Tango in 1923

Francisco Canaro — 11 recordings1923[1]

Juan Carlos Cobian — 2 recordings1923[1]

Eduardo Adrian: Born Carlos Alberto Eyherabide in Mar del Plata; raised in Avellaneda.[2]

Julio Martel: Born Julio Pedro Harispe in Baigorrita, partido of General Viamonte.[3]

Horacio Deval: Born in Buenos Aires.[4]

Azucena Maizani sings Padre nuestro at the Teatro Nacional in a Vaccarezza sainete and is made to repeat it five times.[5]

Pedro Datila is born.[6]

Mario Melfi leaves for Spain with Los de la Raza, learning the bandoneon from Bachicha on the way.[7]

Juan Bautista Deambroggio leaves for Spain with the company Los de la Raza.[8]

Mercedes Simone marries the guitarist and singer Pablo Rodríguez, who accompanies her early performances.[9]

Catulo Castillo: Composed “Organito de la tarde” (1923).[10]

Luis Servidio: Composed “El bulín de la calle Ayacucho” (1923).[11]

Manuel Jovés: Composed “Buenos Aires” (1923).[12][50]

Ángel Vargas begins singing in neighbourhood cinemas.[13]

Miguel Bucino joins Francisco Canaro's orchestra on bandoneon and is let go after a few performances.[14]

Jesús Fernández Blanco writes his first song, El gaucho se va, with Andrés Domenech.[15]

Lito Bayardo begins singing and reciting on LT3 radio in Rosario.[16]

Nolo López begins as an actor in Antonio Daglio's company.[17]

Agustin Magaldi settles in Buenos Aires and sings in cafés, sponsored by Rosita Quiroga.[18]

Osvaldo Sosa Cordero begins writing parodies and décimas.[19]

Ramón Collazo joins the Troupe Ateniense and composes his first tango, Bolita.[20]

Julian Centeya: The family moves from San Francisco, Córdoba, to Buenos Aires and settles in Boedo.[21]

Benjamín Tagle Lara: Gardel and Razzano record his zamba Cocorocó with Enrique Delfino.[22]

Andrés Domenech moves to Buenos Aires and writes his first tango, El gaucho se va.[23]

Carlos Marcucci plays with Carlos Vicente Geroni Flores and tours Mexico and Cuba with the Vittone-Pomar company; Gardel records his Viejecita mía.[24]

Ciriaco Ortiz moves to Buenos Aires with the pianist Nicolás Vaccaro.[25]

Antonio Rodio plays in Carlos Marcucci's quartet on Radio Sud América.[26]

Agustin Magaldi moves to Buenos Aires and sings in small cafés.[27]

Rosita Quiroga: First records for Victor: Siempre criolla and the tango La tipa.[28]

Carlos Di Sarli moves to Buenos Aires with his brother Roque and joins Anselmo Aieta's group.[29]

Celedonio Flores writes Mano a mano with Gardel and Razzano, and La mariposa with Pedro Maffia.[30]

Gerardo Matos Rodríguez recovers the rights to La cumparsita from the publisher Breyer with the help of fellow authors.[31]

Enrique Dizeo: Gardel records his Viejecita mía after Dizeo brings it to him at the Café de los Angelitos.[32]

Alfredo Bigeschi writes for the carnival comparsas of La Boca.[33]

Julio Navarrine travels to Spain with the company Los de la Raza.[34]

Eduardo Escaris Méndez: Barajando, with Nicolás Vaccaro, is copyrighted.[35]

Ernesto de la Cruz forms an orchestra for a German beer hall at the Balneario Municipal.[36]

José María Aguilar signs with Victor as soloist and lead accompanist.[37]

Tita Merello: Vedette at the Teatro Maipo in Las modernas Scherezadas, singing her first tango.[38]

Pedro Maffia plays in the Julio De Caro sextet until 1926, at venues including L'Aiglón, Café Colón, Palais de Glace, Chantecler and Select Lavalle, and on Radio Sudamérica.[39]

Elvino Vardaro joins Roberto Firpo's orchestra, where he meets violinist Cayetano Puglisi.[40]

Manuel Romero travels to Europe with Luis Bayón Herrera and works in theatre in Paris.[41]

Sebastián Piana: Sobre el pucho, with José González Castillo, wins a contest of the Tango cigarette brand and leads to his friendship with Gardel.[42]

Juan Velich organises the first radio-drama company, on Radio Cultura.[43]

Gabino Coria Peñaloza helps found the magazine Nativa.[44]

Juan Carlos Marambio Catán joins Pepe Podestá's company in La Plata; later records for Victor with Alfredo Pelaia.[45]

Luis Petrucelli plays and records for Victor with Juan Carlos Cobián; leads groups at the Abdullah Club and the Café Los Andes.[46]

Horacio Pettorossi debuts in Madrid at the Teatro Prince with Los de la Raza.[47]

Francisco Lomuto forms his first orchestra, which plays the Teatro Empire and starts recording for Odeon.[48]

Julio De Caro plays in Juan Carlos Cobián's orchestra at the Abdulla Club in the Galería Güemes.[49]

Eduardo Pereyra plays at the café Los Andes in Luis Petrucelli's group with Pedro Maffia.[51]

Francisco Bastardi: Azucena Maizani introduces La cabeza del italiano.[52]

Teófilo Lespés performs in Manuelita Rosas at the Marconi, 150 performances.[53]

Guillermo Barbieri travels to Spain with Gardel and the Rivera-De Rosas company in November.[54]

Minotto Di Cicco rejoins Francisco Canaro, replacing Anselmo Aieta and pairing with Juan Canaro; becomes the orchestra's first bandoneon for years and plays in the Quinteto Pirincho.[55]

José González Castillo: Sobre el pucho, with Sebastián Piana, wins the Tango cigarette contest.[56]

José Razzano tours Spain with Gardel and the Rivera-De Rosas company, playing the Apolo and Price theatres in Madrid; writes Mano a mano with Gardel and Celedonio Flores.[57]

Juan Carlos Cobian leaves for the United States; in New York he leads a band at the McAlpin Hotel.[58]

Buenos Aires — 1923[59]

Aromas — 1923[60]

Sobre el pucho — 1923[61]

Padre nuestro — 1923[62]

Midinette porteña — 1923[63]

La cabeza del italiano — 1923[64]

Radio Splendid — The station began on 23 May 1923 on the building's first floor as 'Grand Splendid Theatre' and took its traditional name in 1929.1923[65]

Teatro Smart — Between 1923 and 1928 eight tangos were first staged here in revues and plays, including "Muchachita" (Azucena Maizani, 1923) and "Por tu culpa" (Juan Ferrari,1923[66]

Palacio Barolo, Buenos Aires — Palacio Barolo inaugurated: The Dantean skyscraper on Avenida de Mayo.1923[67]

Polo Grounds, New York — Firpo-Dempsey fight: The Wild Bull of the Pampas knocks Dempsey out of the ring.Sep 14, 1923[80]

Ignacio Corsini — Played in Teatro Apolo.1923[66]

Guardia Nueva — Occurred at Teatro Ópera.1923, Feb 24, 1923[68]

Eduardo Adrian — Born.Feb 4, 1923[69][70]

Héctor Insua — Born.Feb 23, 1923[71]

Osvaldo Bazán — Born.Mar 3, 1923[72]

Alberto Marino — Born.Apr 26, 1923[73][74]

Alberto Marino — Born.Apr 26, 1923[75]

Osvaldo Cordo — Born.May 7, 1923[76]

Julio Martel — Born.May 14, 1923[77]

Pedro Datila — Born.Aug 2, 1923[78][79]

Orlando Verri — Born.Sep 25, 1923[81]

Marcelino Hernández — Born.Oct 29, 1923[82]

Juan Carlos Caviello — Born.Dec 21, 1923[83]

Juan Carlos Caviello — Born.Dec 21, 1923[83]

Mujer — Premiered at Teatro Maipo.Jul 7, 1923[66]

Se acuerdan muchachos — Premiered at Teatro Maipo.Sep 22, 1923[66]