Tango in 1930

Carlos Di Sarli — 16 recordings1930[1]

Edgardo Donato — 35 recordings1930[1]

Francisco Canaro — 154 recordings1930[1]

Francisco Lomuto — 22 recordings1930[1]

Típica Victor — 41 recordings1930[1]

Julio De Caro — 12 recordings1930[1]

Roberto Firpo — 64 recordings1930[1]

Juan Maglio — 13 recordings1930[1]

Orquesta Típica Brunswick — 24 recordings1930[1]

Minotto Di Cicco — 3 recordings1930[1]

Orquesta Típica Porteña — 1 recordings1930[1]

Pedro Maffia — 2 recordings1930[1]

Severino (Edgardo Donato) — 1930[58]

Ecos del alma — 1930[58]

Mandinga — 1930[58]

La cumparsita (Roberto Firpo) — 1930[58]

Algo bueno (Carlos Di Sarli) — January 24, 1930[59]

El cantar de aquel malevo (Carlos Di Sarli) — March 17, 1930[59]

Cocoliche (Típica Victor) — March 20, 1930[58]

Antonio Rodio debuts with Pedro Maffia's orchestra at the Glorieta Río de la Plata.[2]

Carlos Varela: First recordings with Firpo: A Montmartre and Qué querés con ese loro.[3]

Ángel Domingo Riverol: First recordings with Carlos Gardel, with Barbieri and Aguilar.[4]

Rodolfo Biagi records with Carlos Gardel for Odeon as part of his accompanying group.[5]

Eduardo Pareja: Born on 6 April (inferred from his 90th birthday video; the 2012 homage gives his age as 82).[6]

Carlos Alberto Anzuate: Born; grows up in Almagro.[7]

Luis Stazo: Born in Buenos Aires.[8]

Alberto Gómez records Lloró el gaucho with Augusto Vila and the Típica Victor.[9]

Lalo Martel: Born Raúl Oscar Harispe in San Justo.[10]

Jorge Uzunian: Born on 29 August.[11]

Fernando Díaz: First record, 'No tenés perdón de Dios', with Juan Maglio.[12]

Teófilo Ibáñez records No te hagas curar with the Orquesta Típica Victor.[9]

Pepito Avellaneda: Born José Domingo Monteleone in Avellaneda.[13]

Mauricio Mise accompanies four Carlos Gardel recordings with Francisco Canaro's musicians.[14]

Horacio Salgan starts working as a pianist at the cine Universal in Villa Devoto, then a silent-film house.[15]

Florindo Sassone debuts professionally in Antonio Polito's group on Radio Belgrano.[16]

José Garcia: His new orquesta típica plays at the Teatro San Martín; grey suits give the band the name that becomes the Zorros Grises.[17]

Héctor Marcó adopts the stage name Marcó.[18]

Manuel Sucher forms a group with the bandoneonist Félix Lipesker in Rosario.[19]

Eduardo Del Piano: The Del Piano-Paradiso group debuts at the Salón Liguria; Roberto Firpo hires him for the Palace Teatro.[20]

Roberto Grela turns professional at seventeen, backing Roberto Maida on radio LR3.[21]

Jorge Omar starts as a radio soloist accompanied by a guitar duo, already as Jorge Omar.[22]

Alberto Rivera emigrates with his family to Argentina and settles in Santa Fe province.[23]

Petróleo meets Esperanza Díaz at a milonga; she is his partner until 1949.[24]

Aníbal Troilo joins the sextet of Elvino Vardaro and Osvaldo Pugliese, which never recorded.[25]

Ricardo Malerba: The tour ends; the Malerba brothers stay on in Europe, playing in Portugal.[26]

Ángel Vargas debuts at the café Marzotto, Corrientes 1124, singing afternoons with the Lando-Mattino orchestra.[27]

Luis Rubistein: Carlos Gardel records his Tarde gris, with music by Juan Bautista Guido.[28]

Carlos Pesce: El penado catorce, with Agustín Magaldi and Pedro Noda, appears.[29]

Típica Victor records Queja melodiosa with Ernesto Famá and No te hagas curar with Teófilo Ibáñez.[9]

Tino García joins Carlos Marcucci's sextet, heard on Radio Prieto and Radio Argentina and at the cabaret Dancing Ocean.[30]

Homero Manzi: After the September coup he is jailed briefly and loses his literature posts at the Mariano Moreno and Sarmiento colegios.[31]

Carlos Lenzi writes Araca París with Ramón Collazo, in Paris.[32]

Rodolfo Sciammarella writes Vieja recova with Enrique Cadícamo.[33]

Mario Canaro composes in Paris the tango Viejo gaucho, later Quiero verte una vez más.[34]

Manuel Meaños writes Mi dolor with Marcucci.[35]

José Horacio Staffolani writes Taconeando with Maffia.[36]

Armando Baliotti forms the Baliotti-Ginzo orchestra, at the cabaret Imperio.[37]

Andrés Domenech: His vals El payador takes third prize in Max Glücksmann's vals contest.[38]

Juan Bautista Abad Reyes gives his views on lunfardo in tango in an interview for the magazine Femenil.[39]

Héctor María Artola joins Bachicha's orchestra at the Montparnasse cabaret in Paris.[40]

Tania: First recordings, with Osvaldo Fresedo's orchestra.[41]

Principe Azul replaces Charlo in Francisco Lomuto's orchestra; fourteen recordings.[42]

Edgardo Donato: Donato-Zerrillo dissolves after a tour with Azucena Maizani and Donato leads his own orchestra.[43]

Alfredo Gobbi plays in the sextet of Elvino Vardaro and Osvaldo Pugliese, with Aníbal Troilo.[44]

Roberto Maida premieres "Te odio" in a revue at the Teatro Sarmiento and records for Columbia.[45]

Agustín Bardi writes Madre hay una sola with José de la Vega and Nunca tuvo novio with Enrique Cadícamo.[46]

Alejandro Scarpino: Carlos Gardel records his No llore viejita.[47]

Ramón Collazo writes Araca París with Carlos Lenzi, later recorded by Gardel.[32]

Enrique Carrera Sotelo: Tita Merello records his comic tango Trabajar ¡nunca![48]

A. Bardi: Nunca tuvo novio appears.[49]

Rosita Quiroga performs at the Teatro Empire.[50]

Sofía Bozán records for Odeon, including Yira yira, which she premiered at the Teatro Sarmiento.[51]

Roberto Díaz records Tinieblas with Carlos Marcucci's orchestra for Victor.[52]

Carlos Viván records his own Cómo se pianta la vida with Maffia for Brunswick.[53]

Casimiro Aín returns to live in Argentina (Todotango's chronicle says 1927).[54]

Ángel D'Agostino plays at the opening of the Cine Edix at Corrientes and Callao, with Francisco Fiorentino singing refrains.[55]

Manuel Buzon ends the Spanish tour by opening the Salón Moderno at the Seville Exposition; in August plays the Teatro Rívoli in Villa Crespo.[56]

Enrique Santos Discepolo appears with Carlos Gardel in the short films in which Gardel sings Yira yira.[57]

Carlos Di Sarli — Led Carlos Di Sarli.1930[59]

Francisco Canaro — Led Francisco Canaro.1930[58]

Francisco Lomuto — Led Francisco Lomuto.1930[58]

Edgardo Donato — Led Edgardo Donato.1930[58]

Julio De Caro — Led Julio De Caro.1930[58]

Roberto Firpo — Led Roberto Firpo.1930[58]

Guardia Nueva — deposed Hipólito Yrigoyen1930, Mar 10, 1930, Apr 1, 1930[60][98][100]

Alfredo De Angelis — active 1930–19901930[61]

Teatro Colón — In the 1930s new tango shows were staged at the Colón, especially during Carnival; tangos that mention the theatre include "Noche de Colón" (1926) and1930[88]

Estadio Centenario, Montevideo — First FIFA World Cup final: Uruguay v Argentina: Argentina lose 4-2 to Uruguay in Montevideo.1930[89]

Casa Rosada, Buenos Aires — Coup of 6 September 1930: Uriburu overthrows Yrigoyen: the first military coup of the century.1930[60]

Buenos Aires — Depression of the 1930s in Argentina: The world crisis hits Argentine exports.1930[90]

Lita Morales — radio singer of the 1930s generation of acclaimed women voices1930[91]

Guardia Nueva — Haarlem: a Dutch newsreel of 1930 shows a tango demonstration by Cor Klinkert and Liesje Santen at the Rembrandt Theater in Haarlem: the French tango,Jan 7, 1930[95]

Teatro Ópera — Octavo Baile de los Aviadores en el Teatro ÓperaFeb 28, 1930[97]

Adios arrabal — 1930[62]

Madre hay una sola — 1930[63]

Nunca tuvo novio — 1930[64]

Padrino pelao — 1930[65]

Tarde gris — 1930[66]

Vieja recova — 1930[67]

A mí no me den consejos — 1930[68]

Portate bien que sos grande — 1930[69]

Tortazos — 1930[70]

Pordioseros — 1930[71]

La eterna milonga — 1930[72]

Música de calesita — 1930[73]

El recodo — 1930[74]

La otra noche — 1930[75]

Como abrazado a un rencor — 1930[76]

Sólo se quiere una vez — 1930[77]

Mi dolor — 1930[78]

Linyera — 1930[79]

Adiós, mi barrio — 1930[80]

Titiriteros — 1930[81]

Taconeando — 1930[82]

La que murió en París — 1930[83]

La viajera perdida — 1930[84]

Pajarito — 1930[85]

Baquiano pa'elegir — 1930[86]

Clavel del aire — 1930[87]

Cayetano Puglisi — Played in Francisco Canaro.1930[92]

Luis Scalon — trío Spaventa-Scalon-Morales1930[93]

Osvaldo Peredo — Born.1930[94]

Alberto Aguirre — Born.Feb 19, 1930[96]

Dos ojos negros (Francisco Canaro) — Sung by Charlo.Mar 24, 1930[99]

Cuento criollo (Francisco Canaro) — Sung by Charlo.Apr 2, 1930[99]