…–1880
Roots
Habanera, milonga, candombe, payada and tango andaluz in the port culture of the Río de la Plata.
About this era: RootsThe Cabeceo
From estribillo to cantor: the blue bar is how much of a typical recording with a singer is sung, measured on the audio we hold.
Before 1935
About 17% sung: the singer comes in for a chorus, the estribillo.
1935–1954
About 38% sung: the orchestra’s singer becomes a star of the band.
After 1955
About 51% sung, and the voice comes in early.
Tango's history era by era, oldest first: what each sounded like and who played it.
…–1880
Habanera, milonga, candombe, payada and tango andaluz in the port culture of the Río de la Plata.
About this era: Roots1880–1920
Trios of flute, guitar and violin; Villoldo and Arolas; sheet music and the first recordings.
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1920–1935
De Caro, Canaro and Firpo; tango-canción and Gardel; radio and the sextet.
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1935–1955
The great dance orchestras and their singers.
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1955–1985
Piazzolla's Octeto Buenos Aires, late Pugliese and Troilo, concert tango and the decline of dancing.
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1985–2000
Tango Argentino on stage, dance scenes in Europe and the US, CD reissues.
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2000–today
Gotan Project and Bajofondo, the neo-orchestras, festivals, marathons and the Mundial.
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