Tango in 1934

Miguel Caló — 3 recordings1934[1]

Osvaldo Fresedo — 4 recordings1934[1]

Edgardo Donato — 14 recordings1934[1]

Francisco Canaro — 59 recordings1934[1]

Francisco Lomuto — 23 recordings1934[1]

Adolfo Carabelli — 2 recordings1934[1]

Roberto Firpo — 11 recordings1934[1]

Orquesta Típica Los Provincianos (Ciriaco Ortiz) — 2 recordings1934[1]

Mario Melfi — 1 recordings1934[1]

Orquesta De Tangos Ingles — 1 recordings1934[1]

Pedro Maffia — 1 recordings1934[1]

Canto (Orquesta Típica Los Provincianos (Ciriaco Ortiz)) — Recorded in Orquesta Típica Los Provincianos (Ciriaco Ortiz).Jan 30, 1934[84]

Fin de fiesta (Francisco Canaro) — Recorded in Francisco Canaro.Feb 17, 1934[84]

Ya vendrán tiempos mejores (Francisco Canaro) — Recorded in Francisco Canaro.Feb 17, 1934[84]

Ya no cantas más (Francisco Canaro) — Recorded in Francisco Canaro.Apr 28, 1934[84]

Mi evocación (Adolfo Carabelli) — Recorded in Adolfo Carabelli.May 7, 1934[84]

Yo me llamo Juan te quiero (Francisco Canaro) — Recorded in Francisco Canaro.May 22, 1934[84]

El mundo sigue al revés (Adolfo Carabelli) — Recorded in Adolfo Carabelli.Jul 6, 1934[84]

Antonio Maida: First record, Esto es el colmo, with Edgardo Donato for RCA Victor.[2]

Juan Maglio records for the last time, for Odeón, on 17 April.[3]

Teófilo Ibáñez: Back at Victor; records Derecho viejo with lyrics on 1 June.[4]

Roberto Ray records 'Canto de amor' with Fresedo for RCA-Victor.[5]

Maria Nieves: Born on 6 September in Saavedra, Buenos Aires.[6]

Félix Gutiérrez records A través de los años with Pedro Maffia for RCA Victor.[7][2]

Ernesto Ponzio dies of a heart aneurysm.[8]

Leonardo Lerman: Born in Buenos Aires.[9]

Alberto Mancione: First paid job, in bandoneonist José Figueroa's trio, touring and playing on Radio Mitre.[10]

Armando Guerrico sees Carlos Gardel perform at the Teatro Cristoforo Colombo in Quilmes.[11]

Alfredo De Angelis plays briefly as pianist in Graciano De Leone's orchestra, after accompanying singers and playing with Anselmo Aieta.[12]

Alberto Castillo sings with Julio De Caro's orchestra.[13]

Roberto Lambertucci writes his first tango, Viejo farolito, to music by his father.[14]

Luciano Leocata plays theatre seasons with José Tinelli at the Apolo, then the San Martín in 1936.[15]

Maruja Pacheco Huergo acts in Galería de esperanzas, written by Enrique Cadícamo.[16]

Angel Dominguez joins Ángel D'Agostino's orchestra.[17]

José Libertella arrives in Argentina as a baby and grows up in Villa Lugano.[18]

Ricardo Pedevilla plays in Daniel Álvarez's group with Armando Baliotti.[19]

Félix Lipesker moves to Buenos Aires to join Julio De Caro's orchestra.[20]

Ricardo Ruiz acts and sings on radio in Arsenio Mármol's Estampas porteñas.[21]

Osvaldo Pugliese: Pianist for Pedro Laurenz, writing his first arrangements for him.[22]

Horacio Salgan joins Radio Belgrano as a soloist, later playing on Radio Excelsior, Prieto and Stentor.[23]

Francisco Fiorentino: With Roberto Zerrillo's orchestra, sings a full lyric on the record of Serenata de amor rather than just the refrain.[24]

Mario César Gomila writes Farolero with Julio De Caro and Bibelot with Francisco De Caro.[25]

Ricardo Tanturi: The orchestra plays at the Alvear Palace Hotel.[26]

Enrique Rodríguez plays in a trio accompanying Francisco Fiorentino on Radio Belgrano.[27]

Alfredo Malerba accompanies Francisco Fiorentino's debut as a soloist on LR3 Radio Nacional.[28]

Antonio Polito writes Fiesta porteña with Juan Giliberti.[29]

Roberto Arrieta joins the quartet Los Magos del Tango on Radio Ultra.[30]

Juan D'Arienzo: Playing at the Chantecler cabaret on Paraná street with Luis Visca on piano; Carlos Di Sarli fills in for a month.[31]

César Vedani: Adiós muchachos is used in the Hollywood film Wonder Bar.[32]

José Luis Padula writes the vals Mi vida with Enrique Cadícamo.[33]

José Dames forms the duo Las Dos D with the pianist Rolando Dodero.[34]

Joaquín Mora writes Yo soy aquel muchacho with Vicente Russo and Máximo Orsi.[35]

Julio César Sanders: Adiós muchachos is used in Lloyd Bacon's film Wonder Bar.[36]

Mario Melfi writes Remembranza with Mario Battistella.[37]

Juan Bautista Abad Reyes begins writing for radio, on Belgrano, Fénix, Prieto and Argentina.[38]

Raúl Kaplun: In Caló's orchestra, which records twelve discs for Odeon through 1938.[39]

Tino García sings at bars on the Costanera Sur with Mariano Mores at the piano.[40]

Pedro Laurenz debuts his own orchestra at the café Los 36 Billares, Corrientes 965, with Osvaldo Pugliese on piano.[41]

Lito Bayardo settles in Buenos Aires.[42]

Héctor María Artola: Contracted to accompany Libertad Lamarque, until 1937.[43]

Ada Falcón appears in Ídolos de la radio.[44]

Carlos Di Sarli leaves his orchestra and moves to Rosario, where he plays with Juan Cambareri.[45]

Miguel Caló forms a new orchestra that records for Odeon, with Carlos Dante as main singer.[46]

Ángel D'Agostino forms his first tango-only orchestra, with Aníbal Troilo on bandoneon and Alberto Echagüe as singer.[47]

Alfredo Le Pera writes Cuesta abajo and Mi Buenos Aires querido for Gardel's films.[48]

Ignacio Corsini appears in Ídolos de la radio.[49]

Sofía Bozán begins her long run at the Teatro Maipo, to 1954.[50]

Roberto Maida joins Francisco Canaro's orchestra in November.[51]

Enrique Santos Discepolo writes Cambalache.[52]

Emilio Fresedo: Vida mía is premiered by Osvaldo Fresedo's orchestra with Roberto Ray at Radio Belgrano's Geniol dances.[53]

Juan Bautista Deambroggio writes Avellaneda with Mario Girardi.[54]

José María Aguilar: Recalled by Gardel to New York late in the year.[55]

Horacio Pettorossi declines Gardel's tour of the Americas; Aguilar replaces him.[56]

Carlos Gardel films Cuesta abajo, Mi Buenos Aires querido and Tango en Broadway for Paramount in New York.[57]

Miguel Caló — Led Miguel Caló.1934[58]

Miguel Nijensohn — Played in Miguel Caló.1934[58]

Lidio Fasoli — Played in Juan D'Arienzo.1934[61]

Domingo Moro — Played in Juan D'Arienzo.1934[61]

Juan Jose Visciglio — Played in Juan D'Arienzo.1934[61]

Alfredo Mazzeo — Played in Juan D'Arienzo.1934[61]

Rodolfo Duclós — Played in Juan D'Arienzo.1934[61]

Carlos Gardel — Played in Radio Rivadavia.1934[74]

Osvaldo Fresedo — Performed at New York.1934[59]

Guardia Nueva — Occurred at Argentina.1934, Mar 4, 1934[60][79]

El pescante — 1934[62]

Cuesta abajo — 1934[63]

Mi Buenos Aires querido — 1934[64]

Amores de estudiante — 1934[65]

Golondrinas — 1934[66]

Remembranza — 1934[67]

Ya estamos iguales — 1934[68]

Mi desdicha — 1934[69]

Bibelot — 1934[70]

Luna de arrabal — 1934[71]

Avellaneda — 1934[72]

Yo soy aquel muchacho — 1934[73]

El Tigre Millán — 1934[77][78]

Radio Rivadavia — On 5 March 1934 Gardel's guitarists Barbieri, Riverol and Vivas played from Rivadavia in the link-up with Splendid and NBC New York.Jan 1, 1934[74]

Guardia Nueva — Warsaw: at the 1934 'Latarnia' ball of the Society for Blinded War Victims in the Hotel Europejski, a tango competition was held; second prize went1934[75]

Raúl Bravo — Born in 1934 in Santa Fe province1934[76]

Volver — Carlos Gardel and Alfredo Le Pera compose Volver in 1934.1934[80]

Mi Buenos Aires querido — Mi Buenos Aires querido is composed in 1934.1934[82]

Cambalache — Premiered at Teatro Maipo.1934[81]

Esto es el colmo (Edgardo Donato) — Sung by Antonio Maida.Jan 9, 1934[83]

A tu memoria madrecita (Orquesta Típica Los Provincianos (Ciriaco Ortiz)) — Sung by Luis Díaz.Jan 30, 1934[83]

Fin de fiesta (Francisco Canaro) — Sung by Ernesto Famá.Feb 17, 1934[83]

Diez años (Francisco Canaro) — Sung by Ernesto Famá.Feb 21, 1934[83]

Te quiero mucho mas (Francisco Canaro) — Sung by Ernesto Famá.Feb 21, 1934[83]

Mascarada (Roberto Firpo) — Sung by Carlos Varela.Apr 16, 1934[83]

El Tigre Millán (Francisco Canaro) — Sung by Ernesto Famá.Apr 30, 1934[83]

Yo no sé por qué te quiero (Francisco Canaro) — Sung by Ernesto Famá.May 4, 1934[83]

Mi evocación (Adolfo Carabelli) — Sung by Luis Díaz.May 7, 1934[83]

Lirio blanco (Francisco Canaro) — Sung by Ernesto Famá.Jun 7, 1934[83]

Churrasca (Francisco Canaro) — Sung by Ernesto Famá.Jun 7, 1934[83]

Aparcero (Francisco Canaro) — Sung by Ernesto Famá.Jun 12, 1934[83]

Canto de amor (Osvaldo Fresedo) — Sung by Roberto Ray.Jun 18, 1934[83]

Y llego el amor (Edgardo Donato) — Sung by Antonio Maida.Jun 28, 1934[83]

Nestor Real — Born.Feb 26, 1934[85]

Tito Lando — Born.May 8, 1934[86]

Tito Lando — Born.May 8, 1934[87]

Juan Maglio — Died.Jul 14, 1934[88]