Tango in 1936

Juan D'Arienzo — 24 recordings1936[1]

Miguel Caló — 6 recordings1936[1]

Osvaldo Fresedo — 5 recordings1936[1]

Edgardo Donato — 12 recordings1936[1]

Francisco Canaro — 38 recordings1936[1]

Francisco Lomuto — 14 recordings1936[1]

Típica Victor — 3 recordings1936[1]

Julio De Caro — 9 recordings1936[1]

Roberto Firpo — 13 recordings1936[1]

Cuarteto Típico Roberto Firpo — 4 recordings1936[1]

Enrique Santos Discepolo — 1 recordings1936[1]

Trío Ciriaco Ortiz — 1 recordings1936[1]

Las doce menos cinco (Francisco Canaro) — Recorded in Francisco Canaro.Apr 3, 1936[85]

Pancha la curiosa (Francisco Canaro) — Recorded in Francisco Canaro.Apr 3, 1936[85]

Irene (Juan D'Arienzo) — Recorded in Juan D'Arienzo.Jun 9, 1936, Jul 9, 1936[86][87]

Alberto Morel — Recorded in Buenos Aires.Jul 13, 1936[88]

Paquiya (Francisco Canaro) — Recorded in Francisco Canaro.Jul 17, 1936[89]

Inolvidable (Juan D'Arienzo) — Recorded in Juan D'Arienzo.Aug 5, 1936[90]

Francisco Amor debuts with Florindo Sassone's orchestra at the Café El Nacional and on Radio Belgrano.[2]

Alberto Amor: Professional debut on Radio Belgrano with Sassone.[3]

Florindo Sassone: His first orchestra debuts on Radio Belgrano and plays the café Nacional and the cabaret Marabú, with Alberto Amor singing.[4]

Raúl Garello: Born in Chacabuco, Buenos Aires Province.[5]

Enrique Campos: First public performance at the Cine Helvético in Colonia Suiza, with guitarists Alfredo Solís and Carlos Méndez.[6]

Tete Rusconi: Born in Pompeya on 9 January.[7]

Jorge Omar records a sung version of A la gran muñeca with Lomuto for Victor.[8]

Mercedes Simone: Sombras porteñas, directed by Daniel Tinayre, opens.[9]

Andrés Falgás: First record, for Odeon: Pena de amor and Cofrecito.[10]

Flaco Dany: Born on 8 May in La Paternal, Buenos Aires.[11]

Juan Carlos Bazán dies.[12]

Jorge Ortiz sings with Donato at an RCA-Victor festival at the Cine Ambassador.[13]

ABEL AZNAR: Nelly Omar premieres his first tango, Igual te quiero, on the radio.[14]

Eduardo Arquimbau: Born in Buenos Aires on 28 November.[15]

Alberto Dassieu: Born, in the year the Obelisk was inaugurated.[16]

Nito Garcia: Born in Bragado; grows up in Avellaneda.[17]

Héctor Stamponi comes to Buenos Aires with Juan Elhert's group and plays the matinée at Juan Manuel; then forms a trio with Francini and Pontier on Radio Argentina.[18]

Roberto Rufino debuts professionally at Café El Nacional with Francisco Rosse's orchestra, then sings at the Petit Salón with Antonio Bonavena.[19]

Floreal Ruiz wins a singing contest on Radio Fénix, entered under a pseudonym.[20]

Héctor Mauré debuts as Tito Falivene at the café Río de la Plata, at Ángel Gallardo and Honorio Pueyrredón, singing there three months.[21]

Julio Martel: The family moves to Munro, where he starts singing.[22]

Ángel Cabral composes the vals Que nadie sepa mi sufrir with Enrique Dizeo.[23]

Héctor Grané joins Pedro Laurenz's orchestra as pianist at the end of the year.[24]

Aniceto Rossi meets Osvaldo Pugliese and plays bass in his early attempts at an orchestra.[25]

Hugo Diaz debuts at nine on a radio station in Santiago del Estero.[26]

Oscar Serpa debuts in Buenos Aires as Alfredo Pelaia's duo partner.[27]

Juan Carlos Godoy: His family moves to La Boca, Buenos Aires.[28]

Miguel Montero: First barrio performance, at Club All Boys.[29]

Alfredo De Angelis forms the Orquesta Típica Álvarez-De Angelis with Daniel Álvarez; it plays the Café Germinal for over a year.[30]

José Basso joins the orchestra of Emilio and José De Caro, replacing Héctor Grané; Francisco Grillo and José Tinelli follow.[31]

Mariano Mores: Hired as pianist for international music at Bar Vicente on Corrientes, after an audition.[32]

José Garcia settles the Zorros Grises line-up with pianist Juan Carlos Barbará and singers Augusto Gauthier and Nilda Wilson.[33]

Juan Cambareri joins Roberto Firpo's Cuarteto Los de Antes, after first playing in Firpo's orchestra as a teenager.[34]

Carlos Bahr turns to popular song after being turned back in Montevideo on his way to the Spanish Civil War.[35]

Orlando Goñi joins Juan Carlos Cobián's orchestra, where he plays again beside Aníbal Troilo.[36]

Roberto Grela leads the guitars accompanying Fernando Díaz, until 1938.[37]

Alberto Arenas sings with Alberto Pugliese's orchestra, including at the Cabaret D'Azur.[38]

Osvaldo Pugliese plays in Miguel Caló's group; the same year he joins the Communist Party.[39]

Horacio Salgan: Roberto Firpo hires him for his orchestra; around the same time he arranges for Miguel Caló.[40]

Típica Victor: Federico Scorticati takes over as director; first session with Héctor Palacios.[41]

Ricardo Pedevilla joins Joaquín Mora's orchestra.[42]

José Pascual: His tango Mi ruego is dated to this year.[43]

Mauricio Mise joins Pedro Laurenz's orchestra at Confitería Richmond, replacing Alfredo Gobbi.[44]

Hugo del Carril meets Tito Ribero at Radio El Mundo; records for Victor with his orchestra.[45]

Ricardo Tanturi enlarges the orchestra and plays the summer season at the Hotel Carrasco in Montevideo, for which he writes the march 'Carrasco'.[46]

Enrique Rodríguez founds his own orchestra, which debuts at the Cabaret Sing Sing.[47]

Carlos Dante forms a duo with Pedro Noda at Agustín Irusta's suggestion.[48]

Luis César Amadori: Co-directs his first film, Puerto Nuevo, with Mario Soffici.[49]

Enrique Dizeo writes the Peruvian vals Que nadie sepa mi sufrir with Ángel Cabral.[50]

Julio César Sanders writes the music for the film Canillita.[51]

Feliciano Brunelli: Pianist of the Cuarteto del 900 with Vardaro, Troilo and Bour, on Radio Mitre.[52]

Antonio Rodio founds Los Poetas del Tango with singer Francisco Fiorentino, heard on Radio Belgrano.[53]

Agustin Irusta returns to Buenos Aires; the trio appears in Canaro's revue La patria del tango at the Teatro Buenos Aires.[54]

Luis Díaz sings with Eugenio Nóbile's orchestra on LS3 Radio Ultra; hired by Radio Splendid in December.[55]

Alberto Gómez: Leading role in Juan Moreira.[56]

Antonio Maida: Soloist with guitars on Radio Belgrano; premieres Media noche.[57]

Tino García: Hired by Héctor Bates to replace Carlos Roldán.[58]

Pedro Laurenz plays the Confitería Richmond on Suipacha and broadcasts on Radio Excelsior and Radio Stentor.[59]

Alfredo Gobbi appears in the films Amalia and Loco lindo.[60]

Osvaldo Pugliese — member of the Communist Party from 19361936[61]

Radio Stentor — With Fénix, aired Tangos, autores e intérpretes (Héctor and Luis Bates), which led to their 1936 book La historia del tango.1936[68]

Héctor Bates — Héctor and Luis Bates's interview programme 'Tangos, autores e intérpretes' aired successively on Nacional (the later Belgrano), Stentor and Fénix and gave rise to their1936[68]

Avenida Corrientes — Ensanche de la Avenida Corrientes: The widening of Corrientes, begun in 1931 and completed in 1936, gave the tango street its present breadth; it cost1936[69]

Teatro Ópera — Owner Clemente Lococo used the 1936 widening of Corrientes to build the third and definitive Teatro Ópera (the article also says Alberto Bourdon conceived the1936[70]

Teatro Colón — Baile de carnaval de 1936 en el Teatro Colón1936[71]

Obelisco — Punto de encuentro: the Obelisco is a usual meeting point for demonstrations that spill onto 9 de Julio and Corrientes, much as Plaza de Mayo1936[72]

Obelisco de Buenos Aires — Obelisco inaugurated: Built in 31 days for the city's 400th anniversary.1936, May 23, 1936[72]

Avenida Corrientes, Buenos Aires — Widening of Avenida Corrientes: The widening of Corrientes.1936[69]

Edificio Kavanagh, Buenos Aires — Edificio Kavanagh completed: Tallest reinforced-concrete building in South America.1936[73]

Línea C (subte de Buenos Aires) — Extension: the line was extended to Retiro on 6 February 1936; Lavalle station opened the same day.Feb 6, 1936[82]

Golden Age — Buenos Aires: Puerto Nuevo (1936), directed by Mario Soffici and Luis César Amadori (Argentina Sono Film), premiered on 12 February 1936 with Pepe Arias, AliciaFeb 12, 1936[83]

Golden Age — unilaterally denounced by the United Kingdom1936, May 1, 1936, May 23, 1936[62][78][79][72]

Milonga triste — 1936[63]

Arrepentido — 1936[64]

Envidia — 1936[65]

En las sombras — 1936[66]

Levanta la frente — 1936[67]

Ciriaco Ortiz — Played in Juan Carlos Cobian.1936[74]

Pedro Maffia — Played in Quinteto Los Virtuosos.1936[75]

Luis Petrucelli — Played in Osvaldo Fresedo.1936[76]

Antonio Buglione — Played in Alberto Cima.1936[77]

Raúl Garello — Born.Jan 3, 1936[80]

Alfredo Zitarrosa — Born.Mar 10, 1936[84]

Silueta porteña (Juan D'Arienzo) — Sung by Walter Cabral.Jan 14, 1936[81]

A la gran muñeca (Francisco Lomuto) — Sung by Jorge Omar.Jan 15, 1936[81]

Irene (Juan D'Arienzo) — Sung by Walter Cabral.Mar 6, 1936[81]

La tapera (Edgardo Donato) — Sung by Félix Gutiérrez.Mar 10, 1936[81]

Me decías (Osvaldo Fresedo) — Sung by Roberto Ray.Apr 2, 1936[81]

Un placer (Juan D'Arienzo) — Sung by Walter Cabral.Apr 3, 1936[81]

Tu olvido (Juan D'Arienzo) — Sung by Walter Cabral.May 8, 1936[81]

Como las flores (Francisco Canaro) — Sung by Roberto Maida.May 12, 1936[81]

Será una noche (Francisco Canaro) — Sung by Roberto Maida.Jun 3, 1936[81]

Las campanas (Miguel Caló) — Sung by Alberto Morel.Jul 13, 1936[81]

Mi noche triste (Francisco Canaro) — Sung by Roberto Maida.Jul 14, 1936[81]

Damisela encantadora (Francisco Lomuto) — Sung by Jorge Omar.Aug 7, 1936[81]

Que le importa al mundo (Francisco Canaro) — Sung by Roberto Maida.Aug 26, 1936[81]