El tango en 1937

Francisco Canaro — grabó en El tango en 1937 (37 recordings)1937[1]Single source

Juan D'Arienzo — grabó en El tango en 1937 (24 recordings)1937[1]Single source

Francisco Lomuto — grabó en El tango en 1937 (18 recordings)1937[1]Single source

Roberto Firpo — grabó en El tango en 1937 (13 recordings)1937[1]Single source

Osvaldo Fresedo — grabó en El tango en 1937 (12 recordings)1937[1]Single source

Cuarteto Típico Roberto Firpo — grabó en El tango en 1937 (9 recordings)1937[1]Single source

Quinteto Don Pancho (Francisco Canaro) — grabó en El tango en 1937 (8 recordings)1937[1]Single source

Edgardo Donato — grabó en El tango en 1937 (7 recordings)1937[1]Single source

Pedro Laurenz — grabó en El tango en 1937 (3 recordings)1937[1]Single source

Ricardo Tanturi — grabó en El tango en 1937 (2 recordings)1937[1]Single source

Felice Verrecchia — grabó en El tango en 1937 (1 recordings)1937[1]Single source

Enrique Santos Discepolo — grabó en El tango en 1937 (1 recordings)1937[1]Single source

Victor D'Amario Plays the opening broadcast of Radio Provincia de Buenos Aires.[2]Single source

Roberto Ray Records 'Sollozos' with Fresedo for RCA-Victor.[3]Single source

Nelly Vázquez Born in Morón; the family later settles in Liniers.[4]Single source

Carlos Viván In the United States, records Lobo with Terig Tucci.[5]Single source

Francisco Lomuto The film 'Melgarejo', with his orchestra and Jorge Omar, premieres.[6]Single source

Osvaldo Centeno Born on 15 June; grows up in Mataderos.[7]Single source

Francisco Gorrindo Marries Elma Lepanti.[8]Single source

Aníbal Troilo Debuts his own orchestra at the Marabú, with Orlando Goñi on piano and Francisco Fiorentino singing.[9]Single source

Francisco Fiorentino Debuts as singer with Aníbal Troilo's orchestra at the cabaret Marabú.[10]Single source

Orlando Goñi Pianist of Troilo's new orchestra, which opens at the Marabú cabaret on 1 July.[11]Single source

Fernando Iturrieta Born on 2 September.[12]Single source

Julio Duplaa Born.[13]Single source

Mauricio Mise Plays on Laurenz's first Victor record, Arrabal and Abandono.[14]Single source

Arturo de Bassi Interviewed by Radiolandia on the history of tango.[15]Single source

José González Castillo Dies in Buenos Aires.[16]Single source

Héctor Mayoral Born in Villa Pueyrredón on 12 November.[17]Single source

Miguel Ángel Balbi Born.[18]Single source

El Negro Lavandina Around 1937–38 has the idea for the giro while working as a bricklayer and develops it with Petróleo.[19]Single source

Federico Silva Begins as a reporter at the Montevideo newspaper El País.[20]Single source

Marvil Francisco Canaro records his vals En un rincón de Hungría with Roberto Maida.[21]Single source

Alberto Suárez Villanueva Writes Din don with Evaristo Fratantoni, introduced by Libertad Lamarque on Radio Belgrano.[22]Single source

Simón Bajour Moves with his family to Argentina.[23]Single source

Oscar Herrero Debuts at sixteen in his brothers' orchestra.[24]Single source

Guillermo Coral Debuts as a tango singer at Club Talleres de Remedios de Escalada.[25]Single source

Aldo Campoamor Debuts on Radio Belgrano with Elvino Vardaro.[26]Single source

Héctor Stamponi Becomes pianist of Federico Scorticati's orchestra on Radio Stentor, which also recorded as the Orquesta Típica Victor.[27]Single source

Héctor Mauré Sings with Anselmo Aieta's orchestra at a venue inside the Exposición Rural, then with Dante Liguori's Orquesta Característica Porteña.[28]Single source

Francisco Gorrindo Writes Las cuarenta with Roberto Grela.[29]Single source

José María Contursi Writes Milonga de mis amores with Pedro Laurenz.[30]Single source

Leopoldo Díaz Vélez Writes his first tango, Hoy quiero vivir, for Julio Benítez's carnival dance.[31]Single source

Maruja Pacheco Huergo Writes El adiós with Virgilio San Clemente and sets Homero Manzi's Canto de ausencia.[32]Single source

Vicente Demarco Plays in Discépolo's orchestra on Tania's RCA Victor recordings.[33]Single source

Félix Lipesker His vals Romántica, with words by Homero Manzi, is dated to this year.[34]Single source

Amadeo Mandarino With Manuel Buzón on Radio Callao and Radio Municipal, then Splendid and Rivadavia.[35]Single source

Oscar Serpa First RCA-Victor disc with Pelaia: Claveles mendocinos and, sung solo, Niebla del Riachuelo.[36]Single source

Francisco Amor Acts and sings in César Ratti's company at the Teatro Apolo.[37]Single source

Alberto Castillo Sings with Mariano Rodas's orchestra on Radio París.[38]Single source

Nelly Omar Wins the Caras y Caretas radio popularity poll.[39]Single source

Pintín Castellanos Juan D'Arienzo, in Montevideo for the Teatro Solís carnival dances, adapts La puñalada as a milonga and records it.[40]Single source

José Tinelli Scores the film La virgencita de madera.[41]Single source

Roberto Grela Premieres his tango Las cuarenta with Fernando Díaz on Radio Belgrano.[42]Single source

Amanda Ledesma First records for Odeon: Condena and Primavera.[43]Single source

Carlos Roldán Moves to Radio Belgrano with five guitars after a season on Radio Fénix.[44]Single source

Francisco Amor Sings in the film Viento norte, accompanied by Canaro.[37]Single source

Alberto Amor Brief spell with Ciriaco Ortiz, then back with Sassone on Radio El Mundo.[45]Single source

José Pascual Leaves the Vardaro group as radio work pushes it to grow to thirteen players.[46]Single source

Hugo Baralis Joins Troilo's new orchestra, replacing Reynaldo Nichele in its first year.[47]Single source

Tania Appears in El pobre Pérez.[48]Single source

Amanda Ledesma Melodías porteñas, with Enrique Santos Discépolo.[43]Single source

Hugo del Carril Sings Tiempos viejos in Los muchachos de antes no usaban gomina.[49]Single source

Ricardo Tanturi First record, for Odeon: 'Tierrita' as an instrumental and 'A la luz del candil' sung by Carlos Ortega.[50]Single source

Alfredo Malerba Writes Besos brujos with Rodolfo Sciammarella for the film of that name.[51]Single source

Rodolfo Sciammarella Writes the songs of the film Besos brujos.[52]Single source

Joaquín Mora Writes Como aquella princesa and Esclavo with José María Contursi.[53]Single source

Ernesto de la Cruz Joins the Radio El Mundo house orchestra.[54]Single source

Enrique Rodríguez Signs an exclusive contract with Odeon that lasts 34 years and yields more than 350 recordings.[55]Single source

Carlos Dante Sings in José Agustín Ferreyra's film Muchachos de la ciudad.[56]Single source

Enrique Maroni A Radiolandia poll names him announcer number one.[57]Single source

Agustin Irusta The trio plays Mal de amores at the Teatro Politeama and breaks up.[58]Single source

Luis Díaz Rejoins Julio De Caro on Radio El Mundo.[59]Single source