Tango in 1913

Juan Maglio — 5 recordings1913[1]

Félix Lipesker: Born in Rosario, Santa Fe.[2]

Manuel Sucher: Born in Rosario.[3]

Sabina Olmos: Born in Buenos Aires.[4]

Alberto Suárez Villanueva: Born in Rosario.[5]

Romeo Gavioli: Born in Montevideo.[6]

Enrique Campos: Born Enrique Inocencio Troncone in Montevideo.[7]

Roberto Caló: Born Francisco Caló at Alberti 284, Buenos Aires, third son of José Caló and Natalicia Pantano.[8]

Roberto Caló: Born in Buenos Aires.[9]

Julio Jorge Nelson: Born in Buenos Aires.[10]

ABEL AZNAR: Born in Libertad, Merlo.[11]

Héctor Lagna Fietta: Born in Buenos Aires.[12]

Roberto Grela: Born in San Telmo, Buenos Aires.[13]

Rosendo Mendizábal: Died in Buenos Aires.[14][45]

Antonio Maida: Born in Buenos Aires; grows up in Balvanera.[15]

Carlos Figari: Born in San Telmo, Buenos Aires.[16]

Marsilio Robles: Born in Buenos Aires.[17]

Petróleo: Born in Almagro on 29 September (some sources say 1912, 1911 or 1910); grows up in Villa Devoto.[18]

Carlos Roldán: Born Carlos Belarmino Porcal in La Comercial, Montevideo.[19]

Amadeo Mandarino: Born in the Abasto.[20]

Manuel Ferradás Campos: Born in Formosa.[21]

Vicente Greco: Composed “Racing Club” (1913).[22]

Osvaldo Fresedo plays in a youth trio with his brother Emilio at Café Paulín and other cafés of the barrio.[23]

Alfredo Gobbi arrives in Buenos Aires before his first birthday; grows up in Villa Ortúzar.[24]

Juan Carlos Cobian moves to Buenos Aires and plays piano in a beer hall and silent-film cinemas, among them the Buckingham and Las Familias.[25]

Minotto Di Cicco turns professional on a semitone accordion with Carlos Warren and Ataliva Galup at the Café Petit Salón in Montevideo.[26]

Catulo Castillo returns to Argentina from Chile, where his father had been exiled.[27]

Juan Velich joins the Circo Campos and tours with it.[28]

Juan Carlos Marambio Catán leaves the naval school at Río Santiago and goes to Paraguay with Fernando Nunziata.[29]

Samuel Castriota writes La yerra, his first work.[30]

FRANCISCO PRACÁNICO debuts at a cinema-café in San Fernando, then leads his first orchestra at the Cine-Teatro Variedades.[31]

Carlos Vicente Geroni Flores tours Europe as Enrique Saborido's pianist, playing salons in Paris, Antwerp and Brussels until 1914-1915.[32]

David Díaz begins studies at the Conservatorio Williams on a scholarship, at seven.[33]

Casimiro Aín travels to Paris with Vicente Loduca's players, then works in New York until 1916.[34]

El Cachafaz: Back in Buenos Aires, opens his own dance academy.[35]

Juan Canaro makes a long tour of the Argentine interior with his brother Rafael.[36]

Rafael Tuegols joins Antonio Gutman's quartet in a Boedo café, then plays with Luis Riccardi at the Montmartre.[37]

Roberto Lino Cayol: Vice-president of the Sociedad Argentina de Autores Dramáticos y Líricos, until 1917.[38]

Francisco Bastardi meets Carlos Gardel at the Bar Domínguez, introduced by Elías Alippi.[39]

Juan Guido leads his own trio at the Café 43 on Avenida Caseros, named after a cigarette brand made nearby.[40]

Francisco Canaro meets Carlos Gardel at the Rodríguez Peña dance hall, the start of a lasting friendship.[41]

Roberto Firpo forms his first orchestra; that year it plays at the Armenonville when Gardel and Razzano make their debut there.[42]

José Razzano: The Gardel-Razzano duo is hired by the Armenonville.[43]

Salvador Merico writes his first tango, Spatola, dedicated to Alberico Spatola.[44]

Tito Roccatagliata plays the Armenonville and Café El Estribo; joins Firpo's orchestra for about four years.[46]

Carlos Gardel: The Gardel-Razzano duo debuts at the Armenonville cabaret-restaurant.[47]

Eduardo Arolas: Roberto Firpo hires him for the Armenonville cabaret in Palermo.[48]

Domingo Santa Cruz plays Café Atenas at Santa Fe and Canning.[49]

Augusto Berto: First records for Atlanta, leading the Quinteto Criollo Augusto.[50]

Carlos Hernani Macchi forms the Cuarteto Típico Criollo La Armonía with José Bonano, Leopoldo Thompson and Juan Manuel Firpo.[51]

Guardia Vieja — Tango reaches the Russian Empire, 1913 (Saint Petersburg)1913[52][53][54][55][56][57][58][59][61]

Prague — Prague: in 1913-14 the Prague women's magazine Šťastný domov (publisher F. Šimáček, Jeruzalémská 11) carried an advertisement for 'modern stockings' in a shade named 'tango',1913[60]

Berlin — Berlin: shortly before the First World War Kaiser Wilhelm II forbade Prussian officers to dance the tango in uniform; the Vatican's semi-official L'Osservatore Romano openly1913[62]

Paris — Paris: in 1913 a second Argentine expedition to Europe, led by the pianist Celestino Ferrer with the bandoneonist Vicente Loduca and the violinist Eduardo Monelos1913[62]

Vienna — Vienna: Emperor Franz Joseph I also ordered that officers in uniform had to remain seated whenever the new rhythm was played1913[62]

Rome — Rome: Victor Emmanuel III of Italy had banned the tango at the balls of the Quirinal Palace1913[62]

La Bombonera, Buenos Aires — First Superclásico: Boca Juniors and River Plate meet for the first time.1913[63]

Diagonal Norte (Avenida Presidente Roque Sáenz Peña) — Construction begins: works on the Diagonal Norte, linking Plaza de Mayo with Plaza Lavalle, began in 1913 and concluded in 1943; a 1916 plan shows1913[64]

New York — United States: The Sunshine Girl, with its tango number, premiered in the United States on 3 February 1913, a year after LondonFeb 3, 1913[62]

Guardia Vieja — Occurred at Plaza de Mayo.1913[65]

Seyyan Hanım — Born.1913[66]

Sabina Olmos — Born.Feb 3, 1913[67]

Romeo Gavio — Born.Feb 5, 1913[68]

Romeo Gavioli — Born.Feb 5, 1913[69]

Enrique Campos — Born.Mar 10, 1913[70]

Juan Pomati — Born.Mar 13, 1913[71]

Roberto Caló — Born.Apr 26, 1913[72]

Eladio Blanco — Born.May 18, 1913[73]

Amadeo Mandarino — Born.May 22, 1913[74]

Amadeo Mandarino — Born.May 25, 1913[75]

Roberto Grela — Born.Jun 28, 1913[76][77][78]