Tango in 1929

Francisco Canaro — 199 recordings1929[1]

Roberto Firpo — 75 recordings1929[1]

Francisco Lomuto — 46 recordings1929[1]

Carlos Di Sarli — 24 recordings1929[1]

Juan D'Arienzo — 7 recordings1929[1]

Julio De Caro — 6 recordings1929[1]

Orquesta Típica Brunswick — 2 recordings1929[1]

Eduardo Du Perron — 1 recordings1929[1]

Luis Petrucelli — 1 recordings1929[1]

Al tranquito (Juan D'Arienzo) — Recorded in Juan D'Arienzo.1929[60]

Fiesta asao y cimarrón (Juan D'Arienzo) — Recorded in Juan D'Arienzo.1929[60]

La correntina (Juan D'Arienzo) — Recorded in Juan D'Arienzo.1929[60]

Maiz frito (Juan D'Arienzo) — Recorded in Juan D'Arienzo.1929[60]

Noche silenciosa (Juan D'Arienzo) — Recorded in Juan D'Arienzo.1929[60]

Pilchas fuleras (Juan D'Arienzo) — Recorded in Juan D'Arienzo.1929[60]

Victoria (Juan D'Arienzo) — Recorded in Juan D'Arienzo.1929[60]

Mala (Juan D'Arienzo) — Recorded in Juan D'Arienzo.1929[60]

Toto Faraldo: Born on 3 January.[2]

Ernesto Famá performs with Fresedo and Carlos Gardel at the La Copa de Leche benefit in Paris.[3]

Ernesto Franco: Born in Caballito, Buenos Aires.[4]

Ubaldo De Lío: Born in Boedo, Buenos Aires.[5]

Ciriaco Ortiz: First Victor session of his trio, 20 March 1929.[6]

Finito: Born in La Paternal, Buenos Aires, on 24 March.[7]

Rafael Canaro debuts at the Teatro Empire in Paris with Carlos Dante as refrain singer.[8]

Carlos Marcucci records the bandoneon solo Aires españoles for RCA Victor.[9]

Manuel Buzon sails for a tour of Spain, playing the Principal Palace in Barcelona and Maipú Pigall's in Madrid and recording for Victor.[10]

Argentino Ledesma: Born in Santiago del Estero.[11]

Alberto Di Paulo: Born Antonio J. Di Paolo in Buenos Aires.[12]

Carlos Hernani Macchi dies of cardiac arrest.[13]

Ada Falcón begins recording with Francisco Canaro on 24 July; about 180 sides to 28 September 1938.[14]

Ricardo Vidort: Born in Buenos Aires on 30 August.[15]

Antonio Todaro: Born in Chacarita, Buenos Aires; later raised in Mataderos.[16]

Roberto Florio: Born in Buenos Aires.[17]

Elvira Santamaría: Born in La Tablada.[18]

Héctor Varela starts professionally in Salvador Grupillo's orchestra, then plays in Alberto Gambino's orchestra for the radio show Chispazos de Tradición.[19]

Mariano Mores: The family moves to Spain; he returns to Buenos Aires around 1935.[20]

Luis Rubistein writes the words of Inspiración to Peregrino Paulos's music.[21]

Victor D'Amario plays matinées with Ponciano García's group at the cine América and the cine-bar Colón.[22]

Amanda Ledesma wins a singers' contest at the Gaumont cinema and debuts on Radio Prieto.[23]

Hugo del Carril starts on Radio del Pueblo, singing refrains with its orchestras.[24]

Antonio Maida debuts at about sixteen with a youth orchestra at the Café Germinal, then sings with Juan Maglio.[25]

Carlos Varela debuts on Radio Prieto; Roberto Firpo hires him late in the year.[26]

Armando Baliotti plays piano in Miguel Caló's first orchestra at the Astral.[27]

Andrés Domenech writes El barbijo with Jesús Fernández Blanco; Canaro records it with Charlo.[28]

Juan Bautista Abad Reyes writes Te fuiste ja ja with Gerardo Matos Rodríguez, later recorded by Gardel.[29]

Antonio Rodio records violin and piano duets with Enrique Delfino for Odeon, March to May.[30]

Teófilo Ibáñez: Last refrains with Firpo in November 1929.[31]

Luis Díaz becomes a leading Brunswick singer; sings in Julio De Caro's carnival orchestra.[32]

Miguel Caló forms his first orchestra, then disbands it to tour Spain with Cátulo Castillo's orchestra.[33]

Carlos Dante leaves for Europe with Rafael Canaro's orchestra; sings at El Garrón in Montmartre with Manuel Pizarro's orchestra.[34]

Mario Battistella travels to Italy and then to Paris, where he works as a translator for Paramount.[35]

Ivo Pelay writes Fondín de Pedro Mendoza with Raúl de los Hoyos and Luis César Amadori.[36]

Juan José Guichandut writes Misa de once with Tagini.[37]

Joaquín Mora plays in Vicente Fiorentino's group with Francisco Fiorentino.[38]

Juan Polito: Co-leads the Polito-D'Arienzo orchestra for the carnival at the Palais de Glace, with Carlos Dante singing.[39]

Libertad Lamarque stars in El conventillo de la Paloma.[40]

Sofía Bozán records for Electra with Francisco Pracánico's orchestra.[41]

Carlos Viván records No me beses mujer with Pedro Maffia for Brunswick.[42]

El Cachafaz: Co-credited on the tango 'Tras cartón'.[43]

Jesús Fernández Blanco: El barbijo, with Domenech, appears and is recorded by Gardel.[28]

Lito Bayardo sings refrains with De Caro's orchestra at the carnival dances at the Teatro Ópera.[44]

Armando Tagini writes Misa de once with Guichandut.[37]

María Luisa Carnelli writes Se va la vida with Edgardo Donato and Pa'l cambalache with Rafael Rossi.[45]

Luis Visca: Muñeca brava, with Cadícamo, appears.[46]

Alfredo Bigeschi: Ignacio Corsini premieres Tango argentino, with Juan Maglio; Gardel records it soon after for Odeon.[47]

Fernán Silva Valdés writes carnival verses for the Troupe Moderna as Juan Corrales.[48]

Gabriel Clausi joins Pedro Maffia's orchestra in September, recording for Columbia and Brunswick until 1934.[49]

Agustin Magaldi moves to Brunswick; writes El penado catorce; seasons at the Cine Real.[50]

Tita Merello records twenty sides for Victor.[51]

Elvino Vardaro: Co-leads the Vardaro-Pugliese sextet, playing the Café Nacional.[52]

Miguel Bucino becomes the first to dance tango at the Teatro Colón, in Orfilia Rico's shows.[53]

Gabino Coria Peñaloza: Margaritas is a winner in the Glücksmann tango contest.[54]

Agustin Magaldi: The duo begins recording for Brunswick and writes El penado catorce, with Carlos Pesce's words.[55]

José Bohr acts in Sombras de gloria in Hollywood.[56]

Anselmo Aieta writes the vals Palomita blanca with Francisco García Jiménez.[57]

Francisco Canaro — Led Francisco Canaro.1929[58]

Francisco Lomuto — Led Francisco Lomuto.1929[59]

Pedro Maffia — Led Pedro Maffia.1929[61]

Luis Riccardi — Played in Francisco Canaro.1929[58]

Federico Scorticati — Played in Francisco Canaro.1929[58]

Ángel Ramos — Played in Francisco Canaro.1929[58]

Ciriaco Ortiz — Played in Francisco Canaro.1929[58]

Cayetano Puglisi — Played in Francisco Canaro.1929[58]

Octavio Scaglione — Played in Francisco Canaro.1929[58]

Mario Brugni — Played in Francisco Canaro.1929[58]

Mauricio Mise — Played in Francisco Canaro.1929[58]

José Ranieri Virdo — Played in Francisco Canaro.1929[58]

Daniel Alvarez — Played in Francisco Lomuto.1929[59]

Oscar Napolitano — Played in Francisco Lomuto.1929[59]

Guardia Nueva — Occurred at Argentina.1929[62][63]

Victoria — 1929[64]

Corazón de papel — 1929[65]

Te odio — 1929[66]

Lloró como una mujer — 1929[67]

Palermo — 1929[68]

A Montmartre — 1929[69]

Inspiración — 1929[70]

Te fuiste ja ja — 1929[71]

Sos una maquieta — 1929[72]

Bailarín compadrito — 1929[73]

Porque soy reo — 1929[74]

Misa de once — 1929[75]

Que se vayan — 1929[76]

Qué fenómeno — 1929[77]

Bajo el beso de la luna — 1929[78]

La casita esta triste — 1929[79]

Primero yo — 1929[80]

P'al cambalache — 1929[81]

Margaritas — 1929[82]

Departamento se alquila — 1929[83]

Se va la vida — 1929[84]

Muñeca brava — 1929[85]

Cómo se pianta la vida — 1929[86]

Vagabundo — 1929[87]

Seguí mi consejo — 1929[88]

Culpas ajenas — 1929[89]

La pulpera de Santa Lucía — 1929[90]

La mazorquera de Monserrat — 1929[91]

Zaraza — 1929[92]

En la vía — 1929[93]

Vidalita — 1929[94]

De todo te olvidas — 1929[95]

Tango argentino — 1929[96]

Guardia Nueva — Finland: tango faded in the 1920s behind the foxtrot and charleston; between 1929 and 1935 only about fifty tangos were recorded in Finland1929[97]

Buenos Aires — Wall Street crash reaches Argentina: Falling export prices hit the economy.1929[98]