Tango in 1932

Osvaldo Fresedo — 5 recordings1932[1]

Edgardo Donato — 23 recordings1932[1]

Francisco Canaro — 76 recordings1932[1]

Francisco Lomuto — 24 recordings1932[1]

Típica Victor — 18 recordings1932[1]

Adolfo Carabelli — 21 recordings1932[1]

Julio De Caro — 2 recordings1932[1]

Roberto Firpo — 28 recordings1932[1]

Juan Maglio — 2 recordings1932[1]

Orquesta Típica Los Provincianos (Ciriaco Ortiz) — 5 recordings1932[1]

Trío Ciriaco Ortiz — 1 recordings1932[1]

Eduardo Du Perron — 1 recordings1932[1]

Antonio Rodríguez Lesende — Recorded in Julio De Caro.1932[60]

Jorge Valdez: Born Leo Mario Vitale in Villa Urquiza, Buenos Aires.[2]

Manuel Buzon represents current tango in "El Tango Porteño" at the Teatro Nacional.[3]

Carlos Roldán enters a Radio Westinghouse contest; then sings on CX 46 Radio América with guitars.[4]

Antonio Agri: Born in Rosario.[5]

Roberto Pansera: Born in Mar del Plata.[6]

Manuel Meaños: Olinda Bozán's company stages his comedy La rival de Greta Garbo at the Teatro Apolo.[7]

Pascual Contursi dies in Buenos Aires.[8]

Samuel Castriota dies in Buenos Aires, 49 days after Contursi.[9]

Fernando Díaz records 'El beso de Manuelita' and 'Humillación' with the Orquesta Típica Victor.[10]

Rodolfo Cieri: Born in Buenos Aires on 30 October.[11]

Alfredo Del Rio: Born Alfredo Jesús Pérez in Buenos Aires; grows up in Parque Patricios.[12]

Benjamín Tagle Lara dies in San Telmo.[13]

José De Grandis dies in Boedo.[14]

Edgardo Donato moves to the Victor label.[15]

Mingo Pugliese: Born in Villa Devoto, Buenos Aires.[16]

Alberto Echague sings with Ángel D'Agostino's orchestra at the Casanova cabaret and the Teatro París.[17]

Mario César Gomila writes the vals Jamás podré olvidarte with Julio De Caro.[18]

José Tinelli forms his first orchestra for the carnival dances at the Teatro Solís in Montevideo.[19]

Carlos García joins Roberto Firpo's orchestra, replacing Sebastián Piana.[20]

Carlos Almada sings with Oscar de la Fuente's sextet at the Café El Nacional.[21]

Carmencita Calderón meets Tarila and then El Cachafaz after going to Club Sin Rumbo in Villa Urquiza.[22]

Nelly Omar sings duets with her sister Nélida on Radio Stentor, through 1933.[23]

Manuel Sucher leaves for Buenos Aires as Fanny Loy's accompanist; plays later in Anselmo Aieta's orchestra at the Teatro Nacional.[24]

Osvaldo Sosa Cordero: Olinda Bozán premieres his sainete La rival de Greta Garbo, written with Manuel Meaños, at the Apolo.[25]

Eduardo Del Piano joins Osvaldo Fresedo's orchestra, staying until late 1933.[26]

Ángel Vargas meets Ángel D'Agostino and makes occasional appearances with him.[27]

Nolo López: El huracán, by the Donato brothers with his words, wins second prize in the Sociedad de Beneficencia contest at the Teatro Colón.[28]

José Dames joins Julián Divasto's typical-symphonic orchestra.[29]

José Giambuzzi: At Club Sin Rumbo, dances with Carmen Calderón and proposes her as El Cachafaz's partner.[30]

Raúl Kaplun: Trío Puloil with Caló accompanies a singing contest on Radio Splendid.[31]

Jorge Omar records the tango Lunes with Antonio Bonavena's orchestra for Columbia.[32]

Carlos Dante: Back in Buenos Aires, sings briefly with Francisco Canaro, then rejoins Miguel Caló.[33]

Ernesto Famá appears in Francisco Canaro's musical comedy La muchachada del centro.[34]

Enrique Cadícamo writes La casita de mis viejos with Juan Carlos Cobián.[35]

Celedonio Flores writes Mentira with Francisco Pracánico.[36]

Mario Battistella writes song lyrics with Alfredo Le Pera for Gardel's Paramount films Melodía de arrabal, Espérame and La casa es seria.[37]

Carlos Lenzi spends the carnival in Nice with Carlos Gardel.[38]

José Horacio Staffolani: Ventarrón, with Maffia, wins first prize in the Sociedad de Beneficencia contest at the Teatro Colón.[28]

Principe Azul goes solo; sings on Radio Belgrano, later on Radio La Nación.[39]

Carlos Varela returns to Firpo's orchestra, recording with it until 1938.[40]

Miguel Caló: First recordings as a leader, for the Splendid label: 'Milonga porteña' and the vals 'Amarguras', sung by Román Prince.[41]

Adolfo Carabelli records Felicia, Por dónde andará and Inspiración, and El trece with Alberto Gómez.[42]

Alfredo Le Pera: Paramount pairs him with Gardel; he writes La casa es seria and the films that follow.[43]

Agustin Magaldi returns to Victor (1 September 1932 per Wikipedia).[44]

Tita Merello begins working with Francisco Canaro, on stage and record, until 1944.[45]

Roberto Díaz records for Odeon with Roberto Firpo, May to July.[46]

Antonio Buglione sings on Radio Nacional with guitars.[47]

Charlo sings at the opening of the Cine Rex in Montevideo.[48]

Enrique Santos Discepolo leads the orchestra for the first carnival dances at the Teatro Colón.[49]

José María Rizzuti plays in Julio De Caro's giant orchestra.[50]

Ernesto Ponzio: The Ponzio-Bazán orchestra plays a noted show at Luna Park.[51]

Horacio Pettorossi sails back to Buenos Aires with Gardel on the Giulio Cesare in December.[52]

Francisco Lomuto writes the music for 'La vuelta de Miss París' at the Teatro Smart.[53]

Rafael Iriarte accompanies Gardel in his Barcelona recordings.[54]

Juan de Dios Filiberto founds the Orquesta Porteña and starts recording for Odeon; moves into the house at Magallanes 1140.[55]

Enrique Saborido plays with guardia vieja veterans at the Teatro Nacional.[56]

Francisco Canaro stages the musical comedy La muchachada del centro, written with Ivo Pelay, at the Nacional theatre.[57]

Juan Canaro plays the Tabarís and the Armenonville, and from then on conducts without playing.[58]

La muerte de Milonguita (Edgardo Donato) — Sung by Teófilo Ibáñez.1932[59]

Mineral (Francisco Canaro) — Sung by Charlo.Jan 12, 1932[59]

Despues de tanto rodar (Roberto Firpo) — Sung by Carlos Viván.Feb 18, 1932[59]

De vuelta al suburbio (Roberto Firpo) — Sung by Miguel Manacorda.Apr 7, 1932[59]

Cuando miran tus ojos (Adolfo Carabelli) — Sung by Luis Díaz.May 6, 1932[59]

Desconfianza (Adolfo Carabelli) — Sung by Luis Díaz.May 6, 1932[59]

Manon (Adolfo Carabelli) — Sung by Alberto Gómez.May 20, 1932[59]

Por dónde andará (Adolfo Carabelli) — Sung by Alberto Gómez.May 24, 1932[59]

San Telmo (Francisco Lomuto) — Sung by Charlo.Jun 8, 1932[59]

Inspiración (Adolfo Carabelli) — Sung by Alberto Gómez.Jun 17, 1932[59]

Aunque parezca mentira (Francisco Lomuto) — Sung by Fernando Díaz.Jun 27, 1932[59]

La cueva de oro (Roberto Firpo) — Sung by Héctor Villanueva.Jul 7, 1932[59]

Julio De Caro — Led Julio De Caro.1932[60]

Guardia Nueva — Occurred at United States.1932, Feb 20, 1932[61][86][87]

La casita de mis viejos — 1932[62]

Mentira — 1932[63]

Melodía de arrabal — 1932[64]

Sueño querido — 1932[65]

Me da pena confesarlo — 1932[66]

Noches de Montmartre — 1932[67]

Quién hubiera dicho — 1932[68]

Mi provinciana — 1932[69]

Rosa reseca — 1932[70]

Copa de amargura — 1932[71]

Olvidao — 1932[72]

Ventanita florida — 1932[73]

Acquaforte — 1932[74]

La marcha nupcial — 1932[75]

Pero aquel muchacho — 1932[76]

Moneda falsa — 1932[77]

Chirusa — 1932[78]

Pan — 1932[79]

Aníbal Troilo — Played in Julio De Caro.1932[80]

Pedro Laurenz — Played in Julio De Caro.1932[80]

Enrique Mora — Played in Florindo Sassone.1932[81]

Juan Cruz Mateo — Trío Buenos Aires1932[82]

Seyyan Hanım — Turkish singer known as a tango artist; she recorded the tangos Mazi and Ayrılık in 1932 and withdrew from the music business in 1942.1932[83]

Jorge Valdez — Born.Jan 27, 1932[84][85]

Roberto Yanés — Born.Apr 25, 1932[89][90]

Antonio Agri — Born.May 5, 1932[91]

Augusto Gentile — Died.Mar 18, 1932[88]

Tita Merello — Performed at Teatro Nacional.Jun 17, 1932[92]