Year
Tango in 1922
Our catalogue holds 3 recordings from 1922. The orchestras recorded most that year were Francisco Canaro (3 recordings).
That year
Francisco Lomuto: active 1922–1950.
Francisco Lomuto: Led Francisco Lomuto.
Roberto Rufino: Born at Agüero 753 in the Abasto; his birth certificate records 8 January, the day he was registered.
Alberto Morán: Born Remo Andrea Domenico Recagno in Strevi, Piedmont, Italy.
Armando Laborde: Born José Atilio Dattoli in Palermo; his papers say the 30th because his father registered him late.
Juan Carlos Cobian: Composed “Los mareados” (1922).
Ignacio Corsini: Premieres Patotero sentimental in the sainete El bailarín del cabaret.
Oscar Larroca: Born Oscar Antonio Moretta in Almagro.
every sentence cites a published fact
Data: recordings, facts and sources
Recorded in1
Francisco Canaro — recorded in Tango in 1922 (3 recordings)1922Single source
What happened59
Roberto Rufino Born at Agüero 753 in the Abasto; his birth certificate records 8 January, the day he was registered.Single source
Alberto Morán Born Remo Andrea Domenico Recagno in Strevi, Piedmont, Italy.Single source
Armando Laborde Born José Atilio Dattoli in Palermo; his papers say the 30th because his father registered him late.Single source
Juan Carlos Cobian Composed “Los mareados” (1922).Single source
Ignacio Corsini Premieres Patotero sentimental in the sainete El bailarín del cabaret.Single source
Oscar Larroca Born Oscar Antonio Moretta in Almagro.Single source
Miguel Montero Born Miguel Ángel Montero in San Miguel de Tucumán.Single source
Aníbal Arias Born in Villa Devoto, Buenos Aires.Single source
Juan Carlos Godoy Born Aníbal Llanos in Campana.Single source
Samuel Linnig Manolita Poli introduces Melenita de oro in his sainete Milonguita.Single source
Carlos Vicente Geroni Flores Melenita de oro is premiered on 25 August by Manolita Poli.Single source
Osvaldo Ruggiero Born in Buenos Aires; grows up in Villa Pueyrredón.Single source
Manolo Fernández Born.Single source
Mario Battistella Debuts as a theatre author with the revue Do-re-mi-fa-sol-la-si, written with Francisco Bohigas, at the Teatro Variedades, where he meets Gardel.Single source
Tito Roccatagliata Composed “Elegante papirusa” (1922).Single source
Manuel Jovés Composed “Patotero sentimental” (1922).Single source
Lucio Demare Plays piano in Nicolás Verona's jazz band at the Real Cine on Esmeralda street.Single source
Charlo His family moves to Buenos Aires, where his singing career begins.Single source
Nelly Omar After her father's death the family moves to the city of Buenos Aires.Single source
Homero Manzi Writes his first surviving song, the vals ¿Por qué no me besas?, to music by Francisco Caso; Ignacio Corsini records it.Single source
Carlos Pesce The vals Francia, with Octavio Barbero's music, appears.Single source
José De Grandis Plays briefly in Luis Petrucelli's orchestra at the Casino Pigall.Single source
María Luisa Carnelli Publishes her first book of poems, Versos de mujer.Single source
Alejandro Scarpino Forms the orchestra La Unión with Guillermo Césari.Single source
José Bohr Writes Allá en el sur with Eugenio Cárdenas.Single source
Eduardo Bianco Writes Razón quinta in Buenos Aires.Single source
José María Aguilar Records in a duo with Mario Pardo; the pair had debuted at the Teatro Empire.Single source
Azucena Maizani Chorus member at the Teatro Apolo.Single source
Roberto Díaz First Victor recordings with the Vega-Díaz duo.Single source
Pedro Laurenz Plays with Roberto Goyeneche's orchestra at the opening of Radio Cultura, where his first tango 'El rebelde' is premiered.Single source
Pedro Maffia Joins Juan Carlos Cobián's sextet alongside Julio De Caro.Single source
Elvino Vardaro Recruited by Juan Maglio from a silent-film cinema; tours the interior with his orchestra.Single source
Manuel Romero El bailarín del cabaret runs all season at the Teatro Apolo with César Ratti's company; Ignacio Corsini introduces Patotero sentimental in it.Single source
Antonio Sureda The Trío del Plata is hired by Federico del Ponte for the new Radio Cultura.Single source
Luis Petrucelli Forms his first orchestra, with Pedro Maffia; plays the Casino Pigall.Single source
Roberto Zerrillo Plays the summer season in Mar del Plata with Osvaldo Fresedo's orchestra at the Ocean Club.Single source
Antonio Buglione Plays in José Martínez's orchestra at the Teatro Politeama.Single source
Francisco Lomuto First recordings in a piano duo with Héctor Quesada; leads a sextet aboard the liner Cap Polonio.Single source
Enrique Maroni Writes the zamba La salteñita, recorded by Gardel and Razzano.Single source
Manuel Jovés Writes Patotero sentimental and La provinciana with Manuel Romero, and Loca with Viergol.Single source
Antonio Scatasso Returns to El Parque with a quartet including Fidel Del Negro and Luis Bernstein.Single source
ALFREDO NAVARRINE Tours Chile with Los de la Raza, writing Galleguita there, then Spain and Morocco in 1923.Single source
Pedro Numa Córdoba Writes Pobre corazoncito with Vicente Greco.Single source
Eduardo Pereyra Returns and becomes a musical adviser to Victor.Single source
Víctor Soliño Writes his first tango, No quiero; the Troupe Ateniense forms around this time.Single source
Manuel Pizarro Plays aboard the Massilia for Marcelo T. de Alvear's return to Argentina, then Francisco Lomuto's Cap Polonio cruises.Single source
Carlos Vicente Geroni Flores Signs with Victor; plays in the cabaret scene of Milonguita at the Teatro Nacional.Single source
Emilio Fresedo Writes Sollozos, recorded by Rosita Quiroga the next year.Single source
Peregrino Paulos Roberto Firpo records the tango as Inspiración.Single source
Teófilo Lespés The duo records for Victor, through 1923.Single source
Osvaldo Fresedo Plays at the Abdullah Club, in the basement of the Galería Güemes on Florida, and in Mar del Plata.Single source
Juan Canaro Forms his first own group at carnival, later a new one for the Casino Pigall.Single source
Rafael Tuegols Writes Lo que fuiste with García Jiménez.Single source
Luis Teisseire Writes the words of Juan de Dios Filiberto's De mil amores.Single source
Salvador Merico Begins leading the orchestra of the Teatro Nacional, until 1932.Single source
FRANCISCO PRACÁNICO Writes Madre.Single source
Juan Carlos Cobian Joins Osvaldo Fresedo's sextet at the Abdullah Club, then leads his own sextet there with Pedro Maffia and Julio De Caro.Single source
Eduardo Arolas Sails to France.Single source
Esposito Genaro Leads his own Orchestre Argentin in Paris after Pizarro leaves.Single source
Described as1
Francisco Lomuto — described as Tango in 1922 (active 1922–1950)1922Single source
Led1
Francisco Lomuto — led Tango in 1922 (Led Francisco Lomuto.)1922Single source
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