El tango en 1949

Juan D'Arienzo — grabó en El tango en 1949 (22 recordings)1949[1]Single source

Alfredo De Angelis — grabó en El tango en 1949 (20 recordings)1949[1]Single source

Aníbal Troilo — grabó en El tango en 1949 (14 recordings)1949[1]Single source

Florindo Sassone — grabó en El tango en 1949 (14 recordings)1949[1]Single source

Osvaldo Pugliese — grabó en El tango en 1949 (12 recordings)1949[1]Single source

José Basso — grabó en El tango en 1949 (10 recordings)1949[1]Single source

Alfredo Gobbi — grabó en El tango en 1949 (10 recordings)1949[1]Single source

Orquesta Francini-Pontier — grabó en El tango en 1949 (10 recordings)1949[1]Single source

Francisco Canaro — grabó en El tango en 1949 (9 recordings)1949[1]Single source

Julio De Caro — grabó en El tango en 1949 (9 recordings)1949[1]Single source

Francisco Rotundo — grabó en El tango en 1949 (8 recordings)1949[1]Single source

Osmar Maderna — grabó en El tango en 1949 (8 recordings)1949[1]Single source

Mercedes Simone La otra y yo, her last film, opens.[2]Single source

Adolfo Rivas Moves to Buenos Aires.[3]Single source

Ignacio Corsini Last regular performance, on the programme Argentinidad on Radio Belgrano.[4]Single source

Héctor de Rosas First recording with Osmar Maderna, the vals Pequeña.[5]Single source

Ricardo Ruiz Records with Basso and Francisco Fiorentino for Odeon.[6]Single source

Jorge Vidal Records Puente Alsina for Odeon, his first record with Osvaldo Pugliese's orchestra.[7]Single source

Emilio Balcarce Joins Osvaldo Pugliese's orchestra as a violinist; Pugliese records his Bien compadre.[8]Single source

Mario Bustos First recording, Justo el 31, with Federico.[9]Single source

Jorge Falcón Born in Buenos Aires.[10]Single source

Oscar Ferrari Joins José Basso, replacing Ricardo Ruiz; first catalogued Basso side, Patotero sentimental, for Odeon.[11]Single source

Pedro Datila Records the vals Nube gris.[12]Single source

Maria Nieves Meets Juan Carlos Copes as a teenager at the Club Atlanta milonga in Villa Crespo.[13]Single source

Víctor Lavallén Around fourteen, debuts in Buenos Aires with Eduardo Serrano's group at the Picadilly.[14]Single source

Maria Nieves Meets Juan Carlos Copes as a teenager at the Club Atlanta milonga in Villa Crespo.[13]Single source

Antonio Todaro Wins a dance contest at Club Marplatense in Lanús and turns to dancing and teaching.[15]Single source

Julio Sosa Arrives in Buenos Aires in June and sings at the café Los Andes, at Jorge Newbery and Córdoba.[16]Single source

ABEL AZNAR Y volvemos a querernos, with Luciano Leocata, is introduced by Jorge Casal with Florindo Sassone's orchestra at the bar Armonía.[17]Single source

Osvaldo Manzi Leads an orchestra for the first time, briefly, at Café Marzotto.[18]Single source

Julian Plaza Joins Miguel Caló's orchestra and forms a bandoneon quartet with Alfredo Marcucci.[19]Single source

Jorge Arduch Forms his own orquesta típica late in the year.[20]Single source

Carlos Lafuente By the end of the 1940s has gradually withdrawn from performing (decade only in the source).[21]Single source

Adolfo Rivas Joins Juan Sánchez Gorio as second singer beside Luis Mendoza.[3]Single source

Jorge Vidal Sings to full houses without a microphone at the Café Argentino in Chacarita.[22]Single source

Virginia Luque First lead role, in Manuel Romero's La historia del tango.[23]Single source

Julio Sosa In August joins the Francini-Pontier orchestra, introduced by lyricist Raúl Hormaza, alongside Alberto Podestá.[16]Single source

Luis Stazo Soloist in Argentino Galván's orchestra.[24]Single source

Osvaldo Ruggiero Pugliese's orchestra records his Catuzo.[25]Single source

Eduardo Rovira Leads the orchestra accompanying Alberto Castillo.[26]Single source

Roberto Di Filippo Joins Julio De Caro's orchestra in mid-year.[27]Single source

Oscar Larroca Records El metejón and Che bandoneón with Roberto Caló for Orfeo (1949 per Wikipedia, about 1950 per Todo Tango).[28]Single source

Adolfo Rivas Tours Tucumán with Ariel Pedernera's quintet, singing on Radio Aconquija.[3]Single source

Rodolfo Galé Arrives in Buenos Aires; sings with guitars in cinema shows.[29]Single source

Alberto Mancione Hires Jorge Ledesma after an audition at Radio Splendid; the orchestra plays the Cote D'Azur cabaret at 25 de Mayo 536.[30]Single source

Alberto Marino Records for Odeon with Roberto Grela's guitar ensemble.[31]Single source

José Rótulo Writes three songs for the film Con los mismos colores.[32]Single source

Oscar Rubens Writes Triste comedia with Héctor Stamponi.[33]Single source

Luciano Leocata Y volvemos a querernos, with Abel Aznar, is published.[34]Single source

Raúl Hormaza Writes Testamento de arrabal with Oscar Castagniaro.[35]Single source

Simón Bajour Wins a place in the Orquesta Sinfónica Nacional.[36]Single source

Jorge Ledesma Joins Alberto Mancione as Jorge Ledesma; debuts at the cabaret Cote D'Azur, then on Radio Splendid.[37]Single source

Francisco Rotundo Hires Mario Corrales in March and Floreal Ruiz from Aníbal Troilo, who debuts in October.[38]Single source

Donato Racciatti Begins recording for Sondor, the label he stays with into the 1980s.[39]Single source

Roberto Chanel Starts recording for Victor with Florindo Sassone's orchestra, 16 titles including "Ríe payaso" and "Flor de fango".[40]Single source

Alberto Mastra Troilo records Miriñaque with Edmundo Rivero and Aldo Calderón.[41]Single source

Carlos Figari Troilo records his instrumental A la parrilla in June.[42]Single source

Hugo Diaz Forms his first group and plays on Radio Belgrano.[43]Single source

Miguel Montero Joins Francisco Lomuto, debuting on Radio Belgrano; records Muñequita for Victor.[44]Single source

Juan Carlos Casas Sings in Paris at L'Aiglon and then the Moulin Rouge.[45]Single source

José Basso Signs with Odeon after unreleased RCA-Victor tests; first release pairs Claveles blancos and El bulín de la calle Ayacucho, sung by Fiorentino.[46]Single source

Raul Iriarte Pianist Armando Lacava leads his accompanying group on Radio Belgrano.[47]Single source

Francisco García Jiménez Co-writes the scripts of Se llamaba Carlos Gardel and La historia del tango.[48]Single source

Enrique Alessio Records four sides for Odeon with his own orchestra, among them Tiny and El recodo.[49]Single source

Hugo del Carril Directs his first film, Historia del 900.[50]Single source

Alberto Arenas Canaro's musical comedy Con la música en el alma.[51]Single source

Mariano Mores Appears in the films Corrientes, calle de ensueños and La doctora quiere tangos.[52]Single source

Orlando Goñi Alfredo Gobbi composes the tango Orlando Goñi in his memory.[53]Single source

Oscar Serpa Sings with Horacio Salgán's orchestra alongside Ángel Díaz; no recordings.[54]Single source

Osmar Maderna Records the waltz Pequeña with Héctor de Rosas, his biggest hit.[55]Single source

Héctor Mauré Travels to France with Juan Canaro, but they part before the debut; studies with a Paris Opera teacher.[56]Single source

José Dames Writes Tú with José María Contursi.[57]Single source