Tango in 1951

Juan D'Arienzo — 20 recordings1951[1]

Carlos Di Sarli — 20 recordings1951[1]

Aníbal Troilo — 15 recordings1951[1]

Osvaldo Pugliese — 10 recordings1951[1]

Miguel Caló — 8 recordings1951[1]

Ángel D'Agostino — 2 recordings1951[1]

Lucio Demare — 4 recordings1951[1]

Rodolfo Biagi — 4 recordings1951[1]

Osvaldo Fresedo — 10 recordings1951[1]

Edgardo Donato — 8 recordings1951[1]

Enrique Rodríguez — 4 recordings1951[1]

Alfredo De Angelis — 14 recordings1951[1]

Mario Pomar: Di Sarli's new orchestra, with Pomar and Oscar Serpa, opens at Radio El Mundo.[2]

Adolfo Rivas records Los mareados and Mimí Pinsón at Osmar Maderna's last session, for RCA Victor.[3]

Osmar Maderna makes his last Víctor recording on 29 March, his 52nd title for the label.[4]

Jorge Ledesma: First recording with Mancione, Sorbos amargos, for RCA Victor.[5]

Oscar Larroca debuts with Alfredo De Angelis on Radio El Mundo's Glostora Tango Club.[6]

Enrique Carrera Sotelo dies in San Telmo.[7]

Juan Velich dies in Buenos Aires.[8]

Homero Manzi dies of cancer in Buenos Aires; Troilo writes Responso in his memory.[9]

Hugo Baralis directs Alberto Marino's orchestra; their first Odeon record, Margot, is cut on 21 May.[10]

Rodolfo Galé: First record with Florindo Sassone, Testamento de arrabal, for RCA Victor.[11]

Victor D'Amario records for the first time, for Pathé: Griseta with Alberto Santillán and the instrumental Jueves.[12]

Antonio Sureda dies in Buenos Aires.[13]

Enrique Campos: Back with Rotundo, records 'Llorando la carta'; in December he records 'El viejo vals' in duet with Floreal Ruiz.[14]

Mario Bustos: First recording with Eduardo Del Piano, Margot; seasons at the confitería Adlón on Florida.[15]

Héctor de Rosas: First recording with Eduardo Del Piano, No me pregunten por qué.[16]

Juanjo Dominguez: Born in Junín; the family moves to Lanús.[17]

Carlos Di Sarli returns with recordings for the Music Hall label, with Oscar Serpa and Mario Pomar.[18]

Juan Carlos Copes wins first prize with Nieves at a Luna Park contest of about 300 couples (15 November).[19]

Armando Garrido: Last recording with Fresedo, Sombra de humo.[20]

Ricardo Pedevilla records El Cachafaz for Pampa.[21]

José María Aguilar dies at Hospital Álvarez after being hit by a car.[22]

Enrique Santos Discepolo dies in Balvanera.[23]

Ginamaría Hidalgo plays Amelia in Corazón fiel.[24]

Osvaldo Requena y Leopoldo Federico: Pianist in Raúl Kaplún's orchestra; writes his first arrangement.[25]

Roberto Florio: First recordings with Lorenzo Barbero's Orquesta de la Argentinidad.[26]

Orlando Tripodi takes the piano of the Orquesta Símbolo Osmar Maderna, led by Aquiles Roggero, and arranges for it.[27]

Víctor Lavallén joins Miguel Caló's orchestra until 1954, touring Brazil.[28]

Arturo Penón joins Julio De Caro's orchestra; records for Odeon in June and July and plays on Radio El Mundo.[29]

Ernesto Franco replaces Leopoldo Federico in Osmar Maderna's orchestra until Maderna's death on 28 April.[30]

Osvaldo Ramos wins a contest at the confitería La Armonía on Corrientes.[31]

Armando Laborde joins Héctor Varela's re-formed orchestra, recording 24 sides for Pampa.[32]

Lorenzo Barbero starts recording for Odeon in October, with Roberto Florio singing.[33]

Mario Demarco forms his own orchestra late in the year, recording 18 titles for Pathé until mid-1953.[34]

Alberto Podestá starts a solo career on Radio Splendid and sings at the Maipú Pigall cabaret.[35]

Eduardo Rovira forms his own orchestra for Radio Splendid.[36]

Roberto Di Filippo joins the Radio Splendid house orchestra, later switching to oboe there.[37]

Jorge Vidal starts his solo recording career; six sides with Argentino Galván's orchestra for Pampa.[38]

Francisco Fiorentino joins pianist José Puglia and bandoneonist Edgardo Pedroza in Uruguay and makes his last three recordings in November.[39]

Angel Dominguez spends most of the year in Florindo Sassone's orchestra.[40]

Andrés Falgás sings with Julio De Caro's orchestra, without recording.[41]

Nelly Omar records for RCA Victor with Domingo Marafioti's orchestra.[42]

Juan Sanchez Gorio signs with the new Orfeo label and records Rodríguez Peña in September.[43]

Sofía Bozán plays herself in El patio de la morocha.[44]

Alberto Arenas: With Canaro on Radio El Mundo's Glostora Tango Club; tours of Brazil and the interior through 1954.[45]

Alfredo De Angelis appears in the film 'El cantor del pueblo'; Oscar Larroca sings beside Dante around this time.[46]

Roberto Caló: First records for Orfeo: El metejón with Oscar Larroca and a Troilo selection.[47]

Carlos Marcucci joins the Radio Splendid house orchestra under Francisco Trópoli, until 1957.[48]

Oscar Serpa returns to Di Sarli, sharing the vocals with Mario Pomar.[49]

Ángel Vargas begins recording with Armando Lacava's orchestra, his most recorded accompaniment after D'Agostino.[50]

José Tinelli records piano duets with César Zagnoli for RCA Victor.[51]

Julio Martel leaves De Angelis after the carnival dances at Club Gimnasia y Esgrima de La Plata.[52]

Carlos Di Sarli — return after commercial withdrawal1951[53]

Golden Age — Occurred at Argentina.1951, Apr 28, 1951[56][57][58][67]

Carlos Di Sarli — Led Carlos Di Sarli.1951[54]

Osvaldo Pugliese — Led Osvaldo Pugliese.1951[59]

Osmar Maderna — Led Osmar Maderna.Mar 29, 1951[66]

Simón Bajour — Played in Carlos Di Sarli.1951[54]

Claudio González — Played in Carlos Di Sarli.1951[54]

Federico Scorticati — Played in Carlos Di Sarli.1951[54]

Ángel Ramos — Played in Carlos Di Sarli.1951[54]

Osvaldo Ruggiero — Played in Osvaldo Pugliese.1951[55][59]

Jorge Caldara — Played in Osvaldo Pugliese.1951[55][59]

Esteban Gilardi — Played in Osvaldo Pugliese.1951[55][59]

Roberto Peppe — Played in Osvaldo Pugliese.1951[55][59]

Enrique Camerano — Played in Osvaldo Pugliese.1951[55][59]

Oscar Herrero — Played in Osvaldo Pugliese.1951[55][59]

Emilio Balcarce — Played in Osvaldo Pugliese.1951[55][59]

Julio Carrasco — Played in Osvaldo Pugliese.1951[55][59]

Aniceto Rossi — Played in Osvaldo Pugliese.1951[55][59]

Aquí parado en la esquina — 1951[60]

Golden Age — Tokyo: the singer Ranko Fujisawa, nicknamed the Queen of Tango, made her first record for Victor, as singer of Shimpei Hayakawa's Orquesta Típica Tokyo1951[61]

Buenos Aires — First Pan American Games: Buenos Aires hosts the first Pan American Games.Feb 25, 1951[63]

Mariano Balcarce — Died.1951[62]

Osmar Maderna — Died.Apr 28, 1951[67][68]

Carlos Di Sarli — Performed at Radio El Mundo.Mar 16, 1951[64]

Los mareados (Osmar Maderna) — Sung by Adolfo Rivas.Mar 29, 1951[65]

Cualquier cosa (Domingo Federico) — Sung by Enzo Valentino.Apr 10, 1951[65]

Bailongo de los domingos (Lucio Demare) — Sung by Héctor Alvarado.May 9, 1951[65]

Llevátelo todo (Alfredo De Angelis) — Sung by Oscar Larroca.May 10, 1951[65]

Barro (Osvaldo Pugliese) — Sung by Alberto Morán.May 22, 1951[65]

Mi virgencita de Luján (Edgardo Donato) — Sung by Hugo Roca.Jun 6, 1951[65]

Discepolín (Osvaldo Fresedo) — Sung by Héctor Pacheco.Jun 12, 1951[65]

La vieja serenata (Alberto Castillo) — Sung by Alberto Castillo.Jun 15, 1951[65]

Calor de hogar (Alfredo Gobbi) — Sung by Jorge Maciel.Jun 26, 1951[65]

La número cinco (Alfredo Gobbi) — Sung by Jorge Maciel.Jun 27, 1951[65]