Tango in 1938

Francisco Canaro — recorded in Tango in 1938 (51 recordings)1938[1]Single source

Juan D'Arienzo — recorded in Tango in 1938 (28 recordings)1938[1]Single source

Francisco Lomuto — recorded in Tango in 1938 (19 recordings)1938[1]Single source

Quinteto Don Pancho (Francisco Canaro) — recorded in Tango in 1938 (18 recordings)1938[1]Single source

Edgardo Donato — recorded in Tango in 1938 (13 recordings)1938[1]Single source

Julio De Caro — recorded in Tango in 1938 (9 recordings)1938[1]Single source

Rodolfo Biagi — recorded in Tango in 1938 (8 recordings)1938[1]Single source

Osvaldo Fresedo — recorded in Tango in 1938 (7 recordings)1938[1]Single source

Juan Canaro — recorded in Tango in 1938 (6 recordings)1938[1]Single source

Roberto Firpo — recorded in Tango in 1938 (5 recordings)1938[1]Single source

Cuarteto Típico Roberto Firpo — recorded in Tango in 1938 (4 recordings)1938[1]Single source

Lucio Demare — recorded in Tango in 1938 (4 recordings)1938[1]Single source

Alberto Echague First recording with Juan D'Arienzo, Indiferencia; with the orchestra he plays the Chantecler cabaret and Radio El Mundo.[2]Single source

Alfredo Eusebio Gobbi Dies in Buenos Aires.[3]Single source

Ricardo Malerba Debuts his own orchestra on Radio Belgrano, after earlier work at the Tabarís cabaret and Radio La Voz del Aire; stays at Belgrano more than twenty years.[4]Single source

Maruja Pacheco Huergo Ignacio Corsini records El adiós; she polls over thirty thousand votes as Miss Radio.[5]Single source

Juan Carlos Casas First recording with Pedro Laurenz, Vieja amiga, for RCA Victor.[6]Single source

Juan Carlos Casas Records the milonga Milonga compadre with Laurenz.[6]Single source

Lucio Demare His own orchestra makes its first Odeón recording, La racha.[7]Single source

Francisco Amor First recording with Francisco Canaro, Salud, salud.[8]Single source

Rodolfo Biagi Last recording with D'Arienzo, Champagne tango, after 71 sides together.[9]Single source

Juan D'Arienzo Biagi's last recording with the orchestra, Champagne tango; Juan Polito takes over the piano that July.[10]Single source

Dante A. Linyera Dies in Buenos Aires.[11]Single source

Carlos Varela Last recording with Firpo.[12]Single source

Roberto Ray With 'Media vida' he moves from refrain singer to Fresedo's full featured singer.[13]Single source

Agustin Magaldi Dies in Buenos Aires after liver surgery.[14]Single source

Agustin Magaldi Dies in Buenos Aires.[15]Single source

Rodolfo Biagi Debuts his own orchestra at the Marabú cabaret.[16]Single source

Roberto Caló As the new singer of his brother Miguel Caló's orchestra, records Dulce amargura and Luces del puerto.[17]Single source

Osvaldo Cartery Born in Buenos Aires (Todotango; Tango Voice gives 1939).[18]Single source

Donato Racciatti Starts out as a radio bandoneonist with the típicas Los Brujos and Los Zorros Grises.[19]Single source

Alberto Mancione Leads the Típica Armenonville for a three-month contract at the Palermo Palace, with Floreal Ruiz singing as Carlos Martel.[20]Single source

Raul Iriarte Joins Mario Azzerboni's neighbourhood orchestra, then sings briefly with Edgardo Donato and with Enrique Forte.[21]Single source

Homero Expósito Writes his first tango, Rodando, with his brother Virgilio; Libertad Lamarque sings it.[22]Single source

Virgilio Expósito Writes his first tango, Rodando, with Homero at their parents' house in Zárate; at fourteen he also composes Maquillaje.[23]Single source

Francisco Lauro Forms Los Mendocinos, named after the restaurant Un Rincón de Mendoza; the group also plays the Café Germinal and debuts on LR3 Radio Belgrano.[24]Single source

Jorge Caldara At about fourteen plays in Cieguito Tarantini's orchestra at Café El Nacional on Corrientes.[25]Single source

Mario Pomar Sings with Federico Scorticati's orchestra on LR3 Radio Belgrano, still as Mario Corrales.[26]Single source

Orlando Medina Sings with Héctor Varela on Radio Belgrano and at the Cabaret Imperio, until 1940.[27]Single source

Osmar Maderna Moves to Buenos Aires, plays solo radio spots and joins Manuel Fernández's orchestra.[28]Single source

Roberto Rufino Hired by Carlos Di Sarli, who presents him at the Moulin Rouge cabaret and on Radio El Mundo.[29]Single source

Floreal Ruiz Becomes the singer of José Otero's orchestra under the name Fabián Conde.[30]Single source

Julian Centeya Writes the milonga Julián Centeya with José Canet, which gives him his pen name.[31]Single source

Juan Sanchez Gorio Becomes first bandoneon of Francisco Lauro's orchestra Los Mendocinos, with Mario Landi singing.[32]Single source

Miguel Montero Radio debut on Radio del Pueblo as Alberto Luna.[33]Single source

Aldo Campoamor Travels to France with Rafael Canaro's orchestra and records Viejos tiempos in Paris.[34]Single source

Mariano Mores The Moragues sisters' duo becomes the Trío Mores; he makes first recordings for Columbia and appears on Radio Belgrano.[35]Single source

José Garcia Barbará leaves to form his own orchestra and Rodolfo Lozano takes the piano.[36]Single source

Héctor Mauré Wins Radio Belgrano's Puloil contest for new voices, earning six months of paid performances.[37]Single source

José Canet Writes the milonga Julián Centeya on Amleto Vergiati's verses.[38]Single source

Vicente Demarco Accompanies Agustín Magaldi until the singer's death.[39]Single source

David Díaz Joins Aníbal Troilo's orchestra as first violin, replacing José Stilman.[40]Single source

Andrés Falgás Joins Juan Canaro, with shows, radio and five recordings.[41]Single source

Alberto Castillo Leaves Rodas to concentrate on medical studies; he later qualifies as a gynaecologist at the Universidad Nacional de La Plata.[42]Single source

Francisco Gorrindo Juan D'Arienzo premieres Paciencia and La bruja on Radio El Mundo; Rodolfo Biagi records Gólgota.[43]Single source

Antonio Polito Writes De rodillas with León Castaing and Nolo López.[44]Single source

Carlos Pesce Writes La milonga que faltaba with Edgardo Donato.[45]Single source

Pintín Castellanos Writes the milonga El temblor.[46]Single source

Nolo López Writes Allá en el dock with Héctor Marcó and De rodillas with Antonio Polito and León Castaing.[47]Single source

Típica Victor Records Adiós Buenos Aires and Sin rumbo fijo with Ángel Vargas.[48]Single source

José Tinelli Records the film tango El embrujo de tu violín for Odeon, sung by Chola Bosch and Luis Bottini.[49]Single source

Ricardo Pedevilla Joins Oscar Rossano's orchestra on Radio Belgrano.[50]Single source

Félix Gutiérrez Becomes refrain singer of Mario Azzerboni's orchestra.[51]Single source

Ángel Vargas Records refrains with the Orquesta Típica Victor under Federico Scorticati.[52]Single source

Luis Rubistein Writes Nada más with Juan D'Arienzo and Carnaval de mi barrio.[53]Single source

Jesús Fernández Blanco Writes the milonga La trifulca with Juan Rezzano.[54]Single source

Ramón Collazo Stars in the film Soltero soy feliz.[55]Single source

Juan Polito Replaces Rodolfo Biagi as pianist of Juan D'Arienzo's orchestra in July.[56]Single source

Armando Tagini Writes El cornetín del tranvía with Oscar Arona.[57]Single source

Enrique Delfino Acts in Ronda de estrellas.[58]Single source

Héctor María Artola Plays in Paris with Rafael Canaro's orchestra.[59]Single source

Teófilo Ibáñez First singer of Rodolfo Biagi's orchestra, for eight months.[60]Single source