Tango in 1945

Juan D'Arienzo — 22 recordings1945[1]

Carlos Di Sarli — 20 recordings1945[1]

Aníbal Troilo — 22 recordings1945[1]

Osvaldo Pugliese — 20 recordings1945[1]

Miguel Caló — 28 recordings1945[1]

Ricardo Tanturi — 20 recordings1945[1]

Ángel D'Agostino — 18 recordings1945[1]

Lucio Demare — 6 recordings1945[1]

Rodolfo Biagi — 16 recordings1945[1]

Osvaldo Fresedo — 16 recordings1945[1]

Edgardo Donato — 7 recordings1945[1]

Enrique Rodríguez — 17 recordings1945[1]

Lo mismo que un tango (Lucio Demare) — Recorded in Lucio Demare.1945[60]

Orquesta Francini-Pontier — about 120 records, 34 of them instrumental, over ten years1945[85]

Florcita (Lucio Demare) — Recorded in Lucio Demare.Jan 3, 1945[60]

Alberto Morán: After singing with Cristóbal Herreros's orchestra at the café El Nacional and an audition at Radio El Mundo, records his first sides with Osvaldo Pugliese.[2]

Jorge Durán joins Carlos Di Sarli, debuting with him on Radio El Mundo; Di Sarli renames him Jorge.[3]

Héctor Mauré starts his solo career on Radio Belgrano with his own orchestra led by Alberto Cima.[4]

Jorge Ortiz: Back with Biagi; records Magdala and Yuyo verde.[5]

Orlando Goñi dies in Montevideo, aged 31.[6]

Alfredo Rojas: Last catalogued recordings with García, Nadie ha de saber and Que no sepan las estrellas.[7]

José Garcia: Last Odeon session, closing a catalogue of 40 sides.[8]

Carlos Roldán leaves Canaro.[9]

Lisandro Adrover: Born in San Pedro, Buenos Aires province.[10]

Alberto Castillo marries Ofelia Oneto.[11]

José Luis Padula dies in Buenos Aires.[12]

Graciano de Leone dies in Burzaco.[13]

Roberto Arrieta: First recordings with Miguel Caló: Quedó en venir a las nueve and Cimarrón de ausencia.[14]

Alberto Arenas: First recording with Canaro, Adiós pampa mía.[15]

Armando Pontier: The Francini-Pontier orchestra debuts at the opening of the Tango Bar on Corrientes.[16]

Enrique Francini: With Armando Pontier forms the Francini-Pontier orchestra, which debuts at the opening of Tango Bar on Corrientes.[17]

Juan Guido dies in Buenos Aires.[18]

Roberto Videla debuts with Ricardo Tanturi at Radio El Mundo.[19][20]

Alfredo Malerba marries Libertad Lamarque.[21]

Jorge Vidal wins first prize at a singers' contest at the Teatro Smart.[22]

Eduardo Pareja starts dancing at 15 at a men-only práctica where he meets Petróleo and Finito.[23]

Elvira Santamaría: In the 1940s she is Virulazo's first girlfriend; they later split up.[24]

Finito starts dancing tango at about 16, beginning at Club Floreal (year inferred from age).[25]

Flaco Dany goes to dance halls with his parents as a child of about eight to ten.[26]

Gerardo Portalea starts going to Club Sin Rumbo in Villa Urquiza as a teenager in the 1940s (approximate).[27]

Raúl Bravo starts dancing at fourteen in Floresta (year inferred from age).[28]

Martha Anton: Around this year her family settles in Floresta, Buenos Aires.[29]

Oscar Larroca joins Domingo Federico's orchestra with Carlos Vidal; debut on Radio Splendid; first recordings in June, duets with Vidal.[30]

Alfredo Del Rio sings at El Parque Goal on Avenida de Mayo.[31]

Lalo Martel wins a place in Víctor Braña's orchestra through a singers' contest.[32]

Rodolfo Galé joins Aníbal Apiolaza's orchestra in Mendoza.[33]

Pepito Avellaneda: First public performance, at the Teatro Roma in Avellaneda, aged fifteen.[34]

Francisco Rotundo debuts his orchestra at the carnival dances of Club San José de Flores, presented by the poet Carlos Waiss.[35]

José Rótulo writes Pregonera with Alfredo De Angelis.[36]

Raúl Hormaza recites at the Bar Marzotto, where Arturo Gallucci sets Cien guitarras.[37]

Roberto Pansera joins Juan Carlos Cobián's group through his teacher Domingo Federico.[38]

Oscar Ferrari joins Alfredo Gobbi's orchestra.[39]

Donato Racciatti leads the orchestra accompanying singer Luis Alberto Fleitas, with whom he records nine sides.[40]

Alberto Podestá becomes the singer of the Francini-Pontier orchestra, playing the Sans Souci and the Tibidabo cabaret; records El hijo triste with Julio Sosa.[41]

Carlos García: Mid-1940s pianist in Alberto Castellanos's orchestra on Radio El Mundo.[42]

Simón Bajour joins Roberto Dimas's orchestra at café Marzotto.[43]

Guillermo Rico sings Niebla and duets in Canaro's revue El tango en París at the Teatro Alvear.[44]

Osmar Maderna leaves Caló and forms his own orchestra, which debuts at the Marzotto café on Corrientes.[45]

Virgilio Expósito settles in Buenos Aires.[46]

Héctor Marcó writes Porteño y bailarín with Di Sarli.[47]

Héctor Grané: His tango Esta noche al pasar dates from this year.[48]

Ismael Spitalnik moves to Miguel Caló's orchestra.[49]

Roberto Caló gives up singing and debuts as an orchestra leader on LR4 Radio Splendid.[50]

Homero Expósito settles in Buenos Aires; writes Trenzas and Margo with Armando Pontier.[51]

Guillermo Coral sings in Canaro's revue El tango en París at the Teatro Alvear.[52]

Catulo Castillo begins his partnership with Aníbal Troilo with María.[53]

Ivo Pelay: Adiós pampa mía, with Canaro and Mariano Mores, appears.[54]

Lito Bayardo writes Cuatro lágrimas, words and music.[55]

Eduardo Escaris Méndez writes the vals La pena del payador with José and Luis Servidio.[56]

Félix Lipesker publishes the Marcucci-Lipesker bandoneon method with Carlos Marcucci.[57]

Amadeo Mandarino debuts with Emilio Balcarce at the Salón Casablanca carnival dances.[58]

Julio Martel premieres 'Pregonera' with the orchestra at Club Argentinos Juniors.[59]

Lucio Demare — Led Lucio Demare.1945[60]

Francisco Rotundo — Led Francisco Rotundo.1945[61]

Alberto Cima — Led Héctor Maure.Jan 1, 1945[65]

Horacio Quintana — Performed at Café El Nacional.1945[60]

Alberto Garralda — Played in Juan Canaro.1945[62]

José Márquez — Played in Juan Canaro.1945[62]

Juan Miguel Rodríguez — Played in Aníbal Troilo.1945[63]

David Díaz — Played in Aníbal Troilo.1945[63]

José Basso — Played in Aníbal Troilo.1945[63]

Osvaldo Ruggiero — Played in Osvaldo Pugliese.1945[64]

Jorge Caldara — Played in Osvaldo Pugliese.1945[64]

Esteban Gilardi — Played in Osvaldo Pugliese.1945[64]

Oscar Castagniaro — Played in Osvaldo Pugliese.1945[64]

Enrique Camerano — Played in Osvaldo Pugliese.1945[64]

Oscar Herrero — Played in Osvaldo Pugliese.1945[64]

Julio Carrasco — Played in Osvaldo Pugliese.1945[64]

Aniceto Rossi — Played in Osvaldo Pugliese.1945[64]

Alberto Castillo — Played in Radio Belgrano.1945[84]

Fuimos — 1945[66]

Trenzas — 1945[67]

Margo — 1945[68]

Bien criolla y bien porteña — 1945[69]

Amor y Tango — 1945[70]

La noche que te fuiste — 1945[71]

Garras — 1945[72]

Lluvia de abril — 1945[73]

Tedio — 1945[74]

El sueño del pibe — 1945[75]

Porteño y bailarín — 1945[76]

Tu intimo secreto — 1945[77]

Los despojos — 1945[78]

Cuatro lágrimas — 1945[79]

Menta y cedrón — 1945[80]

Cuando se ha querido mucho — 1945[81]

Anselmo Laguna — 1945[82]

La pena del payador — 1945[83]

El Pibe del Abasto — In 1945 he began teaching, after studying theory with Manuel Crespo, Vicente Gargiuli and Juan César Mendieta1945[86]

Marta Anton — Around 1945 she arrived in Buenos Aires with her family and settled in Floresta1945[87]

Mingo Lavalle — Excellent dancer known in the mid-1940s, the youngest of his time; born in Italy1945[88]

El Turco José — In the mid-1940s he entered, with his friend El Perita, a practice at the Asociación de Fomento y Cultura Villa Cerini in Saavedra1945[89]

Encuentro (Francisco Canaro) — Sung by Guillermo Coral.Jan 2, 1945[90]

La mañana (Alfredo De Angelis) — Sung by Julio Martel.Jan 9, 1945[90]

De seis a siete (Ricardo Tanturi) — Sung by Enrique Campos.Jan 22, 1945[90]

Julián Rosales — Born.Feb 9, 1945[91]