The Cabeceo

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Our catalogue holds 285 recordings from 1953. The orchestras recorded most that year were Carlos Di Sarli (24 recordings), Alfredo De Angelis (19 recordings), and Francisco Canaro (16 recordings).

That year

Osvaldo Manzi: Led Alberto Marino.

Enrique Lucero plays the orchestra's singer in La voz de mi ciudad, premiered 15 January.

José María Rizzuti dies.

Ricardo Ruiz records Cascabelito with Ángel D'Agostino.

Rodolfo Galé: Last Sassone session (El estrellero, Yunque); joins José Basso.

every sentence cites a published fact

What was playing?

The records of 1953

One record per orchestra, in the order tango remembers them, each its most danced take that plays. The bar shows how much dancers still use it in the videos we index.

On the air: LR1 Radio El Mundo

  1. Mucho mucho

    Juan D'Arienzo · Armando Laborde

    14 dances
  2. Chiqué

    Osvaldo Pugliese · Instrumental

    317 dances
  3. Cuando me entrés a fallar

    Miguel Caló · Carlos Barbé

    Recorded in 1952, the nearest year with a clip

    1 dance
  4. Puente Alsina

    Pedro Laurenz · Alfredo Del Rio

    1 dance
  5. Divina

    Osvaldo Fresedo · Carlos Barrios

    13 dances
  6. Historia de chapa chapa

    Enrique Rodríguez · Omar Quirós

    Not danced on film yet

Meanwhile

In Argentina, Uruguay and the world

  • Mar 9Death and state funeral of Joseph StalinWikidata

Tango By Year, the podcast

Dag Stenvoll plays the year's records and Michael Lavocah talks about them, by permission. Facts from the episodes cite the minute they are said.

From TangoTube's videos · our data

Dancers filmed to this year's music

What we don't know yet3 of 4 known

Events held that year.

Data: recordings, facts and sources

Recordings13

Juan D'Arienzo — 15 recordings1953

Single source

Carlos Di Sarli — 24 recordings1953

Single source

Aníbal Troilo — 8 recordings1953

Single source

Osvaldo Pugliese — 10 recordings1953

Single source

Miguel Caló — 6 recordings1953

Single source

Ángel D'Agostino — 8 recordings1953

Single source

Pedro Laurenz — 4 recordings1953

Single source

Lucio Demare — 2 recordings1953

Single source

Rodolfo Biagi — 4 recordings1953

Single source

Osvaldo Fresedo — 14 recordings1953

Single source

Edgardo Donato — 10 recordings1953

Single source

Enrique Rodríguez — 2 recordings1953

Single source

José Sala — Columbia: 11 discs, 22 titles (then TK: 5 discs)1953

Single source

What happened48

Enrique Lucero plays the orchestra's singer in La voz de mi ciudad, premiered 15 January.

Single source

José María Rizzuti dies.

Single source

Ricardo Ruiz records Cascabelito with Ángel D'Agostino.

Single source

Rodolfo Galé: Last Sassone session (El estrellero, Yunque); joins José Basso.

Supported · 2

David Díaz plays in the large orchestra of El patio de la morocha, premiered on 24 April.

Single source

Carlos Almada records As de cartón with Alfredo Gobbi.

Single source

Augusto Berto dies.

Single source

Carlos Vicente Geroni Flores dies at the home of the Count of Arcentales.

Single source

Juan Carlos Cobian dies in Buenos Aires.

Single source

Carlos Yanel: Hired by pianist José Sala, sharing vocals with Alfredo Belusi.

Single source

Nito Garcia wins his first milonga contest, aged 17.

Single source

Puppi Castello: Around age 18 he is a local favourite in Boulogne, though not yet known in Villa Urquiza.

Single source

Ruben Harymbat starts dancing at about fourteen, learning from his brothers, cousins and friends (year inferred from age).

Single source

Osvaldo Tarantino: Pianist of Héctor Varela's orchestra.

Single source

Aníbal Arias joins the guitar group accompanying Héctor Mauré, for four years.

Single source

Juan Bruno: As the milongas decline from about 1953, he gradually stops dancing to marry and work.

Single source

Mingo Pugliese: Expelled from the Fine Arts School around 1953–54 for opposing the Peronist government.

Single source

Osvaldo Berlingieri meets his partner Leda Verlini on a ship while returning from a performance in Baghdad.

Single source

Gerónimo Bongioni records his instrumental Tango de ayer for Columbia with the Auténtico Cuarteto Los Ases.

Single source

Ernesto Baffa | Ubaldo De Lío joins Horacio Salgán as first bandoneon, replacing Leopoldo Federico.

Single source

Alfredo Belusi joins José Sala's orchestra in Rosario and makes his first records.

Single source

Raúl Ledesma begins on Radio Belgrano's La Gran Audición Federal; signs with Odeon.

Single source

Federico Silva writes Hasta siempre amor with Donato Racciatti.

Single source

Joaquin Do Reyes records his instrumental Rastreando for TK.

Single source

Osvaldo Manzi begins directing the orchestra that backs singer Alberto Marino, recording for Odeon until 1955.

Single source

Enrique Díaz shares the bass in the orchestra of El patio de la morocha.

Single source

Julio Sosa joins Francisco Rotundo's orchestra in April.

Single source

Ángel Cabral: Édith Piaf hears Que nadie sepa mi sufrir in Buenos Aires and takes it to France.

Single source

Mario Demarco joins Julio De Caro's last orchestra, disbanded early in 1954.

Single source

Ernesto Franco: First bandoneon of Alfredo De Angelis's orchestra, until late 1957.

Single source

Marvil writes Cómo nos cambia la vida with Roberto Rufino.

Single source

Osvaldo Sosa Cordero writes Para Corrientes with Julio De Caro.

Single source

Roberto Grela plays with Troilo in El patio de la morocha at the Teatro Enrique Santos Discépolo.

Single source

Jorge Casal records the vals Vuelve la serenata with Raúl Berón; appears in Troilo's sainete El patio de la morocha.

Single source

Hugo Diaz meets Toots Thielemans and Larry Adler in Belgium.

Single source

Miguel Montero sings with Mario Demarco on Radio Splendid.

Single source

Pedro Datila leaves show business for a Post Office job.

Single source

Aníbal Troilo plays Eduardo Arolas in Cátulo Castillo's play El patio de la morocha, in a duo with guitarist Roberto Grela.

Single source

Francisco Rotundo: Julio Sosa joins after leaving Francini-Pontier and stays about two years.

Single source

Donato Racciatti opens the orchestra's peak years, to 1960, with Nina Miranda and then Olga Delgrossi as singers.

Single source

Catulo Castillo: Named president of the Comisión Nacional de Cultura.

Single source

Hugo Baralis debuts his own orchestra on Radio Belgrano.

Single source

Héctor Stamponi forms a piano and violin duo with Enrique Mario Francini.

Single source

Mariano Mores starts recording for Odeon, where he stays until 1969.

Single source

Roberto Caló plays Radio Splendid, the confitería El Marzotto and the carnival dances at Les Ambassadeurs; backs Azucena Maizani on record.

Single source

Alberto Amor records Una página en blanco with Francisco Grillo for Pathé.

Single source

Elvino Vardaro records two sides for Columbia under his own name, "Pico de oro" and "El cuatrero".

Single source

Pedro Laurenz: Last orchestra recordings in September for Pampa, then disbands the orchestra.

Single source

Orchestras led2

Osvaldo Manzi — Led Alberto Marino.1953

Single source

Héctor Varela — Led Héctor Varela.May 6, 1953

Single source

Published2

Para Corrientes — 1953

Single source

Hasta siempre amor — 1953

Single source

Notes7

Teatro Presidente Alvear — Then called the Teatro Enrique Discépolo, it staged the revue "El patio de la Morocha" by Cátulo Castillo and Aníbal Troilo, opened on 24 April1953

Single source

Golden Age — Fujisawa, Hayakawa and Kenji Tone made a concert trip to Argentina to study tango further1953, Jan 15, 1953

Supported · 2

Carlitos Anzuate — Between 1953 and 1954 he organised dances at the Club Mitre (Segurola 1332)1953

Single source

Elvio Vitali — Born in Villa Domínico in 19531953

Single source

Plaza de Mayo — Atentado del 15 de abril de 1953: two bombs exploded in the Plaza de Mayo during a CGT rally, one of the political violence episodesApr 15, 1953

Single source

Plaza de Mayo, Buenos Aires — Bomb in the Plaza de Mayo, 15 April 1953: A bomb explodes during a Peronist rally.Apr 15, 1953

Single source

Jockey Club, Buenos Aires (Florida) — Burning of opposition headquarters in 1953: The Jockey Club and party houses are burned in reprisal.Apr 15, 1953

Single source

Dates1

Golden Age — Occurred at Buenos Aires.1953

Single source

Singers25

Se muere de amor (Carlos Di Sarli) — Sung by Mario Pomar.Mar 5, 1953

Single source

Griseta (Francisco Canaro) — Sung by Mario Alonso.Mar 25, 1953

Single source

Infamia (Francisco Rotundo) — Sung by Floreal Ruiz.Apr 6, 1953

Single source

De vuelta (Carlos Di Sarli) — Sung by Oscar Serpa.Apr 21, 1953

Single source

Tangueando te quiero (Carlos Di Sarli) — Sung by Mario Pomar.Apr 21, 1953

Single source

Viento verde (Carlos Di Sarli) — Sung by Oscar Serpa.Apr 21, 1953

Single source

Cómo nos cambia la vida (Alfredo De Angelis) — Sung by Oscar Larroca.May 6, 1953

Single source

Y volvemos a querernos (Rodolfo Biagi) — Sung by Carlos Heredia.May 19, 1953

Single source

Tiempos viejos (Osvaldo Fresedo) — Sung by Carlos Barrios.May 20, 1953

Single source

En la buena y en la mala (Domingo Federico) — Sung by Armando Moreno.May 27, 1953

Single source

Como el humo (Alberto Mancione) — Sung by Jorge Ledesma.May 29, 1953

Single source

Para qué vivir así (Alfredo Gobbi) — Sung by Jorge Maciel.Jun 9, 1953

Single source

Bailarín compadrito (Alfredo De Angelis) — Sung by Oscar Larroca.Jun 11, 1953

Single source

Moneda de cobre (Héctor Varela) — Sung by Argentino Ledesma.Jun 16, 1953

Single source

La capilla blanca (Carlos Di Sarli) — Sung by Mario Pomar.Jun 26, 1953

Single source

Tu pálida voz (Carlos Di Sarli) — Sung by Mario Pomar.Jun 26, 1953

Single source

La casita esta triste (Francisco Rotundo) — Sung by Julio Sosa.Jun 26, 1953

Single source

Milonguera (Osvaldo Pugliese) — Sung by Juan Carlos Cobos.Jul 14, 1953

Single source

Olvidao (Osvaldo Pugliese) — Sung by Juan Carlos Cobos.Aug 6, 1953

Single source

La bruja (Juan Polito) — Sung by Raúl Figueroa.Aug 11, 1953

Single source

Una canción (Edgardo Donato) — Sung by Roberto Morel.Aug 11, 1953

Single source

Necesito tu cariño (Juan D'Arienzo) — Sung by Armando Laborde.Aug 13, 1953

Single source

La última copa (Osvaldo Pugliese) — Sung by Alberto Morán.Oct 6, 1953

Single source

Prohibido (Alfredo De Angelis) — Sung by Oscar Larroca.Oct 6, 1953

Single source

Por eso canto así (Alfredo Gobbi) — Sung by Carlos Almada.Oct 27, 1953

Single source

Premiered at3

Agustin Irusta — Premiered at Una canción.Apr 24, 1953

Single source

Milonga del mayoral — Premiered at Teatro Presidente Alvear.Apr 24, 1953

Single source

Vuelve la serenata — Premiered at Teatro Presidente Alvear.Apr 24, 1953

Single source

Played in3

Roberto Grela — Played in Aníbal Troilo.Apr 24, 1953

Single source

Enrique Francini — Played in Orquesta Francini-Pontier.May 6, 1953

Single source

Armando Pontier — Played in Orquesta Francini-Pontier.May 6, 1953

Single source

Born2

María Graña — Born.Jun 16, 1953

Supported · 2

María Graña — Born.Jun 16, 1953

Single source

Died1

Carlos Vicente Geroni Flores — Died.Jun 22, 1953

Supported · 3

Listen

  1. Berretines de bacanaEdgardo Donato · Roberto Morel1953
  2. ApronteEdgardo Donato · Roberto Morel · no clip yet1953
  3. Muchachos silencioFrancisco Rotundo · Floreal Ruiz1953
  4. As de cartónFrancisco Rotundo · Enrique Campos · no clip yet1953
  5. Sin estrellasDonato Racciatti · Nina Miranda · no clip yet1953
  6. La novenaDonato Racciatti · Nina Miranda · no clip yet1953
  7. MarejadaFlorindo Sassone · no clip yet1953
  8. PasoFlorindo Sassone · Rodolfo Galé · no clip yet1953
  9. Historia de chapa chapaEnrique Rodríguez · Omar Quirós1953
  10. La cumparsitaEnrique Rodríguez · no clip yet1953
  11. Déjame hablarMiguel Caló · Carlos Barbé · no clip yet1953
  12. Soy feo pero vistosoMiguel Caló · Carlos Barbé · no clip yet1953

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