Tango in 1924

Francisco Canaro — recorded in Tango in 1924 (54 recordings)1924[1]Single source

Julio De Caro — recorded in Tango in 1924 (1 recordings)1924[1]Single source

Jorge Arduch Born in Las Junturas, Córdoba province.[2]Single source

Jorge Casal Born in Buenos Aires to Italian parents; grows up in Villa Urquiza.[3]Single source

Ernesto Ponzio Kills a man in Rosario and is sentenced to a long prison term.[4]Single source

Jorge Durán Born in San Juan Province to Andalusian parents who grew fruit and ran a small winery.[5]Single source

Casimiro Aín On 1 February dances the tango 'Ave María' with María Scotto before Pope Pius XI at the Vatican, by his own account.[6]Single source

Jorge Ledesma Born in Piñeyro.[7]Single source

Carlos Mauricio Pacheco Died in Buenos Aires.[8]Single source

Mario Bustos Born Mario Nazareno Álvarez in Almagro.[9]Single source

Beba Bidart Born Eliane René Schianni Bidart in Boedo, Buenos Aires.[10]Single source

Virgilio Expósito Born to anarchist parents; grows up in Zárate.[11]Single source

Enrique Maroni Un programa de cabaret, written with Pascual Contursi, opens at the Teatro Apolo with the Si supieras lyric of La cumparsita; begins working as a radio announcer.[12]Single source

Roberto Di Filippo Born in Peyrano, Santa Fe.[13]Single source

Ebe Bedrune Born in Rosario.[14]Single source

Ángel Domingo Riverol The Magaldi-Noda duo is formed at his home; he becomes one of its guitarists.[15]Single source

Oscar Ferrari Born Oscar Samuel Rodríguez de Mendoza in Buenos Aires, on the edge of Balvanera and San Cristóbal.[16]Single source

Jorge Caldara Born in the Abasto, Buenos Aires.[17]Single source

Alberto Podestá Born Alejandro Washington Alé in San Juan.[18]Single source

Lágrima Ríos Born in Durazno.[19]Single source

Eduardo Arolas Died in París.[20]Single source

Eduardo Arolas Dies in Paris.[21]Single source

Vicente Greco Died in Buenos Aires.[22]Single source

Vicente Greco Dies in Buenos Aires.[23]Single source

Raúl de los Hoyos His first composition, Sonsa, is sung by Iris Marga in the revue ¿Quién dijo miedo? at the Teatro Maipo.[24]Single source

Roberto Videla Born Antonio Genaro De Tomaso in Buenos Aires.[25]Single source

Osvaldo Pugliese Composed “Recuerdo” (1924).[26]Single source

Rafael Canaro Composed “Sentimiento gaucho” (1924).[27]Single source

Osvaldo Fresedo Composed “El Once” (1924).[28]Single source

Enrique Delfino Composed “Griseta” (1924).[29]Single source

Ricardo Tanturi Starts playing piano at clubs and charity festivals and, with his brother Antonio, on LOY Radio Nacional (later Radio Belgrano).[30]Single source

Astor Piazzolla His family moves to New York, where he grows up and gets his first bandoneón.[31]Single source

Roberto Fugazot Sings on Uruguayan radio with Américo Chiriff and Ítalo Goyeche, then debuts at the Teatro Nacional in Buenos Aires.[32]Single source

Mario Canaro Writes Así es el mundo, counted among the first tangos with a refrain singer.[33]Single source

Luis Visca Debuts professionally at the Cine Colón on Avenida Entre Ríos.[34]Single source

Julio César Sanders Publishes his first work, the tango Inglesita.[35]Single source

Juan Sanchez Gorio His family emigrates to Argentina and settles in San Nicolás, where he begins the bandoneon.[36]Single source

Gabriel Clausi First paid work in Andrés Dáquila's quintet at the cafés Benigno and La Fratinola.[37]Single source

Principe Azul Professional singing debut with the pianist José Tinelli.[38]Single source

Lucio Demare Plays in Eleuterio Iribarren's band at the Ta-Ba-Rís.[39]Single source

Charlo Debuts on Radio Cultura, where he first uses the name Charlo.[40]Single source

Catulo Castillo Organito de la tarde wins third prize in the Max Glücksmann contest for Nacional records.[41]Single source

Carlos Lenzi A media luz, with music by Edgardo Donato, is premiered in a Montevideo revue (1924 at the Teatro Albéniz according to Ferrer and AGADU; 1925 at the Teatro Catalunya according to other authors).[42]Single source

Agustin Magaldi Takes part in the opening broadcasts of LOY Radio Nacional in July.[43]Single source

Alejandro Scarpino Plays the Café Nacional and, in a trio with Carlos Di Sarli, on Radio Cultura.[44]Single source

Enrique Carrera Sotelo Juan Maglio introduces him to Carlos Gardel, who records their tango Congojas.[45]Single source

José Bohr Debuts as a chansonnier at the Teatro Porteño in De Puente Alsina a Montmartre; writes Cascabelito with Caruso.[46]Single source

Dante A. Linyera Writes lunfardo poems in the magazine El Canta Claro.[47]Single source

Modesto Papavero Scores the revue A vestirse caballeros at the Teatro Cosmopolita.[48]Single source

Benjamín Tagle Lara Por el camino, with Geroni Flores, is premiered by Ítalo-Feria at a song contest in Montevideo.[49]Single source

Mario Melfi Called to Paris by Eduardo Bianco; plays in the Bianco-Bachicha orchestra.[50]Single source

Eduardo Bianco In Paris, plays six months at the Capitol restaurant.[51]Single source

Agustin Magaldi Joins Victor through Rosita Quiroga; sings on the first broadcasts of LOY Radio Nacional.[52]Single source

Rosita Quiroga Sings on LOX Radio Cultura, the first woman to sing tango there.[53]Single source

Francisco García Jiménez Writes Suerte loca and La mentirosa with Anselmo Aieta.[54]Single source

Gerardo Matos Rodríguez Contursi and Maroni's lyric Si supieras is sung in Un programa de cabaret at the Teatro Apolo, without his consent.[55]Single source

Alfredo Bigeschi Publishes his first tango, Tenorios de mi barrio.[56]Single source

Rafael Canaro Sentimiento gaucho, written with Francisco Canaro, wins the Nacional label's first tango contest.[57]Single source

Ernesto de la Cruz Debuts at the Café El Nacional on Corrientes, following Juan Maglio; starts on radio LOY, later Radio Belgrano.[58]Single source

José María Aguilar Performs in Montevideo with the group Los Incógnitos in March.[59]Single source

Pascual Contursi With Enrique Maroni writes the Si supieras lyric for La cumparsita.[60]Single source

Juan Andrés Caruso Writes Sentimiento gaucho with Francisco and Rafael Canaro, and Cascabelito with José Bohr.[61]Single source

Casimiro Agustín Aín — described as Tango in 1924 (dance_style: first serious tango dancer; introduced greater artistic wealth to dancing; danced for Pope Pius XI in 1924)1924[62]Single source

Julio De Caro — led Tango in 1924 (Led Julio De Caro.)1924[63]Single source

Recuerdo — composed by Tango in 1924 (Composed by Osvaldo Pugliese.)1924[64]Single source