Tango in 1919

Toto Rodríguez Born in Buenos Aires.[1]Single source

Manuel Romero His first play, Teatro breve, written with Ivo Pelay, opens at the Teatro Comedia.[2]Single source

José Basso Born in Pergamino, Buenos Aires Province.[3]Single source

Roberto Lambertucci Born in Buenos Aires.[4]Single source

Oscar Serpa Born in Luján de Cuyo, Mendoza.[5]Single source

Elvino Vardaro Gives his debut violin recital at the salón La Argentina, Rodríguez Peña 361.[6]Single source

Guillermo Vilar Born in Buenos Aires.[7]Single source

Ismael Spitalnik Born in Buenos Aires.[8]Single source

Juan D'Arienzo His orchestra with Ángel D'Agostino replaces Roberto Firpo's in the play El cabaret Montmartre at the Teatro Nacional.[9]Single source

Ángel Villoldo Died in Buenos Aires.[10]Single source

Ángel Villoldo Dies in Buenos Aires.[11]Single source

Donato Racciatti Born in Guilmi.[12]Single source

Francisco Rotundo Born in Belgrano, Buenos Aires.[13]Single source

Roberto Carlés Born in Buenos Aires.[14]Single source

Jesus Ventura Composed “A la gran muñeca” (1919).[15]Single source

Eduardo Arolas Composed “El Marne” (1919).[16]Single source

José Ricardo Composed “Margot” (1919).[17]Single source

Carlos Di Sarli Forms his first orchestra to play in a Bahía Blanca tearoom; Wikipedia names the Café Express and Café Moka.[18]Single source

Rodolfo Biagi Aged thirteen, starts playing piano for silent films at a neighbourhood cinema without his parents knowing.[19]Single source

Edgardo Donato Plays in Carlos Warren's band, Uruguay's first jazz orchestra, where he meets Roberto Zerrillo.[20]Single source

Ángel D'Agostino Plays in the house orchestra of the Teatro Nacional with Juan D'Arienzo.[21]Single source

Pintín Castellanos At fourteen writes his first composition, the tango El pirata.[22]Single source

Gabino Coria Peñaloza Meets Juan de Dios Filiberto on Florida street through Quinquela Martín.[23]Single source

Dante A. Linyera Begins in journalism at the daily La Argentina.[24]Single source

Juan Bautista Abad Reyes His first play, El lobizón, wins La Noche's contest and is staged at the Teatro Artigas, Montevideo.[25]Single source

Luis Petrucelli Plays at Bar Castilla on Corrientes in Carlos Vicente Geroni Flores's first orchestra.[26]Single source

Ada Falcón Appears as a child in the silent film El festín de los caranchos.[27]Single source

Eugenio Cárdenas Joins the traditionalist group Gloria, patria y tradición in Parque Patricios.[28]Single source

José María Rizzuti Plays with Eduardo Arolas's orchestra at the Parque Hotel in Montevideo.[29]Single source

Adolfo Avilés As YMCA instructor and pianist, befriends Carlos Gardel.[30]Single source

Anselmo Aieta Plays bandoneon in Francisco Canaro's orchestra, until about 1922-1923.[31]Single source

Carlos Vicente Geroni Flores Forms his first orchestra, debuting at the Bar Castilla on Corrientes.[32]Single source

Enrique Delfino Plays at the salón Parisiana and the teatro Esmeralda; forms the Cuarteto de Maestros.[33]Single source

El Cachafaz Dances in Paris at the cabaret El Garrón (TestimoniosBA says 1920).[34]Single source

Julio De Caro Leaves Arolas and forms a quartet with Pedro Maffia at the Café El Parque.[35]Single source

Rafael Iriarte Leads a group at the old Luna Park with Marcucci, Servidio, Aieta and Bernstein.[36]Single source

A. Bardi Publishes El baquiano and El paladín.[37]Single source

Francisco Canaro Writes the music for the sainete Nobleza de arrabal, premiered at the Teatro Variedades.[38]Single source

Juan de Dios Filiberto Publishes Quejas de bandoneón.[39]Single source

Esposito Genaro Joins Eduardo Arolas's orchestra in Montevideo at Café Zunino.[40]Single source

FRANCISCO PRACÁNICO Plays piano in Augusto Berto's group at Bar Domínguez.[41]Single source

Juan Carlos Cobian Does his military service in the 2nd Infantry Regiment, much of it under arrest, and writes A pan y agua.[42]Single source

Roberto Firpo Plays in Alberto Novión's play El cabaret Montmartre at the Teatro Nacional.[43]Single source