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Our catalogue holds 5 recordings from 1917. The orchestras recorded most that year were Francisco Canaro (4 recordings) and Roberto Firpo (1 recordings).

That year

Mi noche triste: Premiered at Teatro Maipo.

Enrique Maroni opens Mala cría, written with Rogelio Giúdice, at the Teatro Buenos Aires.

Juan Carlos Miranda: Born in Chivilcoy.

Luis Bonnat: Born in Darregueira.

Mario Demarco: Born Mario Domingo Lapunzina in Buenos Aires.

Armando Pontier: Born Armando Francisco Punturero in Zárate.

every sentence cites a published fact

What was playing?

The records of 1917

One record per orchestra, in the order tango remembers them, each its most danced take that plays. The bar shows how much dancers still use it in the videos we index.

  1. La cumparsita

    Roberto Firpo · Instrumental

    Not danced on film yet

Meanwhile

In Argentina, Uruguay and the world · Wikidata

What we don't know yet2 of 4 known

A day for any of the year's recordings, events held that year.

Data: recordings, facts and sources

Recordings3

Francisco Canaro — 4 recordings1917

Single source

Roberto Firpo — 1 recordings1917

Single source

Mi noche triste (Carlos Gardel) — Buenos Aires1917, Apr 9, 1917

Supported · 2

What happened38

Enrique Maroni opens Mala cría, written with Rogelio Giúdice, at the Teatro Buenos Aires.

Single source

Juan Carlos Miranda: Born in Chivilcoy.

Single source

Luis Bonnat: Born in Darregueira.

Single source

Mario Demarco: Born Mario Domingo Lapunzina in Buenos Aires.

Single source

Armando Pontier: Born Armando Francisco Punturero in Zárate.

Single source

Leopoldo Díaz Vélez: Born in Barrio Norte, Buenos Aires.

Single source

Dante Amicarelli: Born in Guaymallén, Mendoza.

Single source

Enrique Santos Discepolo debuts as an actor in El chueco Pintos, staged by Roberto Casaux at the Teatro Apolo.

Single source

Alberto Amor: Born Vinicio Guillermo D'Amore in Buenos Aires.

Single source

Dorita Zárate: Born in Banfield.

Single source

Augusto Berto: Composed “La payanca” (1917).

Single source

Pedro Laurenz begins playing professionally in Montevideo, at the café Au Bon Jour with Luis Casanovas and with Eduardo Arolas at the Moulin Rouge cabaret.

Single source

Adolfo Carabelli: While playing classical music with the Trío Argentina, meets the pianist Lipoff and turns to jazz; later leads the River Jazz Band.

Single source

Pedro Maffia joins Roberto Firpo's orchestra as first bandoneon after José Ricardo, Gardel and Razzano's guitarist, hears him in Punta Alta; stays until 1921.

Single source

Gerardo Matos Rodríguez: Roberto Firpo's orchestra premieres La cumparsita at the café La Giralda in Montevideo (1917 according to Horacio Ferrer, 1916 according to Firpo himself).

Single source

Sebastián Piana begins playing piano in silent cinemas and variety theatres.

Single source

José María Rizzuti debuts at the Bar Los Leones in Barracas in Juan Bautista Guido's group.

Single source

Carlos Posadas plays in maestro Penella's orchestra at the Teatro Avenida.

Single source

Tita Merello: Chorus girl in Rosita Rodríguez's company at the Teatro Avenida.

Single source

Osvaldo Fresedo records for Victor in a bandoneon duo with Vicente Loduca, and plays in the large Firpo-Canaro orchestra at the Teatro Colón in Rosario.

Single source

Julio De Caro plays a tango with Roberto Firpo's orchestra at the Palais de Glace; Eduardo Arolas then takes him into his group.

Single source

Pascual Contursi: Gardel sings Mi noche triste in Montevideo and Buenos Aires and records it.

Single source

Luis Riccardi writes his first tango, El pértigo; plays at the cabaret Montmartre.

Single source

Teófilo Lespés: The Lespés brothers appear at the Teatro La Comedia with Blanca Podestá.

Single source

Minotto Di Cicco: As the Alonso-Minotto orchestra, records eighteen sides for Victor in Buenos Aires, including "La cumparsita".

Single source

Rafael Tuegols publishes Ave negra, his first lasting tango.

Single source

Francisco Bastardi writes his first tango, Alma de arrabal, with Antonino Cipolla.

Single source

Cayetano Puglisi plays with Firpo at the Café La Giralda in Montevideo and in the Firpo-Canaro carnival orchestra at the Teatro Colón of Rosario.

Single source

Juan Carlos Cobian writes Salomé, an early tango-romanza.

Single source

Juan Canaro joins his brother Francisco's orchestra at the cabaret Royal Pigall.

Single source

Luis Teisseire writes Cinco a dos.

Single source

José Razzano: The duo begins recording for Max Glücksmann's Nacional label in May.

Single source

Tito Roccatagliata plays the Rosario carnival with the Canaro-Firpo orchestra; records for Telephone with Cobián.

Single source

Juan Carlos Bazán records piano-clarinet duets with Firpo for Nacional Odeon.

Single source

Roberto Firpo leads a large Firpo-Canaro orchestra for the carnival at the Teatro Colón in Rosario.

Single source

Carlos Gardel signs with Max Glücksmann's company (Odeon) and records Mi noche triste, his first tango.

Single source

Ángel Villoldo: Gardel and Razzano record his Cantar eterno for their first record.

Supported · 2

Eduardo Arolas leads the bandoneons in the Canaro-Firpo orchestra at the Rosario carnival, and starts recording for Victor.

Single source

Published1

Amores viejos — 1917

Single source

Played in1

Francisco Canaro — Played in Teatro Colón.1917

Single source

Dates1

Guardia Vieja — Occurred at Montevideo.1917, Apr 19, 1917

Single source

Premiered at2

Mi noche triste — Premiered at Teatro Maipo.Jan 3, 1917

Single source

La cumparsita — Premiered at Confitería La Giralda.Apr 19, 1917

Single source

Born7

Alberto Amor — Born.Jan 25, 1917

Supported · 2

Alberto Amor — Born.Jan 25, 1917

Single source

Juan Carlos Miranda — Born.Jul 23, 1917

Single source

Mario Demarco — Born.Aug 5, 1917

Supported · 2

Armando Pontier — Born.Aug 29, 1917

Single source

Walter Cabral — Born.Oct 27, 1917

Single source

Enrique Carbel — Born.Dec 3, 1917

Single source

Notes2

Guardia Vieja — Montevideo: Roberto Firpo and his orchestra played La Cumparsita, by the 19-year-old Montevidean Gerardo Matos Rodríguez, in public for the first time on 19 AprilApr 19, 1917

Single source

Confitería La Giralda — Where Roberto Firpo's orchestra first played La Cumparsita in public, on 19 April 1917; the café later gave way to the Palacio SalvoApr 19, 1917

Single source

Listen

  1. MarianitoFrancisco Canaro · no clip yet1917
  2. Cara suciaFrancisco Canaro1917
  3. La huellaFrancisco Canaro · no clip yet1917
  4. El termómetroFrancisco Canaro · no clip yet1917
  5. La cumparsitaRoberto Firpo1917

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