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Year

Tango in 1918

Our catalogue holds 4 recordings from 1918. The orchestras recorded most that year were Francisco Canaro (4 recordings).

44 facts · 44 sources · every fact links its source

Our catalogue holds 4 recordings from 1918. The orchestras recorded most that year were Francisco Canaro (4 recordings).

That year

Enrique Alessio: Born in Villa Crespo, Buenos Aires.

Enrique Díaz: Born; youngest of the Díaz brothers, with David on violin and Pepe on bass.

Mariano Mores: Born Mariano Alberto Martínez in San Telmo, Buenos Aires.

Emilio Balcarce: Born Emilio Juan Sitano in Buenos Aires.

Juan Antonio Manzur: Born in San Lorenzo.

Osmar Maderna: Born in Pehuajó, eighth child of the musician Juan Maderna.

Héctor Pacheco: Born Antonio Lino Ingaramo in Marcos Juárez, Córdoba; raised in Rufino, Santa Fe.

Carlos Almada: Born in Buenos Aires; grows up in Villa del Parque.

Article r4 · batch articles-regen-2026-10-29-dated-claims · every sentence cites a published fact

Recorded in1

Francisco Canaro — recorded in Tango in 1918 (4 recordings)1918Single source

What happened43

Enrique Alessio Born in Villa Crespo, Buenos Aires.Single source

Enrique Díaz Born; youngest of the Díaz brothers, with David on violin and Pepe on bass.Single source

Mariano Mores Born Mariano Alberto Martínez in San Telmo, Buenos Aires.Single source

Emilio Balcarce Born Emilio Juan Sitano in Buenos Aires.Single source

Juan Antonio Manzur Born in San Lorenzo.Single source

Osmar Maderna Born in Pehuajó, eighth child of the musician Juan Maderna.Single source

Héctor Pacheco Born Antonio Lino Ingaramo in Marcos Juárez, Córdoba; raised in Rufino, Santa Fe.Single source

Carlos Almada Born in Buenos Aires; grows up in Villa del Parque.Single source

Orlando Medina Born Orlando Luis Giustino; grows up in San Martín.Single source

Bachicha Plays with Firpo in "Los dientes del perro" at the Teatro Buenos Aires, backing Manolita Poli in "Mi noche triste".Single source

Alberto Rivera Born in Zamora, Spain.Single source

Francisco Brancatti Performs at La Comedia with Cotorrita Ramos's comic company.Single source

Lorenzo Barbero Born in James Craik, Córdoba province.Single source

Víctor Miguel Buchino Born in San Miguel de Tucumán.Single source

ANGEL DOMINGUEZ Born in San Telmo, Buenos Aires.Single source

Carmen Duval Born in Provincia de Entre Ríos.Single source

Donato Racciatti Born in Guilmi, Chieti, Italy; the family moves to Montevideo months later and he grows up in Aires Puros.Single source

Homero Expósito Born in Campana; grows up in Zárate.Single source

Carlos Posadas Dies in Buenos Aires.Single source

José Berón Born in Zárate.Single source

Carlos Posadas Died in Provincias Unidas del Río de la Plata.Single source

Juan de Dios Filiberto Composed “Quejas de bandoneón” (1918).Single source

Carmencita Calderón Starts dancing at about 13, taught at home by her brother Eduardo.Single source

Carlos Lenzi Blanca Podestá's company stages his first serious play, El domador, at the Teatro Buenos Aires.Single source

Francisco García Jiménez His first play, La décima musa, written with José de la Vega, opens at the Teatro Variedades.Single source

Luis César Amadori Begins medical studies in Córdoba, which he leaves for writing.Single source

Antonio Polito Writes his first composition, the tango Un antojo.Single source

Juan Rezzano Composes his first tango, Si sabés callate.Single source

Francisco Lomuto His tango 'Muñequita' is premiered on stage at the Teatro San Martín and becomes his breakthrough.Single source

Enrique Santos Discepolo His first play, El duende, written with Mario Folco, opens at the Teatro Nacional.Single source

Emilio Fresedo Begins as a reporter for La Razón, until 1929.Single source

Juan Velich Forms the theatre company Velich-Sassone.Single source

Víctor Soliño Is a founder of the Club Atlético Atenas.Single source

Peregrino Paulos Augusto Berto's group premieres his tango 6ª del R. 2 at the café at Avenida de Mayo 899.Single source

Osvaldo Fresedo His first orchestra plays at the Casino Pigall, and its success makes it the band of the moment.Single source

Pascual Contursi Mi noche triste is sung by Manolita Poli in the play Los dientes del perro, with Roberto Firpo's orchestra on stage.Single source

Juan Andrés Caruso Writes his first tango lyric, Cara sucia, for Francisco Canaro.Single source

Luis Riccardi Plays piano in Francisco Canaro's orchestra at the Royal Pigall.Single source

Esposito Genaro Plays the Teatro Roma in Buenos Aires and makes his last Argentine records for Telephone.Single source

Minotto Di Cicco Joins the Firpo-Canaro orchestra for the Rosario carnival, taking Osvaldo Fresedo's place.Single source

Cayetano Puglisi Becomes Firpo's first violin.Single source

José González Castillo Los dientes del perro, with Alberto Weisbach, introduces Mi noche triste on stage.Single source

Augusto Berto Plays Bar Central on Avenida de Mayo with a quartet.Single source

Timeline

  1. 1918

    Recorded in Francisco CanaroSingle source

  2. 1918

    Juan de Dios Filiberto: Composed “Quejas de bandoneón” (1918).Single source

  3. 1918

    Carmencita Calderón: Starts dancing at about 13, taught at home by her brother Eduardo.Single source

  4. 1918

    Carlos Lenzi: Blanca Podestá's company stages his first serious play, El domador, at the Teatro Buenos Aires.Single source

  5. 1918

    Francisco García Jiménez: His first play, La décima musa, written with José de la Vega, opens at the Teatro Variedades.Single source

  6. 1918

    Luis César Amadori: Begins medical studies in Córdoba, which he leaves for writing.Single source

  7. 1918

    Antonio Polito: Writes his first composition, the tango Un antojo.Single source

  8. 1918

    Juan Rezzano: Composes his first tango, Si sabés callate.Single source