Year
Tango in 1917
Our catalogue holds 5 recordings from 1917. The orchestras recorded most that year were Francisco Canaro (4 recordings) and Roberto Firpo (1 recordings).
That year
Mi noche triste: Premiered at Teatro Maipo.
Enrique Maroni opens Mala cría, written with Rogelio Giúdice, at the Teatro Buenos Aires.
Juan Carlos Miranda: Born in Chivilcoy.
Luis Bonnat: Born in Darregueira.
Mario Demarco: Born Mario Domingo Lapunzina in Buenos Aires.
Armando Pontier: Born Armando Francisco Punturero in Zárate.
every sentence cites a published fact
What was playing?
The records of 1917
One record per orchestra, in the order tango remembers them, each its most danced take that plays. The bar shows how much dancers still use it in the videos we index.
Francisco Canaro · Instrumental
Not danced on film yet
What we don't know yet2 of 4 known
A day for any of the year's recordings, events held that year.
Data: recordings, facts and sources
Recordings3
Francisco Canaro — 4 recordings1917
Single sourceRoberto Firpo — 1 recordings1917
Single sourceMi noche triste (Carlos Gardel) — Buenos Aires1917, Apr 9, 1917
Supported · 2What happened38
Enrique Maroni opens Mala cría, written with Rogelio Giúdice, at the Teatro Buenos Aires.
Single sourceJuan Carlos Miranda: Born in Chivilcoy.
Single sourceLuis Bonnat: Born in Darregueira.
Single sourceMario Demarco: Born Mario Domingo Lapunzina in Buenos Aires.
Single sourceArmando Pontier: Born Armando Francisco Punturero in Zárate.
Single sourceLeopoldo Díaz Vélez: Born in Barrio Norte, Buenos Aires.
Single sourceDante Amicarelli: Born in Guaymallén, Mendoza.
Single sourceEnrique Santos Discepolo debuts as an actor in El chueco Pintos, staged by Roberto Casaux at the Teatro Apolo.
Single sourceAlberto Amor: Born Vinicio Guillermo D'Amore in Buenos Aires.
Single sourceDorita Zárate: Born in Banfield.
Single sourceAugusto Berto: Composed “La payanca” (1917).
Single sourcePedro Laurenz begins playing professionally in Montevideo, at the café Au Bon Jour with Luis Casanovas and with Eduardo Arolas at the Moulin Rouge cabaret.
Single sourceAdolfo Carabelli: While playing classical music with the Trío Argentina, meets the pianist Lipoff and turns to jazz; later leads the River Jazz Band.
Single sourcePedro Maffia joins Roberto Firpo's orchestra as first bandoneon after José Ricardo, Gardel and Razzano's guitarist, hears him in Punta Alta; stays until 1921.
Single sourceGerardo Matos Rodríguez: Roberto Firpo's orchestra premieres La cumparsita at the café La Giralda in Montevideo (1917 according to Horacio Ferrer, 1916 according to Firpo himself).
Single sourceSebastián Piana begins playing piano in silent cinemas and variety theatres.
Single sourceJosé María Rizzuti debuts at the Bar Los Leones in Barracas in Juan Bautista Guido's group.
Single sourceCarlos Posadas plays in maestro Penella's orchestra at the Teatro Avenida.
Single sourceTita Merello: Chorus girl in Rosita Rodríguez's company at the Teatro Avenida.
Single sourceOsvaldo Fresedo records for Victor in a bandoneon duo with Vicente Loduca, and plays in the large Firpo-Canaro orchestra at the Teatro Colón in Rosario.
Single sourceJulio De Caro plays a tango with Roberto Firpo's orchestra at the Palais de Glace; Eduardo Arolas then takes him into his group.
Single sourcePascual Contursi: Gardel sings Mi noche triste in Montevideo and Buenos Aires and records it.
Single sourceLuis Riccardi writes his first tango, El pértigo; plays at the cabaret Montmartre.
Single sourceTeófilo Lespés: The Lespés brothers appear at the Teatro La Comedia with Blanca Podestá.
Single sourceMinotto Di Cicco: As the Alonso-Minotto orchestra, records eighteen sides for Victor in Buenos Aires, including "La cumparsita".
Single sourceRafael Tuegols publishes Ave negra, his first lasting tango.
Single sourceFrancisco Bastardi writes his first tango, Alma de arrabal, with Antonino Cipolla.
Single sourceCayetano Puglisi plays with Firpo at the Café La Giralda in Montevideo and in the Firpo-Canaro carnival orchestra at the Teatro Colón of Rosario.
Single sourceJuan Carlos Cobian writes Salomé, an early tango-romanza.
Single sourceJuan Canaro joins his brother Francisco's orchestra at the cabaret Royal Pigall.
Single sourceLuis Teisseire writes Cinco a dos.
Single sourceJosé Razzano: The duo begins recording for Max Glücksmann's Nacional label in May.
Single sourceTito Roccatagliata plays the Rosario carnival with the Canaro-Firpo orchestra; records for Telephone with Cobián.
Single sourceJuan Carlos Bazán records piano-clarinet duets with Firpo for Nacional Odeon.
Single sourceRoberto Firpo leads a large Firpo-Canaro orchestra for the carnival at the Teatro Colón in Rosario.
Single sourceCarlos Gardel signs with Max Glücksmann's company (Odeon) and records Mi noche triste, his first tango.
Single sourceÁngel Villoldo: Gardel and Razzano record his Cantar eterno for their first record.
Supported · 2Eduardo Arolas leads the bandoneons in the Canaro-Firpo orchestra at the Rosario carnival, and starts recording for Victor.
Single sourcePublished1
Amores viejos — 1917
Single sourcePlayed in1
Francisco Canaro — Played in Teatro Colón.1917
Single sourceDates1
Guardia Vieja — Occurred at Montevideo.1917, Apr 19, 1917
Single sourcePremiered at2
Mi noche triste — Premiered at Teatro Maipo.Jan 3, 1917
Single sourceLa cumparsita — Premiered at Confitería La Giralda.Apr 19, 1917
Single sourceBorn7
Alberto Amor — Born.Jan 25, 1917
Supported · 2Alberto Amor — Born.Jan 25, 1917
Single sourceJuan Carlos Miranda — Born.Jul 23, 1917
Single sourceMario Demarco — Born.Aug 5, 1917
Supported · 2Armando Pontier — Born.Aug 29, 1917
Single sourceWalter Cabral — Born.Oct 27, 1917
Single sourceEnrique Carbel — Born.Dec 3, 1917
Single sourceNotes2
Guardia Vieja — Montevideo: Roberto Firpo and his orchestra played La Cumparsita, by the 19-year-old Montevidean Gerardo Matos Rodríguez, in public for the first time on 19 AprilApr 19, 1917
Single sourceConfitería La Giralda — Where Roberto Firpo's orchestra first played La Cumparsita in public, on 19 April 1917; the café later gave way to the Palacio SalvoApr 19, 1917
Single sourceListen
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