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Song

Te aconsejo que me olvides · Aníbal Troilo · 1941

Music by Pedro Maffia. 5 recordings in our catalogue, 1928–1954.
1928: 2 · danced 2 times1941: 1 · danced 422 times1950: 1 · danced 1 times1954: 1 · danced 12 times
1928’40’501954
records madedanced on film, by the record’s year· our catalogue

1928: 2, 2; 1941: 1, 422; 1950: 1, 1; 1954: 1, 12

  1. Aníbal Troilo’s 1941 version holds 96% of its dancing (422 of 437).

    How we know

    Of the dances to its 5 recordings in our catalogue. Dances count filmed Occasions on TangoTube.

Te aconsejo que me olvides · Aníbal Troilo · 1941 was sung by Francisco Fiorentino.†† Te aconsejo que me olvides · Aníbal Troilo · 1941 is a tango.† Te aconsejo que me olvides · Aníbal Troilo · 1941 lasts 02:58.† Te aconsejo que me olvides · Aníbal Troilo · 1941: From Troilo and Fiorentino's first vocal recordings in 1941, an up-tempo track picked to show the mood shift from extrovert verse to a more introvert chorus already seeded there. and Troilo's own composition, played right after the 1950 show mentioned Mancione's recording of it and the plane story.††

Credit

Music
Pedro Maffia

Source: TangoCloud catalogue

Every recording

5 recordings · our catalogue, dances filmed on TangoTube · 4 more we know of

1920’30’40’50

Choose A and B on two recordings to hear them one after the other.

  1. Aníbal TroiloMost dancedFrancisco Fiorentino · RCA Victor · Apr 16
    422 dances
    1941
  2. Osvaldo PuglieseJuan Carlos Cobos · Odeon · May 13
    12 dances
    1954
  3. Francisco CanaroEarliest we holdInstrumental · Odeon · Aug 23
    Not danced on film yet
    1928
  4. Francisco LomutoInstrumental · Odeon · Oct 15
    2 dances
    1928
  5. Alberto MancioneFrancisco Fiorentino · Dec 29
    1 dance
    1950
  6. Ángel Domingo Riverol, Guillermo Barbieri, José María AguilarNot in our catalogueCarlos Gardel · Oct 111926
  7. Guillermo Barbieri, José Ricardo, José María AguilarNot in our catalogueCarlos Gardel · Oct 111928
  8. Juan CambareriNot in our catalogueAlberto Casares · Oct 301951
  9. Oldimar CáceresNot in our catalogueInstrumental

Lyrics

Español

Recibí tu última carta, en la cual tú me decías: 'Te aconsejo que me olvides, todo ha muerto entre los dos. Sólo pido mi retrato y todas las cartas mías, ya lo sabes que no es justo que aún eso conserves vos'. Hoy reconoces la falta, tenés miedo que yo diga... que le cuente al que tu sabes nuestra íntima amistad; ¡Soy muy hombre, no te vendo, no soy capaz de una intriga! Lo comprendo que, si hablara, quiebro tu felicidad. Pero no vas a negar que cuando vos fuiste mía, dijiste que me querías, que no me ibas a olvidar; y que ciega de cariño me besabas en la boca, como si estuvieras loca... Sedienta, nena, de amar. Yo no tengo inconveniente en enviarte todo eso, sin embargo, aunque no quieras, algo tuyo ha de quedar. El vacío que dejaste y el calor de aquellos besos bien lo sabes que no puedo devolvértelos jamás. Yo lo hago en bien tuyo evitando un compromiso, sacrifico mi cariño por tu apellido y tu honor; me conformo con mi suerte, ya que así el destino quiso pero acuérdate bien mío, ¡que esto lo hago por tu amor!

English · machine translation

I received your last letter, in which you said to me: 'I advise you to forget me, everything has died between us. I only ask for my portrait and all my letters, you already know that it is not fair that you still keep them'. Today you recognize the fault, you're afraid that I'll say... that I'll tell the one you know our intimate friendship; I am very manly, I do not sell you out, I am not capable of intrigue! I understand that, if I were to speak, I would break your happiness. But you won't deny that when you were mine you said you loved me, that you weren't going to forget me; and that blind with affection you kissed me on the mouth, as if you were crazy... Thirsty, baby, to love. I have no objection to send you all that, however, even if you don't want to, something of yours must remain. The emptiness you left behind and the warmth of those kisses you know that I can never ever give them back to you. I do it for your sake avoiding a compromise, I sacrifice my affection for your name and your honor; I am content with my lot, since that's the way destiny wanted it but remember well my own, that I do this for your love!

Danced to it

Music from 1941 · danced on film 2006–2026

20062026
By the year it was danced; each dance counts once, however many channels filmed it

2006: 2, 2008: 2, 2009: 12, 2010: 18, 2011: 9, 2012: 29, 2013: 26, 2014: 25, 2015: 32, 2016: 24, 2017: 19, 2018: 17, 2019: 14, 2020: 8, 2021: 6, 2022: 13, 2023: 8, 2024: 10, 2025: 7, 2026: 1

Where it is danced

The places our videos show it danced, by performances filmed there.

  1. Salón CanningPalermo
    4 performances
  2. El Yeite Tango ClubVilla Crespo
    3 performances
  3. Salón La NacionalMonserrat
    3 performances
  4. Club Social y Deportivo Villa MalcolmVilla Crespo
    2 performances
  5. Sunderland ClubVilla Urquiza
    2 performances
  6. Club Sin RumboVilla Urquiza
    1 performance
  7. El Zorzal CulturalBalvanera
    1 performance
  8. Espacio Riobamba (Club Castel)Balvanera
    1 performance
  9. La Paz ArribaRecoleta
    1 performance
  10. MarabúSan Nicolás
    1 performance
Data: recordings, facts and sources

Often paired with

Our data: filmed Performances on TangoTube that danced both, and DJs' public tandas on TangoCloud that hold both.

  1. La milonga de Buenos AiresQuinteto Pirincho (Francisco Canaro), 1947 · danced together in 7 Performances
  2. La cicatrizJuan D'Arienzo, 1939 · danced together in 6 Performances
  3. Milonga del recuerdoJuan D'Arienzo, 1939 · danced together in 6 Performances
  4. Dichas que vivíRodolfo Biagi, 1939 · danced together in 6 Performances
  5. Ella es asíEdgardo Donato, 1938 · danced together in 5 Performances
  6. PacienciaJuan D'Arienzo, 1970 · danced together in 5 Performances
  7. Viejo portónRodolfo Biagi, 1938 · danced together in 5 Performances
  8. Parque PatriciosFrancisco Lomuto, 1941 · danced together in 4 Performances

Singers1

Sung by Francisco FiorentinoApr 16, 1941

Supported · 2

In other catalogues14

tango.info · 02480002332497-2-2

Single source

tango.info · 00743214972526-1-9

Single source

tango.info · 00743214972625-1-6

Single source

tango.info · 00743217138028-1-3

Single source

tango.info · 00828765943628-1-12

Single source

tango.info · 02480002101321-1-164

Single source

tango.info · 02480002102533-1-29

Single source

tango.info · 00743211440127-1-3

Single source

tango.info · 04024236201389-1-7

Single source

tango.info · 04024236204038-1-3

Single source

tango.info · 05204833007167-1-1

Single source

tango.info · 07798089730828-1-8

Single source

tango.info · 08427328130011-1-4

Single source

tango.info · 08427328133067-1-8

Single source

Is a1

Is a tango

Single source

Duration1

Duration 02:58

Single source

Audio feature13

Audio feature 129.2

Single source

Audio feature 0.949

Single source

Audio feature 0.555

Single source

Audio feature -22.1

Single source

Audio feature 0.395

Single source

Audio feature 0.306

Single source

Audio feature 0.392

Single source

Audio feature 0.108

Single source

Audio feature 0.0

Single source

Audio feature 0.5

Single source

Audio feature 128.4

Single source

Audio feature 64.2

Single source

Audio feature step

Single source

Notes2

From Troilo and Fiorentino's first vocal recordings in 1941, an up-tempo track picked to show the mood shift from extrovert verse to a more introvert chorus already seeded there.

Single source

Troilo's own composition, played right after the 1950 show mentioned Mancione's recording of it and the plane story.

Single source

Listen

  1. Te aconsejo que me olvidesFrancisco Canaro1928

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