Tango in 1939

Francisco Canaro — recorded in Tango in 1939 (39 recordings)1939[1]Single source

Juan D'Arienzo — recorded in Tango in 1939 (26 recordings)1939[1]Single source

Osvaldo Fresedo — recorded in Tango in 1939 (18 recordings)1939[1]Single source

Francisco Lomuto — recorded in Tango in 1939 (17 recordings)1939[1]Single source

Edgardo Donato — recorded in Tango in 1939 (15 recordings)1939[1]Single source

Julio De Caro — recorded in Tango in 1939 (12 recordings)1939[1]Single source

Rodolfo Biagi — recorded in Tango in 1939 (12 recordings)1939[1]Single source

Quinteto Don Pancho (Francisco Canaro) — recorded in Tango in 1939 (12 recordings)1939[1]Single source

Cuarteto Típico Roberto Firpo — recorded in Tango in 1939 (6 recordings)1939[1]Single source

Carlos Di Sarli — recorded in Tango in 1939 (2 recordings)1939[1]Single source

Juan Canaro — recorded in Tango in 1939 (1 recordings)1939[1]Single source

Roberto Firpo — recorded in Tango in 1939 (1 recordings)1939[1]Single source

Carlos Di Sarli Debuts his rebuilt orchestra on Radio El Mundo.[2]Single source

Carlos Roldán Stars in El tango de oro on Radio Belgrano, scripted by Homero Manzi, working with Roberto Firpo.[3]Single source

Ruben Harymbat Born on 1 March; he grows up in Pompeya.[4]Single source

Luis Díaz Last recordings, Era mi vida and Coraje, on 17 March; retires.[5]Single source

Mario Pomar First records with the Orquesta Típica Victor, the vals Vuelve otra vez and the ranchera La mentirosa.[6]Single source

Martha Anton Born in Bonifacio, Laguna Alsina.[7]Single source

Héctor Stamponi His first tango, "Inquietud", written with Francini, is recorded by Osvaldo Fresedo.[8]Single source

Enrique Camerano First violin at the presentation of Osvaldo Pugliese's orchestra at café El Nacional.[9]Single source

Enrique Alessio Plays bandoneon at the debut of Osvaldo Pugliese's orchestra at Café El Nacional on Corrientes.[10]Single source

Aniceto Rossi Double bassist of Pugliese's orchestra at its presentation at café El Nacional.[11]Single source

Amadeo Mandarino Sings at Osvaldo Pugliese's debut at the Café El Nacional.[12]Single source

Osvaldo Pugliese Debuts his cooperative orchestra at the café El Nacional, Corrientes 980, with Amadeo Mandarino singing.[13]Single source

Julio Martel Billed under his real name as a singer with guitars at the Teatro Magazine.[14]Single source

Enrique Campos Appears in the Uruguayan film Radio Candelario, which opens at the Radio City cinema.[15]Single source

Francisco Amor Premieres Cuartito azul with Canaro.[16]Single source

Osmar Maderna Joins Miguel Caló's orchestra as pianist in October, replacing Héctor Stamponi.[17]Single source

Pedro Numa Córdoba Ay Aurora, by Gardel, Razzano and Córdoba, is registered with SADAIC.[18]Single source

Roberto Rufino Makes his first recording with Di Sarli, Corazón.[19]Single source

Carlos Posadas Carlos Di Sarli's orchestra makes its first recording with Retirao.[20]Single source

Carlos Di Sarli Back at Victor, records Corazón with Roberto Rufino singing, and Retirao.[2]Single source

Alberto Echague Records Trago amargo, the last of 27 sides in his first stage with D'Arienzo, then leaves to sing with Juan Polito at the confitería Richmond.[21]Single source

Clara Raquel Lamdan Born.[22]Single source

Cacho Dante Born, and grows up in Flores.[23]Single source

Gerónimo Bongioni Leads Los Ases del Buenos Aires de Ayer on Radio Belgrano, with Juan Carlos Cambón at the piano.[24]Single source

Virulazo Starts dancing tango at about 13 in neighbourhood clubs and Mataderos.[25]Single source

Alberto Podestá Moves to Buenos Aires with Hugo del Carril's support, auditions at the Paradise café and is hired by Miguel Caló, singing at the Singapur cabaret as Juan Carlos Morel.[26]Single source

Alberto Marino First sings with an orchestra, Emilio Balcarce's, as Alberto Demari.[27]Single source

Raúl Berón Debuts with Miguel Caló's orchestra at the Dancing.[28]Single source

Roberto Chanel Osvaldo Pugliese's new orchestra starts playing the Café Nacional, where Chanel was singing with "el Cieguito" Tarantino's group.[29]Single source

Horacio Sanguinetti Ignacio Corsini records his canción serrana Morocha triste, with music by Enrique Maciel.[30]Single source

Osvaldo Ruggiero Joins Osvaldo Pugliese's orchestra at seventeen; it plays Café Germinal and debuts at Café El Nacional in August.[31]Single source

Eduardo Rovira First tour, with Florindo Sassone's orchestra, where he meets Osvaldo Manzi.[32]Single source

Carlos Lázzari Teenage debut in Pedro Maffia's orchestra, which disbands that year.[33]Single source

Ismael Spitalnik Joins Emilio Balcarce's group and briefly the Orquesta Típica Nobel.[34]Single source

Alberto Mancione Co-founds the Orquesta Típica Los Dados Blancos with Bernardo Álvarez.[35]Single source

Héctor Marcó Writes Corazón with Carlos Di Sarli.[36]Single source

Roberto Lambertucci Osvaldo Fresedo records Viejo farolito with Ricardo Ruiz.[37]Single source

ANGEL DOMINGUEZ Plays in Joaquín Mora's new orchestra, presented on Radio Prieto.[38]Single source

Jorge Caldara Joins violinist Alberto Pugliese's orchestra, playing the Sociedad Rural dances and Radio del Pueblo.[39]Single source

Enrique Díaz Joins Aníbal Troilo's orchestra on the recommendation of his brother David.[40]Single source

Alberto Rivera Moves to Buenos Aires after radio work in Rosario (LT3, LT8 Radio Cerealista).[41]Single source

Astor Piazzolla Joins Aníbal Troilo's orchestra as a bandoneonist, first filling in for an ailing player.[42]Single source

Héctor Varela Forms his first orchestra, which plays on radio but never records.[43]Single source

Floreal Ruiz Records the march of Club Platense with José Otero's orchestra.[44]Single source

Mario César Gomila Writes Soy milonguero with Miguel Caló.[45]Single source

Alfredo Attadia Plays briefly as first bandoneon for Armando Baliotti, then joins Ángel D'Agostino as lead bandoneon and arranger.[46]Single source

Oscar Serpa The Pelaia-Serpa duo is hired by Radio Belgrano.[47]Single source

Ricardo Ruiz Becomes a permanent singer of Fresedo's orchestra.[48]Single source

Aldo Campoamor Joins Radio El Mundo for several years, with Edmundo Zaldívar's guitars.[49]Single source

Aníbal Troilo Astor Piazzolla joins as bandoneonist and arranger, staying until 1944.[50]Single source

Mariano Mores Joins Francisco Canaro's orchestra, debuting with it at the Teatro Nacional on Corrientes.[51]Single source

Mario Canaro Quiero verte una vez más, with José María Contursi's words, appears.[52]Single source

Maruja Pacheco Huergo Writes Sinfonía de arrabal, recorded by Edgardo Donato's orchestra.[53]Single source

David Díaz Recommends his younger brother Kicho to Troilo as double bassist.[40]Single source

Andrés Falgás Replaces Teófilo Ibáñez in Rodolfo Biagi's orchestra, recording eleven sides to April 1940.[54]Single source

Alberto Amor Short stays with Carlos Di Sarli and Osvaldo Pugliese, no recordings.[55]Single source

Roberto Arrieta Begins two years as a soloist on LR3 Radio Belgrano.[56]Single source

Francisco Gorrindo Writes Mala suerte with Francisco Lomuto.[57]Single source

Pintín Castellanos Forms his own orchestra.[58]Single source

Samuel Castriota His music is used in the film La vida es un tango.[59]Single source