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Year

Tango in 1922

Our catalogue holds 3 recordings from 1922. The orchestras recorded most that year were Francisco Canaro (3 recordings).

Our catalogue holds 3 recordings from 1922. The orchestras recorded most that year were Francisco Canaro (3 recordings).

That year

Francisco Lomuto: active 1922–1950.

Francisco Lomuto: Led Francisco Lomuto.

Roberto Rufino: Born at Agüero 753 in the Abasto; his birth certificate records 8 January, the day he was registered.

Alberto Morán: Born Remo Andrea Domenico Recagno in Strevi, Piedmont, Italy.

Armando Laborde: Born José Atilio Dattoli in Palermo; his papers say the 30th because his father registered him late.

Juan Carlos Cobian: Composed “Los mareados” (1922).

Ignacio Corsini: Premieres Patotero sentimental in the sainete El bailarín del cabaret.

Oscar Larroca: Born Oscar Antonio Moretta in Almagro.

every sentence cites a published fact

Data: recordings, facts and sources

Recorded in1

Francisco Canaro — recorded in Tango in 1922 (3 recordings)1922Single source

What happened59

Roberto Rufino Born at Agüero 753 in the Abasto; his birth certificate records 8 January, the day he was registered.Single source

Alberto Morán Born Remo Andrea Domenico Recagno in Strevi, Piedmont, Italy.Single source

Armando Laborde Born José Atilio Dattoli in Palermo; his papers say the 30th because his father registered him late.Single source

Juan Carlos Cobian Composed “Los mareados” (1922).Single source

Ignacio Corsini Premieres Patotero sentimental in the sainete El bailarín del cabaret.Single source

Oscar Larroca Born Oscar Antonio Moretta in Almagro.Single source

Miguel Montero Born Miguel Ángel Montero in San Miguel de Tucumán.Single source

Aníbal Arias Born in Villa Devoto, Buenos Aires.Single source

Juan Carlos Godoy Born Aníbal Llanos in Campana.Single source

Samuel Linnig Manolita Poli introduces Melenita de oro in his sainete Milonguita.Single source

Carlos Vicente Geroni Flores Melenita de oro is premiered on 25 August by Manolita Poli.Single source

Osvaldo Ruggiero Born in Buenos Aires; grows up in Villa Pueyrredón.Single source

Manolo Fernández Born.Single source

Mario Battistella Debuts as a theatre author with the revue Do-re-mi-fa-sol-la-si, written with Francisco Bohigas, at the Teatro Variedades, where he meets Gardel.Single source

Tito Roccatagliata Composed “Elegante papirusa” (1922).Single source

Manuel Jovés Composed “Patotero sentimental” (1922).Single source

Lucio Demare Plays piano in Nicolás Verona's jazz band at the Real Cine on Esmeralda street.Single source

Charlo His family moves to Buenos Aires, where his singing career begins.Single source

Nelly Omar After her father's death the family moves to the city of Buenos Aires.Single source

Homero Manzi Writes his first surviving song, the vals ¿Por qué no me besas?, to music by Francisco Caso; Ignacio Corsini records it.Single source

Carlos Pesce The vals Francia, with Octavio Barbero's music, appears.Single source

José De Grandis Plays briefly in Luis Petrucelli's orchestra at the Casino Pigall.Single source

María Luisa Carnelli Publishes her first book of poems, Versos de mujer.Single source

Alejandro Scarpino Forms the orchestra La Unión with Guillermo Césari.Single source

José Bohr Writes Allá en el sur with Eugenio Cárdenas.Single source

Eduardo Bianco Writes Razón quinta in Buenos Aires.Single source

José María Aguilar Records in a duo with Mario Pardo; the pair had debuted at the Teatro Empire.Single source

Azucena Maizani Chorus member at the Teatro Apolo.Single source

Roberto Díaz First Victor recordings with the Vega-Díaz duo.Single source

Pedro Laurenz Plays with Roberto Goyeneche's orchestra at the opening of Radio Cultura, where his first tango 'El rebelde' is premiered.Single source

Pedro Maffia Joins Juan Carlos Cobián's sextet alongside Julio De Caro.Single source

Elvino Vardaro Recruited by Juan Maglio from a silent-film cinema; tours the interior with his orchestra.Single source

Manuel Romero El bailarín del cabaret runs all season at the Teatro Apolo with César Ratti's company; Ignacio Corsini introduces Patotero sentimental in it.Single source

Antonio Sureda The Trío del Plata is hired by Federico del Ponte for the new Radio Cultura.Single source

Luis Petrucelli Forms his first orchestra, with Pedro Maffia; plays the Casino Pigall.Single source

Roberto Zerrillo Plays the summer season in Mar del Plata with Osvaldo Fresedo's orchestra at the Ocean Club.Single source

Antonio Buglione Plays in José Martínez's orchestra at the Teatro Politeama.Single source

Francisco Lomuto First recordings in a piano duo with Héctor Quesada; leads a sextet aboard the liner Cap Polonio.Single source

Enrique Maroni Writes the zamba La salteñita, recorded by Gardel and Razzano.Single source

Manuel Jovés Writes Patotero sentimental and La provinciana with Manuel Romero, and Loca with Viergol.Single source

Antonio Scatasso Returns to El Parque with a quartet including Fidel Del Negro and Luis Bernstein.Single source

ALFREDO NAVARRINE Tours Chile with Los de la Raza, writing Galleguita there, then Spain and Morocco in 1923.Single source

Pedro Numa Córdoba Writes Pobre corazoncito with Vicente Greco.Single source

Eduardo Pereyra Returns and becomes a musical adviser to Victor.Single source

Víctor Soliño Writes his first tango, No quiero; the Troupe Ateniense forms around this time.Single source

Manuel Pizarro Plays aboard the Massilia for Marcelo T. de Alvear's return to Argentina, then Francisco Lomuto's Cap Polonio cruises.Single source

Carlos Vicente Geroni Flores Signs with Victor; plays in the cabaret scene of Milonguita at the Teatro Nacional.Single source

Emilio Fresedo Writes Sollozos, recorded by Rosita Quiroga the next year.Single source

Peregrino Paulos Roberto Firpo records the tango as Inspiración.Single source

Teófilo Lespés The duo records for Victor, through 1923.Single source

Osvaldo Fresedo Plays at the Abdullah Club, in the basement of the Galería Güemes on Florida, and in Mar del Plata.Single source

Juan Canaro Forms his first own group at carnival, later a new one for the Casino Pigall.Single source

Rafael Tuegols Writes Lo que fuiste with García Jiménez.Single source

Luis Teisseire Writes the words of Juan de Dios Filiberto's De mil amores.Single source

Salvador Merico Begins leading the orchestra of the Teatro Nacional, until 1932.Single source

FRANCISCO PRACÁNICO Writes Madre.Single source

Juan Carlos Cobian Joins Osvaldo Fresedo's sextet at the Abdullah Club, then leads his own sextet there with Pedro Maffia and Julio De Caro.Single source

Eduardo Arolas Sails to France.Single source

Esposito Genaro Leads his own Orchestre Argentin in Paris after Pizarro leaves.Single source

Described as1

Francisco Lomuto — described as Tango in 1922 (active 1922–1950)1922Single source

Led1

Francisco Lomuto — led Tango in 1922 (Led Francisco Lomuto.)1922Single source

Listen

  1. TierritaFrancisco Canaro1922
  2. El palomo ladrónFrancisco Canaro1922
  3. Cuesta arribaFrancisco Canaro1922

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