Tango in 1925

Francisco Canaro — recorded in Tango in 1925 (22 recordings)1925[1]Single source

Francisco Lomuto — recorded in Tango in 1925 (2 recordings)1925[1]Single source

Julio De Caro — recorded in Tango in 1925 (2 recordings)1925[1]Single source

Alfredo Belusi Born Alfredo Beluschi in Los Quirquinchos, Santa Fe.[2]Single source

Julio De Caro Plays at Ciro's Club in the Palais de Glace for the reception of the Prince of Wales.[3]Single source

Eduardo Rovira Born in Lanús.[4]Single source

Jesús Fernández Blanco His revue Desnudos artísticos opens at the Teatro Florida.[5]Single source

Raúl de los Hoyos Noches de Colón opens in Las alegres chicas del Maipo, which runs 370 performances.[6]Single source

Samuel Linnig His last play, Puente Alsina, premieres at the Teatro Nacional, with Campana de plata.[7]Single source

Modesto Papavero Writes Leguisamo solo for the revue En la raya lo esperamos at the Bataclán; Tita Merello premieres it.[8]Single source

Pedro Maffia Makes his first record, "Julián", for Victor.[9]Single source

Ada Falcón First recording, for Victor with Osvaldo Fresedo's orchestra.[10]Single source

Raúl de los Hoyos Viejo rincón, with Roberto Lino Cayol's words, is sung by Vicente Climent in the revue Me gustan todas.[6]Single source

Osvaldo Manzi Born Osvaldo Ramón Manzione in Buenos Aires.[11]Single source

José Bohr Takes Argentine citizenship and leaves for the United States.[12]Single source

Tito Roccatagliata Dies in Buenos Aires aged 34.[13]Single source

Samuel Linnig Dies.[14]Single source

Nina Miranda Born in Montevideo.[15]Single source

Típica Victor Victor creates the orchestra under Adolfo Carabelli; first session 9 November: Olvido and Sarandí.[16]Single source

Ciriaco Ortiz Plays in the first session of the Orquesta Típica Victor on 9 November.[17]Single source

Carlos Lázzari Born in Buenos Aires; grows up in Villa Pueyrredón.[18]Single source

Eugenio Cárdenas Joins the authors' association, where he will register more than 500 works.[19]Single source

Enrique Cadícamo Carlos Gardel records his first tango, Pompas de jabón, in Spain, with José Ricardo on guitar.[20]Single source

Juan Bruno Born about 1925 (he was 16 in 1941 and 79 when he died in 2004).[21]Single source

Tania Arrives in Buenos Aires with a Spanish troupe (1924 or 1925).[22]Single source

Aníbal Troilo First public performance on bandoneón, aged eleven, in a bar beside the Mercado de Abasto.[23]Single source

Manuel Buzon Joins LOY Radio Nacional Flores as pianist and singer; in October his orchestra backs Rosita Quiroga on a Victor record that includes his "Calla corazón".[24]Single source

José Dames Moves with his family to San Fernando and takes up the bandoneon.[25]Single source

José Horacio Staffolani Presents the Magaldi-Noda duo; José María Aguilar urges him to write lyrics.[26]Single source

Leopoldo Díaz Vélez His father takes him to hear Gardel at the Teatro Olimpo.[27]Single source

Armando Baliotti Writes his first tango, Bacán, introduced by Osvaldo Fresedo; the biography dates it to 1926.[28]Single source

Héctor María Artola Debuts in Carlos Warren's orchestra at the Capitol cinema in Montevideo.[29]Single source

José Pascual Plays in a youth trio with Alfredo De Franco and Lucas Di Salvo.[30]Single source

Alfredo Gobbi Aged thirteen, first plays in a bar in Chacarita with Orlando Goñi.[31]Single source

Adolfo Carabelli Until about this year leads an orchestra on a newly opened Buenos Aires radio station and records for the Electra label.[32]Single source

Roberto Maida After singing between films at the 2º Coliseo and Astral cinemas, debuts professionally with Miguel Caló's orchestra.[33]Single source

Miguel Bucino Debuts as a professional dancer at the Teatro Maipo.[34]Single source

Lito Bayardo Writes his first song, the tango Mala mujer, with Adelio Zeoli.[35]Single source

José De Grandis Plays in Enrique Pollet's sextet at the Café El Parque, where he gives Pedro Laurenz the verses of Amurado.[36]Single source

Juan Caldarella Composes Canaro en París with the Scarpino brothers, adding its final variation.[37]Single source

Carlos Marcucci Debuts with Francisco Canaro's orchestra at the Dancing Florida in Paris.[38]Single source

Ciriaco Ortiz Forms his group for the Cine Gaumont, where it plays until 1931.[17]Single source

Roberto Díaz Records Por qué and Piedad with Julio De Caro's sextet in March.[39]Single source

Ángel D'Agostino Joins the Orquesta Típica Paramount, which debuts at the Paramount cinema.[40]Single source

Pedro Laurenz Joins Julio De Caro's sextet, replacing Luis Petrucelli, and records bandoneon duets with Pedro Maffia for Victor.[41]Single source

Charlo Premieres his tango "Pinta brava" in a revue at the Teatro de la Comedia.[42]Single source

Enrique Santos Discepolo His first tango, Bizcochito, is sung by Juan Carlos Marambio Catán at the Teatro Nacional in the play La Porota.[43]Single source

Catulo Castillo Carlos Gardel records his Caminito del taller.[44]Single source

Celedonio Flores Writes El bulín de la calle Ayacucho with the Servidio brothers.[45]Single source

Agustín Bardi La última cita, with Francisco García Jiménez's words, is published.[46]Single source

Francisco Brancatti Writes Amigazo with Juan Velich and Juan de Dios Filiberto, and Justicia criolla with Rafael Iriarte.[47]Single source

Agustin Magaldi Forms the Magaldi-Noda duo with Pedro Noda.[48]Single source

Julio Navarrine Writes Oiga amigo with Alfredo for a play at the Teatro Nacional; Corsini records Trago amargo.[49]Single source

Juan Rezzano Writes Entrá nomás with Francisco Bastardi; plays with José and Eva Franco's company at the Teatro Olimpo, Rosario.[50]Single source

José Bohr Introduces Pero hay una melena at the Teatro Porteño; Corsini premieres Medias de seda at the Teatro Smart.[12]Single source

Roberto Lino Cayol Writes Viejo rincón with Raúl de los Hoyos.[51]Single source

Eduardo Bianco The Bianco-Bachicha orchestra debuts at the Washington Palace in Paris.[52]Single source

Anselmo Aieta Member of the Orquesta Típica Paramount with Juan D'Arienzo and Ángel D'Agostino.[53]Single source

Agustin Magaldi Forms the duo with Pedro Noda, recording for Victor.[54]Single source

Charlo First recordings, for Electra, accompanied by guitarists Vicente Spina and Miguel Correa.[55]Single source

Sebastián Piana Writes Silbando with Cátulo Castillo and José González Castillo.[56]Single source

Juan Velich Writes Amigazo with Francisco Brancatti and Juan de Dios Filiberto.[47]Single source

ALFREDO NAVARRINE Galleguita and Fea, with Horacio Pettorossi, are published.[57]Single source

Julio De Caro — played in Tango in 1925 (Played in Julio De Caro.)1925[58]Single source

Emilio de Caro — played in Tango in 1925 (Played in Julio De Caro.)1925[58]Single source

Francisco De Caro — played in Tango in 1925 (Played in Julio De Caro.)1925[58]Single source

Pedro Maffia — played in Tango in 1925 (Played in Julio De Caro.)1925[58]Single source

Pedro Laurenz — played in Tango in 1925 (Played in Julio De Caro.)1925[58]Single source

Osvaldo Fresedo — described as Tango in 1925 (active 1925–1980)1925[59]Single source