Tango in 1947

Juan D'Arienzo — recorded in Tango in 1947 (21 recordings)1947[1]Single source

Osmar Maderna — recorded in Tango in 1947 (20 recordings)1947[1]Single source

Astor Piazzolla — recorded in Tango in 1947 (18 recordings)1947[1]Single source

Osvaldo Pugliese — recorded in Tango in 1947 (17 recordings)1947[1]Single source

Francisco Canaro — recorded in Tango in 1947 (16 recordings)1947[1]Single source

Alfredo De Angelis — recorded in Tango in 1947 (16 recordings)1947[1]Single source

Orquesta Francini-Pontier — recorded in Tango in 1947 (16 recordings)1947[1]Single source

Aníbal Troilo — recorded in Tango in 1947 (14 recordings)1947[1]Single source

Domingo Federico — recorded in Tango in 1947 (14 recordings)1947[1]Single source

Carlos Di Sarli — recorded in Tango in 1947 (12 recordings)1947[1]Single source

Alberto Marino — recorded in Tango in 1947 (10 recordings)1947[1]Single source

Ricardo Tanturi — recorded in Tango in 1947 (10 recordings)1947[1]Single source

Adolfo Carabelli Dies alone at his home in San Fernando.[2]Single source

Aldo Campoamor Records Tiernamente with Astor Piazzolla's orchestra for Odeon.[3]Single source

Francisco Lomuto Tours Spain with Chola Luna, opening at the Teatro Fontova in Madrid.[4]Single source

Alfredo Gobbi First recording for Victor: La viruta and his father's vals La entrerriana, sung by Carlos Heredia and Hugo Soler.[5]Single source

Carlos Lázzari Last Odeon recording with Francisco Canaro, La canción de Buenos Aires; then joins Domingo Federico.[6]Single source

Eduardo Del Piano Debuts as leader of the orchestra accompanying Ángel Vargas.[7]Single source

Tino García First recordings with D'Agostino: Alma de bohemio and Era en otro Buenos Aires.[8]Single source

Carlos Figari Replaces José Basso as pianist of Aníbal Troilo's orchestra.[9]Single source

Celedonio Flores Dies.[10]Single source

Carlos Saavedra Records Margot with Biagi.[11]Single source

Alberto Amor Last Biagi recording, Y dicen que no te quiero.[12]Single source

Ruben Juarez Born in Ballesteros, Córdoba.[13]Single source

Mario Pomar Records Ausencia with Osmar Maderna's orchestra.[14]Single source

Julio Pane Born in the Abasto, Buenos Aires.[15]Single source

Pocho Carreras Starts dancing at about 16 at Club Patagones.[16]Single source

Argentino Ledesma Sings weekdays on Radio Aconcagua in Tucumán with the guitars of Menéndez, Navarro and Bernal, and at weekend club dances.[17]Single source

José Brahemcha Starts dancing at sixteen (year inferred from the 1931 birth).[18]Single source

Ernesto Franco Debuts in Elvino Vardaro's orchestra.[19]Single source

Antonio Agri Professional debut at fifteen, with a quartet in Córdoba province.[20]Single source

Héctor Pacheco Joins Alfredo Attadía's orchestra on Radio El Mundo and at the Chantecler.[21]Single source

Eduardo Pareja Begins going to the milongas.[22]Single source

Jorge Maciel Joins Alfredo Gobbi's orchestra, which names him Jorge Maciel.[23]Single source

Carlos Olmedo Moves to Buenos Aires.[24]Single source

Francisco Lauro Records for RCA Victor, about twenty sides up to 1952.[25]Single source

Ubaldo De Lío Begins eight years accompanying Hugo del Carril.[26]Single source

Jorge Casal First records with Sassone for RCA Victor, Canción de cuna and Volver.[27]Single source

Rodolfo Galé Moves to Córdoba to sing with Torcuato Wermuth's orchestra.[28]Single source

Nina Miranda First recordings for Sondor with Juan Cao's orchestra, some in duet with Alberto Bianchi.[29]Single source

Francisco Rotundo Plays a successful season at the Café Nacional on Corrientes, with Horacio Quintana and Aldo Calderón singing.[30]Single source

Leopoldo Federico Joins the new orchestra of singer Alberto Marino, directed by Emilio Balcarce.[31]Single source

Alberto Marino Leaves Troilo for a solo career, backed by orchestras led by Emilio Balcarce, Enrique Alessio and Héctor Artola.[32]Single source

Edmundo Rivero Joins Aníbal Troilo's orchestra, replacing Alberto Marino; records some two dozen sides including "Sur".[33]Single source

Carlos Waiss Writes Cartón junao with D'Arienzo and Varela.[34]Single source

Raúl Hormaza Writes the milonga La chabona with Alberto Marino.[35]Single source

Roberto Lambertucci Writes La canción más triste with Enrique Munné.[36]Single source

Emilio Balcarce Alberto Marino leaves Troilo and rejoins Balcarce's orchestra.[37]Single source

José Basso Leaves Troilo and debuts his own orchestra on Radio Belgrano, at the Café Marzotto and at the Ocean Dancing cabaret.[38]Single source

Virgilio Expósito Becomes director of the Radio Splendid orchestra.[39]Single source

José Canet Writes Tarde in Caracas.[40]Single source

Leopoldo Díaz Vélez Writes Qué habrá sido de Lucía with Emilio Balcarce.[41]Single source

Héctor Grané Plays with Laurenz's orchestra in Montevideo.[42]Single source

Horacio Salgan The first orchestra breaks up without having recorded; he writes Don Agustín Bardi.[43]Single source

Florindo Sassone Reaches the first rank with singer Jorge Casal and starts recording for RCA Victor.[44]Single source

Vicente Demarco Writes Tu pálido final with Roldán, recorded by Troilo with Edmundo Rivero.[45]Single source

Alfredo Attadia Debuts singer Héctor Pacheco on Radio El Mundo and at the Chantecler cabaret.[46]Single source

Mauricio Mise Heads the violins of José Basso's new orchestra, on Radio Belgrano and at café Marzotto.[47]Single source

Osmar Maderna Marries Olga Mazzei.[48]Single source

Roberto Caló Plays the Dancing Empire on Corrientes with arrangements by Julio Medovoy, and tours the interior and Uruguay with Hugo del Cerro.[49]Single source

Jorge Durán Leaves Di Sarli; sings with Pedro Laurenz and with Horacio Salgán.[50]Single source

Ricardo Ruiz Joins José Basso's first orchestra.[51]Single source

Ángel Vargas On Radio Splendid, announcer Raúl Astor names him the ruiseñor de las calles porteñas.[52]Single source

Enrique Campos Joins Francisco Rotundo's orchestra, singing on Radio Splendid, at the Teatro Empire and at the Café Nacional on Corrientes.[53]Single source

Roberto Rufino Sings with the Francini-Pontier orchestra and with Miguel Caló.[54]Single source

Libertad Lamarque Gran Casino, directed by Luis Buñuel, her first Mexican film.[55]Single source

Carlos Roldán Uruguayan musical comedy El nombre más lindo del mundo; film Buenos Aires canta.[56]Single source

Francisco Amor Appears in the documentary Buenos Aires canta.[57]Single source

Ángel D'Agostino Tino García debuts on record with the orchestra, singing 'Alma de bohemio'.[58]Single source

Pedro Laurenz Plays in Montevideo and, in Buenos Aires, at the Marabú and La Enramada.[59]Single source

Manuel Buzon Plays the carnival at Club Haedo Juniors, one of his occasional later dates.[60]Single source