro records Seguime si podés, written with Alejandro Scarpino.[47]Single source

Julio César Sanders Travels to Europe with Vedani and visits Gardel at the Florida cabaret in Paris.[48]Single source

Ramón Collazo Writes Mama yo quiero un novio with Roberto Fontaina and Agua florida with Fernán Silva Valdés.[49]Single source

Fernán Silva Valdés Writes Agua florida with Ramón Collazo.[50]Single source

Mario Melfi Plays bandoneon in Eduardo Bianco's orchestra.[51]Single source

Carlos Marcucci Leads his own sextet; plays the Cine Metropol, El Nacional and Germinal.[52]Single source

Gabriel Clausi Joins Juan Maglio, who records his tango En un rincón del café.[53]Single source

Ángel D'Agostino Co-leads a group with Alfredo Mazzeo on Radio Prieto.[54]Single source

Mercedes Simone Begins on radio, first on Radio Splendid and then on Radio Belgrano, hired by Jaime Yankelevich.[55]Single source

Enrique Santos Discepolo Esta noche me emborracho becomes a hit in the voice of Azucena Maizani.[56]Single source

Catulo Castillo Leads an orchestra under his own name in Spain, with Carlos, Alfredo and Ricardo Malerba, Miguel Caló and the singer Roberto Maida.[57]Single source

José De Grandis Writes words for Bardi's Adiós pueblo and words and music of Aquel muchacho triste.[58]Single source

Dante A. Linyera Founds La Canción Moderna with Julio Korn; first issue in March.[59]Single source

Modesto Papavero Writes Sosegate Feliciano.[60]Single source