El tango en 1952

Aníbal Troilo — grabó en El tango en 1952 (27 recordings)1952[1]Single source

Carlos Di Sarli — grabó en El tango en 1952 (24 recordings)1952[1]Single source

Alfredo De Angelis — grabó en El tango en 1952 (22 recordings)1952[1]Single source

Osvaldo Fresedo — grabó en El tango en 1952 (21 recordings)1952[1]Single source

Orquesta Francini-Pontier — grabó en El tango en 1952 (20 recordings)1952[1]Single source

Juan D'Arienzo — grabó en El tango en 1952 (19 recordings)1952[1]Single source

Osvaldo Pugliese — grabó en El tango en 1952 (18 recordings)1952[1]Single source

Héctor Varela — grabó en El tango en 1952 (15 recordings)1952[1]Single source

Alfredo Attadia — grabó en El tango en 1952 (14 recordings)1952[1]Single source

Florindo Sassone — grabó en El tango en 1952 (12 recordings)1952[1]Single source

Alberto Mancione — grabó en El tango en 1952 (12 recordings)1952[1]Single source

Francisco Canaro — grabó en El tango en 1952 (11 recordings)1952[1]Single source

Eugenio Cárdenas Dies in Buenos Aires.[2]Single source

Carlos Rivarola Born on 22 February in Villa Ballester.[3]Single source

Nina Miranda Records Maula with Juan Esteban Martínez's orchestra at Sondor; it becomes a hit.[4]Single source

Carlos Almada Last Donato recording, Mi serenata, with Alberto Podestá.[5]Single source

Alfredo Del Rio First record, Cuando me entrés a fallar, with Pedro Laurenz for Odeon.[6]Single source

Héctor Pacheco Records Vida mía with Fresedo for Odeon.[7]Single source

Eduardo Del Piano Records El arroyito for Pathé with his own orchestra.[8]Single source

Ismael Spitalnik His orchestra records the vals Manos adoradas for RCA Victor with singer Aldo Calderón.[9]Single source

Virginia Luque Records El patio de la morocha with Argentino Galván's orchestra.[10]Single source

Jorge Caldara Alberto Morán records his Pasional with Pugliese for Odeon.[11]Single source

Carlos Perez Begins dancing in the Buenos Aires milongas, learning from dancers 10–15 years older.[12]Single source

Maria la Turca Born.[13]Single source

Miguel Ángel Balbi Begins going to the milongas seven nights a week, a routine he keeps until 1962.[14]Single source

Gerónimo Bongioni Bandoneonist Alfredo Cordisco joins his Cuarteto Los Ases.[15]Single source

Enrique Lucero Sings La calesita on Mariano Mores's first record with his own orchestra (IFMA-Mercurio).[16]Single source

Raúl Bravo Begins dancing professionally, by his own count in a 2009 interview.[17]Single source

Argentino Ledesma Arrives in Buenos Aires, signs with Radio Belgrano and joins Héctor Varela's orchestra in place of Armando Laborde, beside Rodolfo Lesica.[18]Single source

Osvaldo Requena y Leopoldo Federico Joins Eduardo Del Piano's orchestra.[19]Single source

Alberto Di Paulo Forms his own orchestra, two years on Radio Libertad.[20]Single source

Virulazo Wins the national tango contest run by the Águila chocolate company, with Aída.[21]Single source

Roberto Goyeneche Joins Horacio Salgán's orchestra alongside Ángel Díaz; records for RCA Victor and then TK.[22]Single source

Argentino Ledesma Debuts with Varela at the Chantecler cabaret; the orchestra also plays the Marabú, Maipú 365.[18]Single source

Dante Amicarelli Plays in Ray Nolan y su orquesta with Cosentino and Tito Colom.[23]Single source

Ernesto Franco First recordings with Roberto Caló's orchestra: Lorenzo and La cachila.[24]Single source

Héctor Pacheco Hired by Osvaldo Fresedo after a test at Rendez Vous on Maipú.[25]Single source

Rodolfo Lesica Records Noches de cabaret; briefly leaves for Rio de Janeiro.[26]Single source

Armando Garrido Records four sides with Nito Farace that were never released.[27]Single source

Leopoldo Federico Co-leads the Stampone-Federico orchestra, playing the Tibidabo cabaret and Radio Belgrano; records for the TK label.[28]Single source

Argentino Ledesma First record with Varela, 'Novia provinciana', for the Pampa label.[18]Single source

Armando Laborde Returns to D'Arienzo and records 'El vino triste'.[29]Single source

Osvaldo Ruggiero Pugliese's orchestra records his Para dos.[30]Single source

Alberto Marino Records for Odeon with his own orchestra under Hugo Baralis.[31]Single source

Raúl Berón Dubs the tango singing of actor Jorge Salcedo in the film Mi noche triste.[32]Single source

Atilio Stampone Co-founds the Stampone-Federico orchestra, which records for TK.[33]Single source

Nina Miranda Joins Donato Racciatti for the sainete Tu cuna fue un conventillo at the Teatro 18 de Julio.[34]Single source

Francisco Rotundo Hires Enrique Campos; his duet with Floreal Ruiz on El viejo vals sells strongly.[35]Single source

Simón Bajour First violin of the Stampone-Federico orchestra at the Tibidabo and on Radio Belgrano.[36]Single source

Rosita Quiroga Returns to the studio for four songs.[37]Single source

Aldo Campoamor Solo debut on Radio El Mundo's Patio de tango.[38]Single source

Ricardo Malerba Plays the luxury hotels and radio and TV of Porto Alegre, then tours Brazil at length.[39]Single source

Ricardo Pedevilla Records Misa de once with Jorge Ortiz; Carlos Olmedo sings with him into 1953.[40]Single source

Hugo del Carril Directs Las aguas bajan turbias.[41]Single source

Mariano Mores Taquito militar is premiered at the Teatro Colón.[16]Single source

Ciriaco Ortiz Records four sides with a sextet for Victor, 1952-1953.[42]Single source

Juan Sanchez Gorio Gitana rusa, sung by Mendoza, becomes his biggest hit.[43]Single source

Alfredo Attadia Records Cualquier cosa and other titles for Pathé with Enzo Valentino.[44]Single source

Raúl Kaplun Dissolves the orchestra and retires from regular work.[45]Single source

Oscar Serpa Di Sarli resumes recording on Music Hall; Serpa sings Cuatro vidas, Un momento and Sueño de juventud.[46]Single source

Enrique Campos Leaves Rotundo in October and sings with Roberto Caló for about two years.[47]Single source

Carlos Roldán Singer with Roberto Caló's orchestra into 1953.[48]Single source

Jorge Ortiz Records Misa de once with Ricardo Pedevilla for Pampa-Odeon.[49]Single source