Tango in 1923

Francisco Canaro — recorded in Tango in 1923 (11 recordings)1923[1]Single source

Juan Carlos Cobian — recorded in Tango in 1923 (2 recordings)1923[1]Single source

Eduardo Adrian Born Carlos Alberto Eyherabide in Mar del Plata; raised in Avellaneda.[2]Single source

Julio Martel Born Julio Pedro Harispe in Baigorrita, partido of General Viamonte.[3]Single source

Horacio Deval Born in Buenos Aires.[4]Single source

Azucena Maizani Sings Padre nuestro at the Teatro Nacional in a Vaccarezza sainete and is made to repeat it five times.[5]Single source

Pedro Datila Born.[6]Single source

Mario Melfi Leaves for Spain with Los de la Raza, learning the bandoneon from Bachicha on the way.[7]Single source

Juan Bautista Deambroggio Leaves for Spain with the company Los de la Raza.[8]Single source

Mercedes Simone Marries the guitarist and singer Pablo Rodríguez, who accompanies her early performances.[9]Single source

Catulo Castillo Composed “Organito de la tarde” (1923).[10]Single source

Luis Servidio Composed “El bulín de la calle Ayacucho” (1923).[11]Single source

Manuel Jovés Composed “Buenos Aires” (1923).[12]Single source

Ángel Vargas Begins singing in neighbourhood cinemas.[13]Single source

Miguel Bucino Joins Francisco Canaro's orchestra on bandoneon and is let go after a few performances.[14]Single source

Jesús Fernández Blanco Writes his first song, El gaucho se va, with Andrés Domenech.[15]Single source

Lito Bayardo Begins singing and reciting on LT3 radio in Rosario.[16]Single source

Nolo López Begins as an actor in Antonio Daglio's company.[17]Single source

Agustin Magaldi Settles in Buenos Aires and sings in cafés, sponsored by Rosita Quiroga.[18]Single source

Osvaldo Sosa Cordero Begins writing parodies and décimas.[19]Single source

Ramón Collazo Joins the Troupe Ateniense and composes his first tango, Bolita.[20]Single source

Julian Centeya The family moves from San Francisco, Córdoba, to Buenos Aires and settles in Boedo.[21]Single source

Benjamín Tagle Lara Gardel and Razzano record his zamba Cocorocó with Enrique Delfino.[22]Single source

Andrés Domenech Moves to Buenos Aires and writes his first tango, El gaucho se va.[23]Single source

Carlos Marcucci Plays with Carlos Vicente Geroni Flores and tours Mexico and Cuba with the Vittone-Pomar company; Gardel records his Viejecita mía.[24]Single source

Ciriaco Ortiz Moves to Buenos Aires with the pianist Nicolás Vaccaro.[25]Single source

Antonio Rodio Plays in Carlos Marcucci's quartet on Radio Sud América.[26]Single source

Agustin Magaldi Moves to Buenos Aires and sings in small cafés.[27]Single source

Rosita Quiroga First records for Victor: Siempre criolla and the tango La tipa.[28]Single source

Carlos Di Sarli Moves to Buenos Aires with his brother Roque and joins Anselmo Aieta's group.[29]Single source

Celedonio Flores Writes Mano a mano with Gardel and Razzano, and La mariposa with Pedro Maffia.[30]Single source

Gerardo Matos Rodríguez Recovers the rights to La cumparsita from the publisher Breyer with the help of fellow authors.[31]Single source

Enrique Dizeo Gardel records his Viejecita mía after Dizeo brings it to him at the Café de los Angelitos.[32]Single source

Alfredo Bigeschi Writes for the carnival comparsas of La Boca.[33]Single source

Julio Navarrine Travels to Spain with the company Los de la Raza.[34]Single source

Eduardo Escaris Méndez Barajando, with Nicolás Vaccaro, is copyrighted.[35]Single source

Ernesto de la Cruz Forms an orchestra for a German beer hall at the Balneario Municipal.[36]Single source

José María Aguilar Signs with Victor as soloist and lead accompanist.[37]Single source

Tita Merello Vedette at the Teatro Maipo in Las modernas Scherezadas, singing her first tango.[38]Single source

Pedro Maffia Plays in the Julio De Caro sextet until 1926, at venues including L'Aiglón, Café Colón, Palais de Glace, Chantecler and Select Lavalle, and on Radio Sudamérica.[39]Single source

Elvino Vardaro Joins Roberto Firpo's orchestra, where he meets violinist Cayetano Puglisi.[40]Single source

Manuel Romero Travels to Europe with Luis Bayón Herrera and works in theatre in Paris.[41]Single source

Sebastián Piana Sobre el pucho, with José González Castillo, wins a contest of the Tango cigarette brand and leads to his friendship with Gardel.[42]Single source

Juan Velich Organises the first radio-drama company, on Radio Cultura.[43]Single source

Gabino Coria Peñaloza Helps found the magazine Nativa.[44]Single source

Juan Carlos Marambio Catán Joins Pepe Podestá's company in La Plata; later records for Victor with Alfredo Pelaia.[45]Single source

Luis Petrucelli Plays and records for Victor with Juan Carlos Cobián; leads groups at the Abdullah Club and the Café Los Andes.[46]Single source

Horacio Pettorossi Debuts in Madrid at the Teatro Prince with Los de la Raza.[47]Single source

Azucena Maizani Records with Francisco Canaro's orchestra, to 1926.[5]Single source

Francisco Lomuto Forms his first orchestra, which plays the Teatro Empire and starts recording for Odeon.[48]Single source

Julio De Caro Plays in Juan Carlos Cobián's orchestra at the Abdulla Club in the Galería Güemes.[49]Single source

Manuel Jovés Writes Buenos Aires and Nubes de humo with Romero.[50]Single source

Eduardo Pereyra Plays at the café Los Andes in Luis Petrucelli's group with Pedro Maffia.[51]Single source

Francisco Bastardi Azucena Maizani introduces La cabeza del italiano.[52]Single source

Luis Petrucelli Joins the quartet that becomes Julio De Caro's sextet, playing the Café Colón and Radio Sudamérica into 1924.[46]Single source

Julio De Caro Forms his own sextet at the end of the year, then plays afternoons at the Café Colón and on Radio Sudamérica.[49]Single source

Teófilo Lespés Performs in Manuelita Rosas at the Marconi, 150 performances.[53]Single source

Guillermo Barbieri Travels to Spain with Gardel and the Rivera-De Rosas company in November.[54]Single source

Minotto Di Cicco Rejoins Francisco Canaro, replacing Anselmo Aieta and pairing with Juan Canaro; becomes the orchestra's first bandoneon for years and plays in the Quinteto Pirincho.[55]Single source

José González Castillo Sobre el pucho, with Sebastián Piana, wins the Tango cigarette contest.[56]Single source

José Razzano Tours Spain with Gardel and the Rivera-De Rosas company, playing the Apolo and Price theatres in Madrid; writes Mano a mano with Gardel and Celedonio Flores.[57]Single source

Juan Carlos Cobian Leaves for the United States; in New York he leads a band at the McAlpin Hotel.[58]Single source