Tango in 1945

Francisco Canaro — recorded in Tango in 1945 (29 recordings)1945[1]Single source

Miguel Caló — recorded in Tango in 1945 (28 recordings)1945[1]Single source

Juan D'Arienzo — recorded in Tango in 1945 (22 recordings)1945[1]Single source

Aníbal Troilo — recorded in Tango in 1945 (22 recordings)1945[1]Single source

Alfredo De Angelis — recorded in Tango in 1945 (22 recordings)1945[1]Single source

Osvaldo Pugliese — recorded in Tango in 1945 (20 recordings)1945[1]Single source

Carlos Di Sarli — recorded in Tango in 1945 (20 recordings)1945[1]Single source

Ricardo Tanturi — recorded in Tango in 1945 (20 recordings)1945[1]Single source

Ángel D'Agostino — recorded in Tango in 1945 (18 recordings)1945[1]Single source

Francisco Lomuto — recorded in Tango in 1945 (16 recordings)1945[1]Single source

Osvaldo Fresedo — recorded in Tango in 1945 (16 recordings)1945[1]Single source

Rodolfo Biagi — recorded in Tango in 1945 (16 recordings)1945[1]Single source

Alberto Morán After singing with Cristóbal Herreros's orchestra at the café El Nacional and an audition at Radio El Mundo, records his first sides with Osvaldo Pugliese.[2]Single source

Jorge Durán Joins Carlos Di Sarli, debuting with him on Radio El Mundo; Di Sarli renames him Jorge.[3]Single source

Héctor Mauré Starts his solo career on Radio Belgrano with his own orchestra led by Alberto Cima.[4]Single source

Jorge Durán First Di Sarli recording for RCA Victor, "Que no sepan las estrellas".[3]Single source

Jorge Ortiz Back with Biagi; records Magdala and Yuyo verde.[5]Single source

Orlando Goñi Dies in Montevideo, aged 31.[6]Single source

Alfredo Rojas Last catalogued recordings with García, Nadie ha de saber and Que no sepan las estrellas.[7]Single source

José Garcia Last Odeon session, closing a catalogue of 40 sides.[8]Single source

Carlos Roldán Leaves Canaro.[9]Single source

Lisandro Adrover Born in San Pedro, Buenos Aires province.[10]Single source

Alberto Castillo Marries Ofelia Oneto.[11]Single source

José Luis Padula Dies in Buenos Aires.[12]Single source

Graciano de Leone Dies in Burzaco.[13]Single source

Roberto Arrieta First recordings with Miguel Caló: Quedó en venir a las nueve and Cimarrón de ausencia.[14]Single source

Alberto Arenas First recording with Canaro, Adiós pampa mía.[15]Single source

Armando Pontier The Francini-Pontier orchestra debuts at the opening of the Tango Bar on Corrientes.[16]Single source

Enrique Francini With Armando Pontier forms the Francini-Pontier orchestra, which debuts at the opening of Tango Bar on Corrientes.[17]Single source

Juan Guido Dies in Buenos Aires.[18]Single source

Roberto Videla Debuts with Ricardo Tanturi at Radio El Mundo.[19]Single source

Roberto Videla Records Tu vieja ventana with Enrique Campos for RCA Victor.[20]Single source

Alfredo Malerba Marries Libertad Lamarque.[21]Single source

Jorge Vidal Wins first prize at a singers' contest at the Teatro Smart.[22]Single source

Eduardo Pareja Starts dancing at 15 at a men-only práctica where he meets Petróleo and Finito.[23]Single source

Elvira Santamaría In the 1940s she is Virulazo's first girlfriend; they later split up.[24]Single source

Finito Starts dancing tango at about 16, beginning at Club Floreal (year inferred from age).[25]Single source

Flaco Dany Goes to dance halls with his parents as a child of about eight to ten.[26]Single source

Gerardo Portalea Starts going to Club Sin Rumbo in Villa Urquiza as a teenager in the 1940s (approximate).[27]Single source

Raúl Bravo Starts dancing at fourteen in Floresta (year inferred from age).[28]Single source

Martha Anton Around this year her family settles in Floresta, Buenos Aires.[29]Single source

Oscar Larroca Joins Domingo Federico's orchestra with Carlos Vidal; debut on Radio Splendid; first recordings in June, duets with Vidal.[30]Single source

Alfredo Del Rio Sings at El Parque Goal on Avenida de Mayo.[31]Single source

Lalo Martel Wins a place in Víctor Braña's orchestra through a singers' contest.[32]Single source

Rodolfo Galé Joins Aníbal Apiolaza's orchestra in Mendoza.[33]Single source

Pepito Avellaneda First public performance, at the Teatro Roma in Avellaneda, aged fifteen.[34]Single source

Francisco Rotundo Debuts his orchestra at the carnival dances of Club San José de Flores, presented by the poet Carlos Waiss.[35]Single source

José Rótulo Writes Pregonera with Alfredo De Angelis.[36]Single source

Raúl Hormaza Recites at the Bar Marzotto, where Arturo Gallucci sets Cien guitarras.[37]Single source

Roberto Pansera Joins Juan Carlos Cobián's group through his teacher Domingo Federico.[38]Single source

Oscar Ferrari Joins Alfredo Gobbi's orchestra.[39]Single source

Donato Racciatti Leads the orchestra accompanying singer Luis Alberto Fleitas, with whom he records nine sides.[40]Single source

Alberto Podestá Becomes the singer of the Francini-Pontier orchestra, playing the Sans Souci and the Tibidabo cabaret; records El hijo triste with Julio Sosa.[41]Single source

Carlos García Mid-1940s pianist in Alberto Castellanos's orchestra on Radio El Mundo.[42]Single source

Simón Bajour Joins Roberto Dimas's orchestra at café Marzotto.[43]Single source

Alberto Arenas Hired by Francisco Canaro; sings in El tango en París at the Teatro Presidente Alvear, where Adiós pampa mía is premiered, and takes the name Arenas.[15]Single source

Guillermo Rico Sings Niebla and duets in Canaro's revue El tango en París at the Teatro Alvear.[44]Single source

Osmar Maderna Leaves Caló and forms his own orchestra, which debuts at the Marzotto café on Corrientes.[45]Single source

Virgilio Expósito Settles in Buenos Aires.[46]Single source

Héctor Marcó Writes Porteño y bailarín with Di Sarli.[47]Single source

Héctor Grané His tango Esta noche al pasar dates from this year.[48]Single source

Ismael Spitalnik Moves to Miguel Caló's orchestra.[49]Single source

Roberto Caló Gives up singing and debuts as an orchestra leader on LR4 Radio Splendid.[50]Single source

Homero Expósito Settles in Buenos Aires; writes Trenzas and Margo with Armando Pontier.[51]Single source

Guillermo Coral Sings in Canaro's revue El tango en París at the Teatro Alvear.[52]Single source

Catulo Castillo Begins his partnership with Aníbal Troilo with María.[53]Single source

Ivo Pelay Adiós pampa mía, with Canaro and Mariano Mores, appears.[54]Single source

Lito Bayardo Writes Cuatro lágrimas, words and music.[55]Single source

Eduardo Escaris Méndez Writes the vals La pena del payador with José and Luis Servidio.[56]Single source

Félix Lipesker Publishes the Marcucci-Lipesker bandoneon method with Carlos Marcucci.[57]Single source

Amadeo Mandarino Debuts with Emilio Balcarce at the Salón Casablanca carnival dances.[58]Single source

Julio Martel Premieres 'Pregonera' with the orchestra at Club Argentinos Juniors.[59]Single source