Tango in 1935

Juan D'Arienzo — 12 recordings1935[1]

Miguel Caló — 7 recordings1935[1]

Osvaldo Fresedo — 11 recordings1935[1]

Edgardo Donato — 19 recordings1935[1]

Francisco Canaro — 43 recordings1935[1]

Francisco Lomuto — 18 recordings1935[1]

Típica Victor — 2 recordings1935[1]

Julio De Caro — 4 recordings1935[1]

Roberto Firpo — 14 recordings1935[1]

Juan Canaro — 4 recordings1935[1]

Orquesta Victor Popular — 1 recordings1935[1]

Trío Ciriaco Ortiz — 1 recordings1935[1]

No hay que hacerse mala sangre (Francisco Canaro) — March 20, 1935[62]

La bordadora (Roberto Firpo) — March 22, 1935[62]

La tortuguita (Roberto Firpo) — March 22, 1935[62]

Guillermo Barbieri sails north with Riverol and Aguilar to join Gardel's tour.[2]

Roberto Maida: First session with Canaro, including "Cambalache" and "Alma de bandoneón".[3]

Roberto Díaz records Retazo with Osvaldo Fresedo on 22 March before leaving for Europe.[4]

Carlos Varela records Cero a cero with Firpo for Odeon.[5]

Alfredo Le Pera dies with Gardel in the air crash at Medellín.[6]

José María Aguilar survives the Medellín air crash, badly burned; his playing career ends.[7]

Carlos Gardel dies in an air crash in Medellín, Colombia, during a tour of the Caribbean and Latin America.[8]

Ángel Domingo Riverol: Injured in the Medellín air crash; dies two days later.[9]

Principe Azul dies on Trinidad after falling ill on the voyage to the United States.[10]

Osvaldo Fresedo plays at the inauguration of LR1 Radio El Mundo, adding vibraphone, harp and drums.[11]

Puppi Castello: Born in Buenos Aires (Todotango gives 1936).[12]

Víctor Lavallén: Born in Rosario, Santa Fe.[13]

Rodolfo Biagi: First recording with D'Arienzo, Orillas de plata; with him he also plays on LR1 Radio El Mundo.[14][39]

Juan D'Arienzo: Rodolfo Biagi, newly on piano, makes his first recording with the orchestra, Orillas del Plata.[15][49]

Agustin Magaldi: The Magaldi-Noda duo splits on 31 December.[16]

El Negro Lavandina starts dancing in the mid-1930s, in the D'Arienzo years (approximate).[17]

Alberto Marino makes his singing debut on Radio Mitre.[18]

Maria de la Fuente joins Eduardo Ferri's female vocal quartet on the new Radio El Mundo.[19]

José Basso starts playing professionally at sixteen in Alberto Cima's orchestra.[20]

Edmundo Rivero: Hired as singer by José De Caro's orchestra, his first orchestra job.[21]

Enrique Alessio starts in a bandoneon trio with Manuel Daponte and Luis Bonnat.[22]

Joaquin Do Reyes: Around this time forms his first orchestra, for the Chantecler cabaret on Paraná and Corrientes.[23]

Emilio Balcarce joins Ricardo Ivaldi's group, playing dances and the El Indio resort in Vicente López.[24]

Fulvio Salamanca founds the Orquesta Mickey in Las Varillas and tours Córdoba province.[25]

Enrique Díaz plays double bass with José Pascual and Anselmo Aieta.[26]

Alberto Arenas: Professional debut.[27]

Alberto Amor: Florindo Sassone picks him for his new orchestra and names him Alberto Amor; they play the Café El Nacional.[28]

Astor Piazzolla appears as a newspaper boy in Carlos Gardel's film El día que me quieras, shot in New York.[29]

Héctor Varela joins Enrique Santos Discépolo's orchestra on Radio Municipal, later Libertad Lamarque's group on Radio Belgrano.[30]

Roberto Caló: Signed by Jaime Yankelevich for three years: Radio Porteña, Mitre and LR3 Radio Belgrano.[31]

Alberto Castillo sings with Augusto Berto's orchestra.[32]

José Canet writes the vals Me besó y se fue.[33]

José Tinelli leads his orchestra on Radio Stentor in Buenos Aires.[34]

Victor D'Amario debuts his own orchestra at the Confitería París in La Plata.[35]

Ricardo Pedevilla: Trio with Samuel Averbuj and Oscar de la Fuente on Radio La Nación, into 1936.[36]

Jorge Ortiz joins Edgardo Donato; first recordings Dios lo sabe and Rosalinda; records El día que me quieras.[37]

Ricardo Ruiz sings in Canaro's musical Rascacielos; stands in for Roberto Ray with Fresedo and records Canto Siboney.[38]

Carlos Pesce writes A pesar de todo with Teófilo and Mario Lespés.[40]

Hugo Baralis moves with Troilo into Ángel D'Agostino's orchestra, whose singer was Alberto Echagüe.[41]

Enrique Rodríguez forms a quartet to accompany María Luisa Notar, whom he soon marries.[42]

Ángel Vargas makes his first records, Brindemos compañero and Ñata linda, with José Luis Padula's orchestra for Odeon.[43]

Alfredo Malerba: Back in Buenos Aires, forms a trio with Antonio Rodio to accompany Libertad Lamarque.[44]

Luis Rubistein founds the PAADI school of popular art at the family house on Tejedor street, soon moved to Callao 420.[45]

Ivo Pelay writes Casas viejas with Francisco Canaro.[46]

Eduardo Del Piano joins Juan Canaro's orchestra late in the year, later playing the Tabarís cabaret.[47]

Antonio Maida shares Donato's vocals with Hugo del Carril.[48]

Alfredo Gobbi: First violin in Pedro Laurenz's orchestra.[50]

Ernesto Famá appears in the film El alma del bandoneón.[51]

Manuel Meaños: De puro guapo, with Pedro Laurenz, is introduced at the Club Atlético Independiente carnival dances.[52]

A. Bardi leaves the company La Cargadora, which he had come to manage.[53]

Raúl Kaplun publishes his first known work, the vals Recordando a Musmé.[54]

Jorge Omar wins the audition to replace Fernando Díaz in Francisco Lomuto's orchestra.[55]

Carlos Viván appears in Noches cariocas, filmed in Rio de Janeiro.[56]

Manuel Romero debuts as a film director, beginning a long run of Lumiton films.[57]

Adolfo Avilés hosts the radio cycle Tangos, autores e intérpretes with Pepita Avellaneda.[58]

Agustin Magaldi: The Magaldi-Noda duo breaks up at the end of the year; he continues as a soloist.[59]

Lidio Fasoli — Played in Juan D'Arienzo.1935[60]

Luis Visca — Played in Juan D'Arienzo.1935[61]

Rodolfo Biagi — Played in Juan Canaro.1935[61][67]

Alfredo Gobbi — Played in Pedro Laurenz.1935[65]

Aníbal Troilo — Played in Radio Municipal.1935[79]

Lucio Demare — Played in Francisco Canaro.1935[84]

Angel Dominguez — Played in Ángel D'Agostino.1935[88]

Jorge Argentino Fernández — Played in Ángel D'Agostino.1935[88]

Aníbal Troilo — Played in Ángel D'Agostino.1935[88]

Rodolfo Biagi — Performed at Chantecler.1935[61][67]

Pedro Laurenz — Performed at Los 36 Billares.1935[65]

Walter Cabral — Performed at Radio El Mundo.1935[66]

Carlos Gardel — Performed at New York.Mar 15, 1935[80]

Francisco Canaro — Led Francisco Canaro.1935[62]

Francisco Lomuto — Led Francisco Lomuto.1935[64]

Pedro Laurenz — Led Pedro Laurenz.1935[65]

Golden Age — date unknown1935[63]

Volver — 1935[68]

Arrabal amargo — 1935[69]

Volvió una noche — 1935[70]

Por una cabeza — 1935[71]

Casas viejas — 1935[72]

Pa' lo que te va a durar — 1935[73]

Yo también soñé — 1935[74]

A pesar de todo — 1935[75]

Luna arrabalera — 1935[76]

Me besó y se fue — 1935[77]

Si volviera Jesús — 1935[78]

Radio Municipal — In 1935 Enrique Santos Discépolo's ensemble, with Héctor Varela, Lalo Scalise, Américo Caggiano and Aníbal Troilo, played on Radio Municipal and at several downtown venues.1935[79]

Radio Excelsior — LR5 Radio Excelsior, formerly Radio Brusa, was among the stations that lasted from about 1935; a later user of the Maipú 555 building.1935[80]

Teatro Colón — Decimotercer Baile de los Aviadores en el Teatro Colón1935[81]

Golden Age — New York: Gardel's last two Paramount films, El día que me quieras (January 1935) and Tango Bar (February 1935, filmed on Long Island), were directedJan 1935, Feb 20, 1935[82][92]

Aeropuerto Olaya Herrera, Medellín — Death of Carlos Gardel: Gardel dies in the aircraft collision at Medellín.1935[82]

Radio El Mundo, Buenos Aires — Radio El Mundo begins broadcasting.1935[83]

El Pibe del Abasto — At sixteen, in 1935, he debuted at the ABC salon on calle Boulogne Sur Mer1935[85]

El Tano Elegancia — Around 1935 he lived with his partner Lina, a jukebox keeper at a Palermo café, in a conventillo on calle Gorriti1935[86]

Nostalgias — Juan Carlos Cobián premieres Nostalgias in 1935.1935[87]

Carlos Gardel1935[89]

Por una cabeza — Carlos Gardel makes the first recording of Por una cabeza for RCA Victor in March 1935.Mar 1935[93]

Mario Luna — Born.Jan 29, 1935[90]

La caida de la estanteria (Edgardo Donato) — Sung by Hugo del Carril.Feb 5, 1935[91]

Congoja (Edgardo Donato) — Sung by Hugo del Carril.Feb 8, 1935[91]

Madame Ivonne (Edgardo Donato) — Sung by Alberto Gómez.Feb 20, 1935[91]

Alma de bandoneón (Francisco Canaro) — Sung by Roberto Maida.Mar 20, 1935[91]

Cambalache (Francisco Canaro) — Sung by Roberto Maida.Mar 20, 1935[91]

Golondrinas (Francisco Canaro) — Sung by Roberto Maida.Mar 25, 1935[91]