Tango in 1927

Rodolfo Biagi — 2 recordings1927[1]

Osvaldo Fresedo — 61 recordings1927[1]

Francisco Canaro — 274 recordings1927[1]

Francisco Lomuto — 64 recordings1927[1]

Típica Victor — 54 recordings1927[1]

Adolfo Carabelli — 1 recordings1927[1]

Julio De Caro — 13 recordings1927[1]

Roberto Firpo — 92 recordings1927[1]

Juan Maglio — 24 recordings1927[1]

Eduardo Bianco - Bachicha — 2 recordings1927[1]

El entrerriano (Francisco Canaro) — Recorded in Francisco Canaro.1927[68]

La cumparsita (Francisco Canaro) — February 17, 1927[106]

Gloria (Francisco Canaro) — February 24, 1927[106]

Alcides Rossi: Born in Bernal into a family of double bassists; his father Aniceto teaches him.[2]

Luis Díaz: First tango recording, Angustia, with Francisco Canaro's orchestra.[3]

Leopoldo Federico: Born in Once, Buenos Aires.[4]

Arturo Penón: Born in Bernal, Buenos Aires province.[5]

Orlando Tripodi: Born José Orlando Trípodi in San Juan, Argentina.[6]

Juan Guido records Mar del Plata for Victor.[7]

Ignacio Corsini makes Caminito popular at the Teatro Cómico.[8]

Alejandro Scarpino deposits Canaro en París at the Biblioteca Nacional, with lyrics by his brother José.[9]

Osvaldo Tarantino: Born at Loria 1969, Almagro, Buenos Aires.[10]

Roberto Lino Cayol dies in Buenos Aires.[11]

Edgardo Donato: The Donato-Zerrillo orchestra debuts at the cine Avenida in Montevideo.[12]

Hugo Diaz: Born in Santiago del Estero.[13]

Carlos Dante debuts professionally with Francisco Pracánico's orchestra at the opening of the Cine Astral on Corrientes.[14]

Luis Visca: Compadrón, with Cadícamo's words, is first played by Aieta's orchestra at the Bar Germinal; Gardel records it on 6 October.[15]

Osvaldo Ribo: Born in Victoria, Entre Ríos.[16]

Carlos Viván: First recording, with Juan Bautista Guido's orchestra.[17]

Mercedes Simone: First recording, for Victor: the tangos 'Estampa rea' and 'El morito', with guitars.[18]

Alfredo Le Pera: His first revue, La sorpresa del año, written with Humberto Cairo, opens at the Teatro Sarmiento.[19]

Héctor María Artola arrives in France to join the Bianco-Bachicha orchestra in Paris.[20]

Osvaldo Pugliese plays piano in Pedro Maffia's orchestra, then leaves with Elvino Vardaro to form the Vardaro-Pugliese group, which opens at the café Nacional.[21]

Ricardo Malerba: With his brothers joins Cátulo Castillo's orchestra for a European tour; it plays the Teatro Empire and the Excelsior cabaret in Barcelona and records for Odeon (Wikipedia dates the tour to 1928).[22]

Fernando Díaz debuts around 1927-28 at the Teatro Opera with Arturo Grecco's criollo ensemble.[23]

Alfredo Malerba: Pianist of Rafael Rossi's group at the Select Suipacha cinema and the Folies Bergère cabaret.[24]

Juan José Guichandut: Perfume de mujer, with Armando Tagini, takes second place in the Nacional records tango contest; Gardel records it.[25]

Mauricio Mise: At fifteen plays in Cayetano Puglisi's sextet at the Paramount cinema and records for Victor.[26]

Tania sings at the Folies Bergère on Cerrito street, where she meets Enrique Santos Discépolo.[27]

Alberto Gómez starts the duo with Augusto Vila, playing cafés and theatres in Lomas de Zamora and cinemas on Corrientes.[28]

Félix Gutiérrez joins Julio De Caro's orchestra for about six months and records once.[29]

Tino García: Probably his first appearance, with Alejandro Scarpino's trio at Cine Los Andes in Boedo.[30]

Miguel Caló joins the orchestra of pianist Francisco Pracánico.[31]

Manuel Buzon: Artistic director of LOY when Jaime Yankelevich buys the station, later Radio Belgrano; Azucena Maizani premieres his "Cancionero".[32]

Mario Battistella writes his first tango, Pinta brava, with music by Charlo.[33]

Luis César Amadori adapts Un buen muchacho with Ivo Pelay for the Teatro Nuevo, his first stage work.[34]

Armando Tagini writes La gayola with Rafael Tuegols and Gloria with Humberto Canaro.[35][45]

Mario Canaro goes to France with Francisco and studies at a Paris conservatory; stays until 1939.[36]

Manuel Meaños writes La reja with Carlos Marcucci.[37]

César Vedani writes Adiós muchachos with Julio César Sanders and Barra querida with Carlos Sánchez.[38]

María Luisa Carnelli writes the words of Julio De Caro's El malevo, signed Mario Castro, and Cuando llora la milonga with Juan de Dios Filiberto.[39]

José Horacio Staffolani: Pedro Maffia sets his Cuándo volverás, praised by Carlos de la Púa in Crítica.[40]

Julio César Sanders writes Adiós muchachos with César Vedani.[41]

Fernán Silva Valdés writes Margarita punzó with Gerardo Matos Rodríguez.[42]

Sofía Bozán premieres Un tropezón in Contursi's Saltó la bola.[43]

Alfredo Gobbi plays in the Teatro Nuevo orchestra under Antonio Lozzi.[44]

José De Grandis: Agustín Magaldi records Amurado; Gardel records Cotorrita de la suerte in Barcelona on 16 December.[46]

Roberto Fugazot: Irusta and Fugazot record for Victor and sing the refrain of Noche de reyes, winner of the fourth Glücksmann contest; Canaro takes them to Paris.[47][55]

José Luis Padula writes Lunes with Francisco García Jiménez.[48]

Dante A. Linyera writes Boedo with Julio De Caro.[49]

Roberto Zerrillo: The Donato-Zerrillo orchestra opens at the Avenida in Montevideo.[12]

Tita Merello: First recordings, for Odeon.[50]

Agustin Irusta forms the Trío Argentino with Fugazot and Lucio Demare, debuting in Paris.[51]

Carlos Di Sarli forms his first sextet, with José Pécora and David Abramsky on violin.[52]

Lucio Demare forms the trio Irusta-Fugazot-Demare, which debuts at the Teatro Maravillas in Madrid.[53]

Miguel Bucino dances in Brazil with Julio De Caro's orchestra.[54]

Alberto Vacarezza writes Araca corazón with Delfino and El poncho del amor with Antonio Scatasso.[56]

Juan Rezzano plays the Franco company's season at the Teatro Comedia in Buenos Aires and on Radio Nacional and Radio Mayo.[57]

Benjamín Tagle Lara: Rosita Quiroga introduces and records Puente Alsina.[58]

Ciriaco Ortiz debuts his trio on Radio Cultura.[59]

Gerardo Matos Rodríguez writes Che papusa oí with Enrique Cadícamo.[60]

Francisco Canaro — Led Francisco Canaro.1927[61]

Julio De Caro — Led Julio De Caro.1927[62]

Carlos Di Sarli — Led Carlos Di Sarli.1927[66][67]

Guardia Nueva — 19271927[63][64]

Adiós muchachos — published 19271927[63]

Carlos Gardel — Performed at Spain.1927[65]

José Pécora — Played in Carlos Di Sarli.1927[66][67]

César Ginzo — Played in Carlos Di Sarli.1927[66][67]

Tito Lando — Played in Carlos Di Sarli.1927[66][67]

Mercedes Simone — Played in Teatro Maipo.1927[97]

Osvaldo Donato — Played in Edgardo Donato.1927[99]

Ventanita de arrabal — 1927[69]

Che papusa oí — 1927[70]

Lunes — 1927[71]

No me escribas — 1927[72]

Araca corazón — 1927[73]

Queja indiana — 1927[74]

La gayola — 1927[75]

Perfume de mujer — 1927[76]

Viejo curda — 1927[77]

Ebrio — 1927[78]

Rosas de abril — 1927[79]

Barrio reo — 1927[80]

Besos que matan — 1927[81]

El poncho del amor — 1927[82]

A la luz del candil — 1927[83]

La reja — 1927[84]

Adiós muchachos — 1927[85]

Compadrón — 1927[86]

Garufa — 1927[87]

Maula — 1927[88]

Artículo de lujo — 1927[89]

Cuándo volverás — 1927[90]

Mala entraña — 1927[91]

Una tarde — 1927[92]

Farolito de papel — 1927[93]

De puro guapo — 1927[94]

Cuando llora la milonga — 1927[95]

Por dónde andará — 1927[96]

Esquina Homero Manzi — Esquina Homero Manzi, a bar and restaurant at San Juan and Boedo opened in 1927 and named for the lyricist Homero Manzi, who wrote the1927[98]

Odeon — In 1927 Odeon began a series called Odeon Tango (OT)1927[100]

Lunes — Lunes, by José Luis Padula and Francisco García Jiménez, is composed in 1927.1927[101]

Buenos Aires — Buenos Aires: the Argentine silent film Perdón, viejita premiered on 28 January 1927 at the Cine Hindú Palace, Lavalle 842, Buenos Aires (1,200 seats)Jan 28, 1927[104]

Angustia (Francisco Canaro) — Sung by Luis Díaz.Jan 10, 1927[102]

Resignación (Francisco Canaro) — Sung by Luis Díaz.Feb 24, 1927[102]

Leopoldo Federico — Born.Jan 12, 1927[103]

Jorge Dragone — Born.Feb 12, 1927[105]