Tango in 1926

Francisco Canaro — recorded in Tango in 1926 (69 recordings)1926[1]Single source

Julio De Caro — recorded in Tango in 1926 (16 recordings)1926[1]Single source

Roberto Firpo — recorded in Tango in 1926 (14 recordings)1926[1]Single source

Francisco Lomuto — recorded in Tango in 1926 (5 recordings)1926[1]Single source

Osvaldo Fresedo — recorded in Tango in 1926 (4 recordings)1926[1]Single source

Eduardo Bianco - Bachicha — recorded in Tango in 1926 (1 recordings)1926[1]Single source

TRtlrcaa — recorded in Tango in 1926 (1926)1926[64]Single source

Recuerdo — recorded in Tango in 1926 (first recording by the Julio De Caro orchestra, 9 December 1926)1926-12-09[66]Single source

Roberto Goyeneche Born in Buenos Aires and raised in Saavedra.[2]Single source

Julio Sosa Born in Las Piedras, Canelones, Uruguay.[3]Single source

Alberto Morán Arrives in Argentina with his family and settles in Buenos Aires.[4]Single source

Rosita Quiroga Makes Argentina's first electrical recordings for Victor, beginning with La musa mistonga.[5]Single source

Raúl Ledesma Born in Junín.[6]Single source

Raúl de los Hoyos Tita Merello introduces Del barrio de las latas in En el Maipo no hace frío.[7]Single source

Atilio Stampone Born in San Cristóbal, Buenos Aires.[8]Single source

Ernesto de la Cruz Premieres El ciruja at El Nacional on 12 August, sung by Pablo Gómez.[9]Single source

Ramón Collazo The Troupe Ateniense debuts in Buenos Aires at the Teatro de la Ópera; he writes Pato.[10]Single source

Virulazo Born in Haedo, Buenos Aires Province.[11]Single source

Adolfo Rivas Born in Pehuajó.[12]Single source

Roberto Fugazot Introduces Viejo ciego at the Teatro Nuevo in Patadas y serenatas en el barrio de las latas.[13]Single source

Pedro Maffia Leaves De Caro and debuts his own sextet, with Elvino Vardaro and Osvaldo Pugliese, at the Café Colón on Avenida de Mayo.[14]Single source

José Garcia Forms a youth orchestra from the pupils of his own conservatory in Lanús.[15]Single source

Miguel Caló Plays in the bandoneon section of Osvaldo Fresedo's orchestra.[16]Single source

Enrique Rodríguez Debuts in Joaquín Mora's sextet; soon after plays briefly in Edgardo Donato's orchestra.[17]Single source

Rodolfo Sciammarella Ignacio Corsini introduces his first tango, No te engañes corazón, in La vida comienza mañana at the Teatro Apolo.[18]Single source

Armando Tagini Debuts as a singer with Anselmo Aieta's orchestra in January; sings on radio until 1932.[19]Single source

César Vedani Writes his first song, Vieja escuela de mi barrio, with Rodolfo Nasso.[20]Single source

Alberto Mastra Crosses to Buenos Aires and tours the Argentine interior.[21]Single source

Juan Polito Joins Juan Maglio's orchestra at Bar Domínguez, staying nearly three years.[22]Single source

Raúl Kaplun Joins the jazz band of the new Astral cinema on Corrientes, then Miguel Caló's sextet there.[23]Single source

Libertad Lamarque Joins the Teatro Nacional company and debuts on Radio Prieto.[24]Single source

Sofía Bozán Singing debut with the Muiño-Alippi company, premiering Canillita.[25]Single source

Agustin Irusta Records for Victor in a duo with Roberto Fugazot, with Humberto Correa on guitar.[26]Single source

Mercedes Simone Debuts at Los Dos Chinos in Bahía Blanca with her husband's guitar, then tours provincial towns.[27]Single source

Homero Manzi Viejo ciego, with music by Sebastián Piana and Cátulo Castillo, wins a prize in the contest of the magazine El Alma que Canta.[28]Single source

Enrique Cadícamo Publishes his first book of poems, Canciones grises.[29]Single source

Ivo Pelay His play Judío opens.[30]Single source

Antonio Polito Writes Chola with Enrique Maroni, recorded by Gardel.[31]Single source

Luis Visca Joins the D'Arienzo-Visca-Mazzeo orchestra.[32]Single source

Gabriel Clausi Season at the Teatro Astral with Francisco Pracánico's orchestra.[33]Single source

Libertad Lamarque First Victor recordings, Gaucho sol and Chilenito (26 September per Todo Tango, 8 September per Wikipedia).[24]Single source

Agustin Irusta Sings the Glucksmann contest winners with Francisco Canaro's orchestra.[34]Single source

Carlos Di Sarli Plays the opening of the Fénix theatre in Flores as pianist with Osvaldo Fresedo's orchestra.[35]Single source

Lucio Demare Goes to Paris, called by Francisco Canaro, and plays with the Canaro orchestra at the Les Ambassadeurs cabaret.[36]Single source

Adolfo Carabelli Victor hires him as artistic director to form an orchestra for both jazz and tango; he also directs the studio-only Orquesta Típica Victor.[37]Single source

Miguel Bucino Writes his first tango, Pa' que bronquen.[38]Single source

Jesús Fernández Blanco Writes El abrojito with Luis Bernstein and the words of the Boca Juniors march.[39]Single source

Enrique Dizeo Pan comido, with Ismael Gómez, is introduced at the café El Nacional.[40]Single source

Antonio Sureda Ignacio Corsini records his vals A su memoria, lyric by Homero Manzi.[41]Single source

Benjamín Tagle Lara Magaldi introduces Trapo viejo in Pascual Contursi's sainete Maldito cabaret.[42]Single source

Eduardo Escaris Méndez Rosita Quiroga introduces En la vía.[43]Single source

Roberto Díaz Records with Francisco Canaro in February; Canaro calls him his first refrain singer.[44]Single source

Antonio Buglione As Julio Pollero's violinist, begins singing as Antonio Reyes at the Folies Bergère cabaret.[45]Single source

Pedro Laurenz Becomes first bandoneon of the De Caro sextet after Maffia leaves.[46]Single source

Elvino Vardaro Joins Pedro Maffia's new sextet, which debuts at the Café Colón; around the same time begins thirteen years of studio work for Victor.[47]Single source

Manuel Romero Writes Tiempos viejos with Francisco Canaro.[48]Single source

Francisco García Jiménez Writes Siga el corso with Aieta and Barrio pobre with Vicente Belvedere.[49]Single source

Gerardo Matos Rodríguez Mocosita, with Víctor Soliño's words, appears and is spread by Rosita Quiroga's record.[50]Single source

Eugenio Cárdenas Writes Una lágrima with Nicolás Verona.[51]Single source

José María Rizzuti Writes Bésame en la boca with Eduardo Calvo, recorded by Gardel.[52]Single source

Gabino Coria Peñaloza Caminito wins first prize in the Buenos Aires municipal song contest; Gardel records it.[53]Single source

Francisco Brancatti Writes El tatuaje with Iriarte.[54]Single source

Pedro Numa Córdoba Writes Comandante Franco with Francisco Canaro.[55]Single source

Agustin Magaldi Writes Allá en el bajo with Noda.[56]Single source

Víctor Soliño Writes Mocosita with Gerardo Matos Rodríguez.[50]Single source

Julio Navarrine Oro muerto, with Juan Raggi, wins a prize in a contest at the Teatro 18 de Julio, Montevideo.[57]Single source

Roberto Lino Cayol Writes Anoche a las dos and Noches de Colón with Raúl de los Hoyos.[58]Single source

Anselmo Aieta Writes Siga el corso, Bajo Belgrano and Tus besos fueron míos.[59]Single source

Julio De Caro — performed at Tango in 1926 (Performed at Uruguay.)1926[60]Single source

Osvaldo Fresedo — performed at Tango in 1926 (Performed at Bar Fresedo.)1926[62]Single source

Francisco Lomuto — performed at Tango in 1926 (Performed at Mar del Plata.)1926[63]Single source

Guardia Nueva — took place at Tango in 1926 (Occurred at Buenos Aires.)1926-01[61]Single source

Guardia Nueva — took place at Tango in 1926 (Argentina)1926-03[61]Single source

Guardia Nueva — took place at Tango in 1926 (Argentina)1926-11[61]Single source

Julio De Caro — led Tango in 1926 (Led Julio De Caro.)1926[60]Single source

Francisco Lomuto — led Tango in 1926 (Led Francisco Lomuto.)1926[63]Single source

Pedro Laurenz — played in Tango in 1926 (Played in Julio De Caro.)1926[60]Single source

Osvaldo Fresedo — played in Tango in 1926 (Played in Osvaldo Fresedo.)1926[62]Single source

Miguel Caló — played in Tango in 1926 (Played in Osvaldo Fresedo.)1926[62]Single source

Daniel Alvarez — played in Tango in 1926 (Played in Francisco Lomuto.)1926[63]Single source

Ángel Danesi — played in Tango in 1926 (Played in Francisco Lomuto.)1926[63]Single source

Ricardo Brignolo — played in Tango in 1926 (Played in Francisco Lomuto.)1926[63]Single source

Eduardo Armani — played in Tango in 1926 (Played in Francisco Lomuto.)1926[63]Single source

Alberto Castellanos — played in Tango in 1926 (Played in Francisco Lomuto.)1926[63]Single source

Eduardo Bianco — played in Tango in 1926 (Played in Eduardo Bianco - Bachicha.)1926[65]Single source