Tango in 1943

Aníbal Troilo — recorded in Tango in 1943 (30 recordings)1943[1]Single source

Francisco Canaro — recorded in Tango in 1943 (27 recordings)1943[1]Single source

Carlos Di Sarli — recorded in Tango in 1943 (26 recordings)1943[1]Single source

Lucio Demare — recorded in Tango in 1943 (25 recordings)1943[1]Single source

Miguel Caló — recorded in Tango in 1943 (24 recordings)1943[1]Single source

Ricardo Tanturi — recorded in Tango in 1943 (24 recordings)1943[1]Single source

Juan D'Arienzo — recorded in Tango in 1943 (23 recordings)1943[1]Single source

Ángel D'Agostino — recorded in Tango in 1943 (19 recordings)1943[1]Single source

Francisco Lomuto — recorded in Tango in 1943 (17 recordings)1943[1]Single source

Osvaldo Fresedo — recorded in Tango in 1943 (15 recordings)1943[1]Single source

Rodolfo Biagi — recorded in Tango in 1943 (14 recordings)1943[1]Single source

Ricardo Malerba — recorded in Tango in 1943 (12 recordings)1943[1]Single source

Lucio Demare Raúl Berón debuts as the orchestra's singer.[2]Single source

Jorge Ortiz First recordings with Miguel Caló, Barrio de tango and Pa' qué seguir.[3]Single source

Alberto Rivera Debuts with Francisco Lomuto on LR3 Radio Belgrano.[4]Single source

Orlando Medina Records Remembranza and Embrujamiento with Malerba.[5]Single source

José Garcia Records "Nocturno de tango" for Odeon, in the year of the band's most popular line-up.[6]Single source

Alberto Rivera First recordings with Lomuto: El niño Jacinto and Ya sé que siguen hablando.[4]Single source

Alberto Amor First recordings with Rodolfo Biagi for Odeon: Arlette and Por algo será.[7]Single source

Carlos Acuña First Biagi recordings, A la luz del candil and Yo tengo un puñal.[8]Single source

Reinaldo Yiso Osvaldo Pugliese records El sueño del pibe with Roberto Chanel for Odeon.[9]Single source

Astor Piazzolla Troilo records his arrangement of Inspiración for Victor, his first recorded arrangement.[10]Single source

Mario Pomar Records Canyengue and Tabú with Antonio Rodio's orchestra.[11]Single source

Raul Iriarte First record with Caló: 'Es en vano llorar'.[12]Single source

Miguel Caló First recording with Raúl Iriarte, who becomes the singer he recorded with most.[13]Single source

Jorge Ortiz Last Caló recording, the milonga Pobre negra.[3]Single source

Enrique Camerano First recordings with Pugliese, El rodeo and Farol.[14]Single source

Roberto Chanel Sings "Farol" at the Pugliese orchestra's first Odeon recording session.[15]Single source

Osvaldo Pugliese First recordings for Odeon: Farol, sung by Roberto Chanel, and the instrumental El rodeo.[16]Single source

Alfredo De Angelis First Odeon recordings: 'Marioneta' with Floreal Ruiz and 'Qué buena es' with Julio Martel.[17]Single source

Floreal Ruiz Joins Alfredo De Angelis; first recording "Marioneta", one of eight sides with the orchestra.[18]Single source

Enrique Campos First recordings with Tanturi: the tango 'Muchachos comienza la ronda' and the vals 'Al pasar'.[19]Single source

Ricardo Tanturi Enrique Campos debuts with the orchestra on Radio El Mundo, singing 'Muchachos comienza la ronda' and the vals 'Al pasar'.[20]Single source

Leopoldo Díaz Vélez Ricardo Tanturi records Muchachos comienza la ronda with Enrique Campos for Victor.[21]Single source

Raul Iriarte Records the Carlos Bahr tangos 'Mañana iré temprano' and 'Cada día te extraño más' with Caló.[12]Single source

Típica Victor Mario Maurano takes over; first session 2 September with Ortega Del Cerro.[22]Single source

Julio Martel First record with De Angelis, 'Qué buena es'.[23]Single source

José Basso Having joined Aníbal Troilo's orchestra in September in place of Orlando Goñi, makes his first recording with it, Farol.[24]Single source

Juan José Mosalini Born in Buenos Aires province.[25]Single source

Orlando Goñi Leaves Troilo in September; his own orchestra opens at the café El Nacional on 1 December.[26]Single source

Juan Carlos Lamas Last D'Arienzo session: Candombe rioplatense, Es inútil que la llores, Viejo tintero.[27]Single source

Elba Berón Radio debut at twelve on the Matinée de Juan Manuel.[28]Single source

Virginia Luque Film debut in La guerra la gano yo.[29]Single source

Julian Plaza Debuts at about fifteen in Edgardo Donato's orchestra.[30]Single source

Jorge Arduch Joins Lorenzo Barbero's orchestra in Córdoba, staying about six years.[31]Single source

Alberto Di Paulo At about fourteen joins Emilio Balcarce's orchestra.[32]Single source

Oscar Ferrari Sings with the Típica Gómez and enters a contest at Luna Park; Juan Caló hires him for the boîte La Colmena.[33]Single source

Osvaldo Ribo Moves to Buenos Aires and wins the contest Voces nuevas surgidas del deporte.[34]Single source

Guillermo Rico Film debut in El fabricante de estrellas.[35]Single source

Maria de la Fuente Sings on Radio Belgrano with Héctor María Artola's house orchestra.[36]Single source

Los Muchachos De Antes Cao forms the Santa Anita Sextet, a jazz group.[37]Single source

Domingo Federico Leaves Caló and debuts his own orchestra at the café Select Buen Orden, with singers Alberto Tagle and Alfredo Castel.[38]Single source

Alberto Marino Joins Aníbal Troilo's orchestra and starts recording with it for Victor.[39]Single source

Roberto Chanel Joins Pugliese's orchestra at the Café Nacional after Amadeo Mandarino and Augusto Gauthier leave; takes the name Roberto Chanel.[15]Single source

Raul Iriarte Joins Miguel Caló's orchestra after Alberto Podestá leaves, recommended by lyricist Oscar Rubens and hired after an audition.[12]Single source

Virgilio Expósito Composes Farol, to Homero's words.[40]Single source

Oscar Rubens Gime el viento, with Bruni, is recorded by Troilo with Fiorentino and by Caló with Raúl Iriarte.[41]Single source

Federico Silva Writes his first tango, Déjame verte.[42]Single source

Arturo Gallucci Carlos Di Sarli records his milonga Yo soy de San Telmo and Cómo se hace un tango with Roberto Rufino; writes Y siempre igual.[43]Single source

Carlos García Five months in Brazil with the Hawaian Serenaders.[44]Single source

Eduardo Rovira Joins Orlando Goñi's orchestra.[45]Single source

Ismael Spitalnik Leaves Ángel D'Agostino's orchestra.[46]Single source

Alfredo Rojas Sings with the 1943 lineup at the orchestra's peak of popularity; records Farolito de papel.[47]Single source

Guillermo Coral First film, El fabricante de estrellas, with Pepe Arias.[48]Single source

Raúl Berón Appears in the film Todo un hombre.[49]Single source

Homero Expósito Writes Percal with Domingo Federico and Farol with Virgilio Expósito.[50]Single source

Horacio Sanguinetti Writes Tristeza marina with José Dames and Roberto Flores.[51]Single source

Manuel Sucher Auditions singers for Ricardo Tanturi; Enrique Campos is chosen.[52]Single source

Alberto Mastra Writes the milonga Maldonado.[53]Single source

Enrique Alessio Records with Pugliese for Odeon, including Recuerdo, Mala junta and Amurado.[54]Single source

Emilio Balcarce Begins directing the orchestra behind Alberto Castillo after the singer leaves Tanturi.[55]Single source

Héctor Grané Plays with Laurenz and singer Alberto Podestá on Radio Belgrano and at the Dancing Ocean.[56]Single source