Tango in 1949

Juan D'Arienzo — 22 recordings1949[1]

Aníbal Troilo — 14 recordings1949[1]

Osvaldo Pugliese — 12 recordings1949[1]

Miguel Caló — 4 recordings1949[1]

Lucio Demare — 2 recordings1949[1]

Enrique Rodríguez — 1 recordings1949[1]

Alfredo De Angelis — 20 recordings1949[1]

Francisco Canaro — 9 recordings1949[1]

Francisco Lomuto — 4 recordings1949[1]

Julio De Caro — 9 recordings1949[1]

Cuarteto Típico Roberto Firpo — 2 recordings1949[1]

Domingo Federico — 6 recordings1949[1]

Donato Racciatti — Recorded in Sondor.1949[81]

A unos ojos (Aníbal Troilo) — Recorded in Aníbal Troilo.Mar 31, 1949[85]

Mercedes Simone: La otra y yo, her last film, opens.[2]

Adolfo Rivas moves to Buenos Aires.[3]

Ignacio Corsini: Last regular performance, on the programme Argentinidad on Radio Belgrano.[4]

Héctor de Rosas: First recording with Osmar Maderna, the vals Pequeña.[5]

Ricardo Ruiz records with Basso and Francisco Fiorentino for Odeon.[6]

Jorge Vidal records Puente Alsina for Odeon, his first record with Osvaldo Pugliese's orchestra.[7][22]

Emilio Balcarce joins Osvaldo Pugliese's orchestra as a violinist; Pugliese records his Bien compadre.[8]

Mario Bustos: First recording, Justo el 31, with Federico.[9]

Jorge Falcón: Born in Buenos Aires.[10]

Oscar Ferrari joins José Basso, replacing Ricardo Ruiz; first catalogued Basso side, Patotero sentimental, for Odeon.[11]

Pedro Datila records the vals Nube gris.[12]

Maria Nieves meets Juan Carlos Copes as a teenager at the Club Atlanta milonga in Villa Crespo.[13]

Víctor Lavallén: Around fourteen, debuts in Buenos Aires with Eduardo Serrano's group at the Picadilly.[14]

Antonio Todaro wins a dance contest at Club Marplatense in Lanús and turns to dancing and teaching.[15]

Julio Sosa arrives in Buenos Aires in June and sings at the café Los Andes, at Jorge Newbery and Córdoba.[16]

ABEL AZNAR: Y volvemos a querernos, with Luciano Leocata, is introduced by Jorge Casal with Florindo Sassone's orchestra at the bar Armonía.[17]

Osvaldo Manzi leads an orchestra for the first time, briefly, at Café Marzotto.[18]

Julian Plaza joins Miguel Caló's orchestra and forms a bandoneon quartet with Alfredo Marcucci.[19]

Jorge Arduch forms his own orquesta típica late in the year.[20]

Carlos Lafuente: By the end of the 1940s has gradually withdrawn from performing (decade only in the source).[21]

Virginia Luque: First lead role, in Manuel Romero's La historia del tango.[23]

Luis Stazo: Soloist in Argentino Galván's orchestra.[24]

Osvaldo Ruggiero: Pugliese's orchestra records his Catuzo.[25]

Eduardo Rovira leads the orchestra accompanying Alberto Castillo.[26]

Roberto Di Filippo joins Julio De Caro's orchestra in mid-year.[27]

Oscar Larroca records El metejón and Che bandoneón with Roberto Caló for Orfeo (1949 per Wikipedia, about 1950 per Todo Tango).[28]

Rodolfo Galé arrives in Buenos Aires; sings with guitars in cinema shows.[29]

Alberto Mancione hires Jorge Ledesma after an audition at Radio Splendid; the orchestra plays the Cote D'Azur cabaret at 25 de Mayo 536.[30]

Alberto Marino records for Odeon with Roberto Grela's guitar ensemble.[31]

José Rótulo writes three songs for the film Con los mismos colores.[32]

Oscar Rubens writes Triste comedia with Héctor Stamponi.[33]

Luciano Leocata: Y volvemos a querernos, with Abel Aznar, is published.[34]

Raúl Hormaza writes Testamento de arrabal with Oscar Castagniaro.[35]

Simón Bajour wins a place in the Orquesta Sinfónica Nacional.[36]

Jorge Ledesma joins Alberto Mancione as Jorge Ledesma; debuts at the cabaret Cote D'Azur, then on Radio Splendid.[37]

Francisco Rotundo hires Mario Corrales in March and Floreal Ruiz from Aníbal Troilo, who debuts in October.[38]

Donato Racciatti begins recording for Sondor, the label he stays with into the 1980s.[39]

Roberto Chanel starts recording for Victor with Florindo Sassone's orchestra, 16 titles including "Ríe payaso" and "Flor de fango".[40]

Alberto Mastra: Troilo records Miriñaque with Edmundo Rivero and Aldo Calderón.[41]

Carlos Figari: Troilo records his instrumental A la parrilla in June.[42]

Hugo Diaz forms his first group and plays on Radio Belgrano.[43]

Miguel Montero joins Francisco Lomuto, debuting on Radio Belgrano; records Muñequita for Victor.[44]

Juan Carlos Casas sings in Paris at L'Aiglon and then the Moulin Rouge.[45]

José Basso signs with Odeon after unreleased RCA-Victor tests; first release pairs Claveles blancos and El bulín de la calle Ayacucho, sung by Fiorentino.[46]

Raúl Iriarte: Pianist Armando Lacava leads his accompanying group on Radio Belgrano.[47]

Francisco García Jiménez: Co-writes the scripts of Se llamaba Carlos Gardel and La historia del tango.[48]

Enrique Alessio records four sides for Odeon with his own orchestra, among them Tiny and El recodo.[49]

Hugo del Carril directs his first film, Historia del 900.[50]

Alberto Arenas: Canaro's musical comedy Con la música en el alma.[51]

Mariano Mores appears in the films Corrientes, calle de ensueños and La doctora quiere tangos.[52]

Orlando Goñi: Alfredo Gobbi composes the tango Orlando Goñi in his memory.[53]

Oscar Serpa sings with Horacio Salgán's orchestra alongside Ángel Díaz; no recordings.[54]

Osmar Maderna records the waltz Pequeña with Héctor de Rosas, his biggest hit.[55]

Héctor Mauré travels to France with Juan Canaro, but they part before the debut; studies with a Paris Opera teacher.[56]

José Dames writes Tú with José María Contursi.[57]

Malandraca — Composed by Osvaldo Pugliese.1949[58]

Golden Age — Occurred at Argentina.1949, Mar 11, 1949, Mar 16, 1949[59][60][83][69]

Federico Scorticati — Played in Francisco Lomuto.Jan 1949[61]

Alfredo Cordisco — Played in Francisco Lomuto.Jan 1949[61]

Héctor Stamponi — Played in Radio Belgrano.1949[68]

Emilio Balcarce — Played in Osvaldo Pugliese.1949[78]

Marcos Madrigal — Played in Francisco Lomuto.1949[61]

Ernesto Gianni — Played in Francisco Lomuto.1949[61]

Carlos Taverna — Played in Francisco Lomuto.1949[61]

Otelo Gasparini — Played in Francisco Lomuto.1949[61]

Juan Carlos Howard — Played in Francisco Lomuto.1949[61]

Alberto Celenza — Played in Francisco Lomuto.1949[61]

Aníbal Troilo — Played in Aníbal Troilo.1949[79]

Domingo Mattio — Played in Aníbal Troilo.1949[79]

Eduardo Marino — Played in Aníbal Troilo.1949[79]

Fernando Tell — Played in Aníbal Troilo.1949[79]

Alberto García — Played in Aníbal Troilo.1949[79]

Juan Alzina — Played in Aníbal Troilo.1949[79]

David Díaz — Played in Aníbal Troilo.1949[79]

Nicolás Albero — Played in Aníbal Troilo.1949[79]

Reynaldo Nichele — Played in Aníbal Troilo.1949[79]

Carlos Figari — Played in Aníbal Troilo.1949[79]

Bernardo Weber — Played in Julio De Caro.1949[80]

José Nieso — Played in Julio De Caro.1949[80]

Manlio Francia — Played in Julio De Caro.1949[80]

Pedro Sapochnik — Played in Julio De Caro.1949[80]

Luis Cuervo — Played in Julio De Caro.1949[80]

Carlos Marcucci — Played in Julio De Caro.1949[80]

Ángel Genta — Played in Julio De Caro.1949[80]

Pedro Belluati — Played in Julio De Caro.1949[80]

Alfredo Marcucci — Played in Julio De Caro.1949[80]

Francisco De Caro — Played in Julio De Caro.1949[80]

Nací en Pompeya — 1949[62]

Triste comedia — 1949[63]

Y volvemos a querernos — 1949[64]

Embrujo de mi ciudad — 1949[65]

Testamento de arrabal — 1949[66]

Tú — 1949[67]

Palacio del Congreso, Buenos Aires — Constitution of 1949: A new Peronist constitution is sanctioned.1949[69]

Buenos Aires — Peronist Women's Party: Eva Perón founds the party.1949[70]

Aeropuerto de Ezeiza — Ezeiza airport opened: The international airport opens.1949[71]

Saverio Perre — He arrived in Buenos Aires in 1949, aged nearly 121949[72]

Orlando Goñi — Alfredo Gobbi composes Orlando Goñi in 1949, in memory of Orlando Goñi.1949[73]

Carlos Di Sarli — dissolved1949[74][75][76]

Mi noche triste — The 1949 version replaces the encurdelo line with para mí ya no hay consuelo / y es por eso que yo quiero / olvidarme de1949, Feb 15, 1949[77]

El ciruja — Wikipedia says that after 25 March 1949 El ciruja could return to its former name and lyricMar 25, 1949[84]

Al pie de la Santa Cruz — Wikipedia says that after the 1949 lifting, Al pie de la Santa Cruz and Milonga del 900 kept being performed with changes in passages thatMar 25, 1949[84]

Francisco Lomuto — Performed at Brazil.1949[61]

Mi noche triste (Francisco Rotundo) — Sung by Floreal Ruiz.Feb 21, 1949[82]

El último organito (Aníbal Troilo) — Sung by Edmundo Rivero.Mar 31, 1949[82]

Milonga en negro (Aníbal Troilo) — Sung by Edmundo Rivero.Mar 31, 1949[82]