Tango in 1943

Juan D'Arienzo — 23 recordings1943[1]

Carlos Di Sarli — 26 recordings1943[1]

Aníbal Troilo — 30 recordings1943[1]

Osvaldo Pugliese — 6 recordings1943[1]

Miguel Caló — 24 recordings1943[1]

Ricardo Tanturi — 24 recordings1943[1]

Ángel D'Agostino — 19 recordings1943[1]

Pedro Laurenz — 12 recordings1943[1]

Lucio Demare — 25 recordings1943[1]

Rodolfo Biagi — 14 recordings1943[1]

Osvaldo Fresedo — 15 recordings1943[1]

Enrique Rodríguez — 16 recordings1943[1]

Antonio Rodio — Odeon, 16 numbers1943[93]

Lucio Demare: Raúl Berón debuts as the orchestra's singer.[2]

Jorge Ortiz: First recordings with Miguel Caló, Barrio de tango and Pa' qué seguir.[3]

Alberto Rivera debuts with Francisco Lomuto on LR3 Radio Belgrano.[4]

Orlando Medina records Remembranza and Embrujamiento with Malerba.[5]

José Garcia records "Nocturno de tango" for Odeon, in the year of the band's most popular line-up.[6]

Alberto Amor: First recordings with Rodolfo Biagi for Odeon: Arlette and Por algo será.[7]

Carlos Acuña: First Biagi recordings, A la luz del candil and Yo tengo un puñal.[8]

Reinaldo Yiso: Osvaldo Pugliese records El sueño del pibe with Roberto Chanel for Odeon.[9]

Astor Piazzolla: Troilo records his arrangement of Inspiración for Victor, his first recorded arrangement.[10]

Mario Pomar records Canyengue and Tabú with Antonio Rodio's orchestra.[11]

Raúl Iriarte: First record with Caló: 'Es en vano llorar'.[12]

Miguel Caló: First recording with Raúl Iriarte, who becomes the singer he recorded with most.[13]

Enrique Camerano: First recordings with Pugliese, El rodeo and Farol.[14]

Roberto Chanel sings "Farol" at the Pugliese orchestra's first Odeon recording session.[15]

Osvaldo Pugliese: First recordings for Odeon: Farol, sung by Roberto Chanel, and the instrumental El rodeo.[16]

Alfredo De Angelis: First Odeon recordings: 'Marioneta' with Floreal Ruiz and 'Qué buena es' with Julio Martel.[17]

Floreal Ruiz joins Alfredo De Angelis; first recording "Marioneta", one of eight sides with the orchestra.[18]

Enrique Campos: First recordings with Tanturi: the tango 'Muchachos comienza la ronda' and the vals 'Al pasar'.[19]

Ricardo Tanturi: Enrique Campos debuts with the orchestra on Radio El Mundo, singing 'Muchachos comienza la ronda' and the vals 'Al pasar'.[20]

Leopoldo Díaz Vélez: Ricardo Tanturi records Muchachos comienza la ronda with Enrique Campos for Victor.[21]

Típica Victor: Mario Maurano takes over; first session 2 September with Ortega Del Cerro.[22]

Julio Martel: First record with De Angelis, 'Qué buena es'.[23]

José Basso: Having joined Aníbal Troilo's orchestra in September in place of Orlando Goñi, makes his first recording with it, Farol.[24]

Juan José Mosalini: Born in Buenos Aires province.[25]

Orlando Goñi leaves Troilo in September; his own orchestra opens at the café El Nacional on 1 December.[26]

Juan Carlos Lamas: Last D'Arienzo session: Candombe rioplatense, Es inútil que la llores, Viejo tintero.[27]

Elba Berón: Radio debut at twelve on the Matinée de Juan Manuel.[28]

Virginia Luque: Film debut in La guerra la gano yo.[29]

Julian Plaza debuts at about fifteen in Edgardo Donato's orchestra.[30]

Jorge Arduch joins Lorenzo Barbero's orchestra in Córdoba, staying about six years.[31]

Alberto Di Paulo: At about fourteen joins Emilio Balcarce's orchestra.[32]

Oscar Ferrari sings with the Típica Gómez and enters a contest at Luna Park; Juan Caló hires him for the boîte La Colmena.[33]

Osvaldo Ribo moves to Buenos Aires and wins the contest Voces nuevas surgidas del deporte.[34]

Guillermo Rico: Film debut in El fabricante de estrellas.[35]

Maria de la Fuente sings on Radio Belgrano with Héctor María Artola's house orchestra.[36]

Los Muchachos De Antes: Cao forms the Santa Anita Sextet, a jazz group.[37]

Domingo Federico leaves Caló and debuts his own orchestra at the café Select Buen Orden, with singers Alberto Tagle and Alfredo Castel.[38]

Alberto Marino joins Aníbal Troilo's orchestra and starts recording with it for Victor.[39]

Virgilio Expósito composes Farol, to Homero's words.[40]

Oscar Rubens: Gime el viento, with Bruni, is recorded by Troilo with Fiorentino and by Caló with Raúl Iriarte.[41]

Federico Silva writes his first tango, Déjame verte.[42]

Arturo Gallucci: Carlos Di Sarli records his milonga Yo soy de San Telmo and Cómo se hace un tango with Roberto Rufino; writes Y siempre igual.[43]

Carlos García: Five months in Brazil with the Hawaian Serenaders.[44]

Eduardo Rovira joins Orlando Goñi's orchestra.[45]

Ismael Spitalnik leaves Ángel D'Agostino's orchestra.[46]

Alfredo Rojas sings with the 1943 lineup at the orchestra's peak of popularity; records Farolito de papel.[47]

Guillermo Coral: First film, El fabricante de estrellas, with Pepe Arias.[48]

Raúl Berón appears in the film Todo un hombre.[49]

Homero Expósito writes Percal with Domingo Federico and Farol with Virgilio Expósito.[50]

Horacio Sanguinetti writes Tristeza marina with José Dames and Roberto Flores.[51]

Manuel Sucher auditions singers for Ricardo Tanturi; Enrique Campos is chosen.[52]

Alberto Mastra writes the milonga Maldonado.[53]

Enrique Alessio records with Pugliese for Odeon, including Recuerdo, Mala junta and Amurado.[54]

Emilio Balcarce begins directing the orchestra behind Alberto Castillo after the singer leaves Tanturi.[55]

Héctor Grané plays with Laurenz and singer Alberto Podestá on Radio Belgrano and at the Dancing Ocean.[56]

Recién — Composed by Osvaldo Pugliese.1943[57]

Oscar Herrero — Played in Osvaldo Pugliese.1943[57]

Oscar Castagnaro — Played in Osvaldo Pugliese.1943[57]

Héctor Grané — Played in Pedro Laurenz.1943[60]

Juan Polito — Played in Radio Belgrano.1943[89]

Osmar Maderna — Played in Miguel Caló.1943[91]

Domingo Federico — Played in Miguel Caló.1943[91]

José Basso — Played in Aníbal Troilo.1943[92]

Martín Darré — Played in Francisco Lomuto.1943[102]

Américo Figola — Played in Francisco Lomuto.1943[102]

Leo Schiffrin — Played in Francisco Lomuto.1943[102]

Armando Gutiérrez — Played in Francisco Lomuto.1943[102]

Carlos Taverna — Played in Francisco Lomuto.1943[102]

Angel Martin — Played in Francisco Lomuto.1943[102]

Turco Velázquez — Played in Francisco Lomuto.1943[102]

Aníbal Troilo — Played in Aníbal Troilo.1943[103]

Golden Age — Occurred at Argentina.1943[58][59][95][96][97][98]

Pedro Laurenz — recording pitch returned from 440Hz to 435Hz on moving to Odeon1943[61]

Calle Cabildo — 1943[62]

Adiós te vas — 1943[63]

Farol — 1943[64]

Percal — 1943[65]

A bailar — 1943[66]

La luz de un fósforo — 1943[67]

Cada dia te extraño mas — 1943[68]

Corazón no le hagas caso — 1943[69]

Verdemar — 1943[70]

Sombras nada mas — 1943[71]

Mañana iré temprano — 1943[72]

Ropa blanca — 1943[73]

Mi taza de café — 1943[74]

Música de mi Argentina — 1943[75]

Soñar y nada mas — 1943[76]

Se dice de mi — 1943[77]

De barro — 1943[78]

Tristeza marina — 1943[79]

Canta pajarito — 1943[80]

Cuando tallan los recuerdos — 1943[81]

Y siempre igual — 1943[82]

La abandoné y no sabía — 1943[83]

Asi se canta — 1943[84]

Dos palabras por favor — 1943[85]

Margarita Gauthier — 1943[86]

Muchachos comienza la ronda — 1943[87]

Una emoción — 1943[88]

Esta noche de luna — 1943[94]

Buenos Aires — Cambalache prohibido por las dictaduras militares1943[90]

Necdet Koyutürk — Turkish tango musician, composer, lyricist, arranger, accordionist and conductor; he composed his well-known tango Papatya in 1943 during his military service.1943[99]

Percal — Percal, by Homero Expósito and Domingo Federico, is premiered in 1943 by Alberto Podestá with Miguel Caló's orchestra.1943[100]

Cambalache — Cambalache was banned by every military dictatorship from that of 1943 onward1943[101]

Ocean Dancing — 279 25 de Mayo, with another entrance at 286 Leandro Alem1943[60]