Tango in 1936

Francisco Canaro — recorded in Tango in 1936 (38 recordings)1936[1]Single source

Juan D'Arienzo — recorded in Tango in 1936 (24 recordings)1936[1]Single source

Francisco Lomuto — recorded in Tango in 1936 (14 recordings)1936[1]Single source

Roberto Firpo — recorded in Tango in 1936 (13 recordings)1936[1]Single source

Edgardo Donato — recorded in Tango in 1936 (12 recordings)1936[1]Single source

Julio De Caro — recorded in Tango in 1936 (9 recordings)1936[1]Single source

Miguel Caló — recorded in Tango in 1936 (6 recordings)1936[1]Single source

Osvaldo Fresedo — recorded in Tango in 1936 (5 recordings)1936[1]Single source

Cuarteto Típico Roberto Firpo — recorded in Tango in 1936 (4 recordings)1936[1]Single source

Quinteto Los Virtuosos — recorded in Tango in 1936 (4 recordings)1936[1]Single source

Enrique Santos Discepolo — recorded in Tango in 1936 (1 recordings)1936[1]Single source

Pedro Maffia — recorded in Tango in 1936 (1 recordings)1936[1]Single source

Francisco Amor Debuts with Florindo Sassone's orchestra at the Café El Nacional and on Radio Belgrano.[2]Single source

Alberto Amor Professional debut on Radio Belgrano with Sassone.[3]Single source

Florindo Sassone His first orchestra debuts on Radio Belgrano and plays the café Nacional and the cabaret Marabú, with Alberto Amor singing.[4]Single source

Raúl Garello Born in Chacabuco, Buenos Aires Province.[5]Single source

Enrique Campos First public performance at the Cine Helvético in Colonia Suiza, with guitarists Alfredo Solís and Carlos Méndez.[6]Single source

Tete Rusconi Born in Pompeya on 9 January.[7]Single source

Jorge Omar Records a sung version of A la gran muñeca with Lomuto for Victor.[8]Single source

Mercedes Simone Sombras porteñas, directed by Daniel Tinayre, opens.[9]Single source

Andrés Falgás First record, for Odeon: Pena de amor and Cofrecito.[10]Single source

Flaco Dany Born on 8 May in La Paternal, Buenos Aires.[11]Single source

Juan Carlos Bazán Dies.[12]Single source

Jorge Ortiz Sings with Donato at an RCA-Victor festival at the Cine Ambassador.[13]Single source

ABEL AZNAR Nelly Omar premieres his first tango, Igual te quiero, on the radio.[14]Single source

Eduardo Arquimbau Born in Buenos Aires on 28 November.[15]Single source

Alberto Dassieu Born, in the year the Obelisk was inaugurated.[16]Single source

Nito Garcia Born in Bragado; grows up in Avellaneda.[17]Single source

Héctor Stamponi Comes to Buenos Aires with Juan Elhert's group and plays the matinée at Juan Manuel; then forms a trio with Francini and Pontier on Radio Argentina.[18]Single source

Roberto Rufino Debuts professionally at Café El Nacional with Francisco Rosse's orchestra, then sings at the Petit Salón with Antonio Bonavena.[19]Single source

Floreal Ruiz Wins a singing contest on Radio Fénix, entered under a pseudonym.[20]Single source

Héctor Mauré Debuts as Tito Falivene at the café Río de la Plata, at Ángel Gallardo and Honorio Pueyrredón, singing there three months.[21]Single source

Julio Martel The family moves to Munro, where he starts singing.[22]Single source

Ángel Cabral Composes the vals Que nadie sepa mi sufrir with Enrique Dizeo.[23]Single source

Héctor Grané Joins Pedro Laurenz's orchestra as pianist at the end of the year.[24]Single source

Aniceto Rossi Meets Osvaldo Pugliese and plays bass in his early attempts at an orchestra.[25]Single source

Hugo Diaz Debuts at nine on a radio station in Santiago del Estero.[26]Single source

Oscar Serpa Debuts in Buenos Aires as Alfredo Pelaia's duo partner.[27]Single source

Juan Carlos Godoy His family moves to La Boca, Buenos Aires.[28]Single source

Miguel Montero First barrio performance, at Club All Boys.[29]Single source

Alfredo De Angelis Forms the Orquesta Típica Álvarez-De Angelis with Daniel Álvarez; it plays the Café Germinal for over a year.[30]Single source

José Basso Joins the orchestra of Emilio and José De Caro, replacing Héctor Grané; Francisco Grillo and José Tinelli follow.[31]Single source

Mariano Mores Hired as pianist for international music at Bar Vicente on Corrientes, after an audition.[32]Single source

José Garcia Settles the Zorros Grises line-up with pianist Juan Carlos Barbará and singers Augusto Gauthier and Nilda Wilson.[33]Single source

Juan Cambareri Joins Roberto Firpo's Cuarteto Los de Antes, after first playing in Firpo's orchestra as a teenager.[34]Single source

Enrique Campos Sings on the programme Caramelos surtidos on CX18 radio, then joins Eduardo Depauli's company under the name Eduardo Ruiz.[6]Single source

Carlos Bahr Turns to popular song after being turned back in Montevideo on his way to the Spanish Civil War.[35]Single source

Orlando Goñi Joins Juan Carlos Cobián's orchestra, where he plays again beside Aníbal Troilo.[36]Single source

Roberto Grela Leads the guitars accompanying Fernando Díaz, until 1938.[37]Single source

Alberto Arenas Sings with Alberto Pugliese's orchestra, including at the Cabaret D'Azur.[38]Single source

Osvaldo Pugliese Plays in Miguel Caló's group; the same year he joins the Communist Party.[39]Single source

Horacio Salgan Roberto Firpo hires him for his orchestra; around the same time he arranges for Miguel Caló.[40]Single source

Típica Victor Federico Scorticati takes over as director; first session with Héctor Palacios.[41]Single source

Ricardo Pedevilla Joins Joaquín Mora's orchestra.[42]Single source

José Pascual His tango Mi ruego is dated to this year.[43]Single source

Mauricio Mise Joins Pedro Laurenz's orchestra at Confitería Richmond, replacing Alfredo Gobbi.[44]Single source

Hugo del Carril Meets Tito Ribero at Radio El Mundo; records for Victor with his orchestra.[45]Single source

Ricardo Tanturi Enlarges the orchestra and plays the summer season at the Hotel Carrasco in Montevideo, for which he writes the march 'Carrasco'.[46]Single source

Enrique Rodríguez Founds his own orchestra, which debuts at the Cabaret Sing Sing.[47]Single source

Carlos Dante Forms a duo with Pedro Noda at Agustín Irusta's suggestion.[48]Single source

Luis César Amadori Co-directs his first film, Puerto Nuevo, with Mario Soffici.[49]Single source

Enrique Dizeo Writes the Peruvian vals Que nadie sepa mi sufrir with Ángel Cabral.[50]Single source

Julio César Sanders Writes the music for the film Canillita.[51]Single source

Feliciano Brunelli Pianist of the Cuarteto del 900 with Vardaro, Troilo and Bour, on Radio Mitre.[52]Single source

Antonio Rodio Founds Los Poetas del Tango with singer Francisco Fiorentino, heard on Radio Belgrano.[53]Single source

Agustin Irusta Returns to Buenos Aires; the trio appears in Canaro's revue La patria del tango at the Teatro Buenos Aires.[54]Single source

Luis Díaz Sings with Eugenio Nóbile's orchestra on LS3 Radio Ultra; hired by Radio Splendid in December.[55]Single source

Alberto Gómez Leading role in Juan Moreira.[56]Single source

Antonio Maida Soloist with guitars on Radio Belgrano; premieres Media noche.[57]Single source

Tino García Hired by Héctor Bates to replace Carlos Roldán.[58]Single source

Pedro Laurenz Plays the Confitería Richmond on Suipacha and broadcasts on Radio Excelsior and Radio Stentor.[59]Single source

Alfredo Gobbi Appears in the films Amalia and Loco lindo.[60]Single source