Tango in 1922

Francisco Canaro — 3 recordings1922[1]

Roberto Rufino: Born at Agüero 753 in the Abasto; his birth certificate records 8 January, the day he was registered.[2]

Alberto Morán: Born Remo Andrea Domenico Recagno in Strevi, Piedmont, Italy.[3]

Armando Laborde: Born José Atilio Dattoli in Palermo; his papers say the 30th because his father registered him late.[4]

Juan Carlos Cobian: Composed “Los mareados” (1922).[5][57]

Ignacio Corsini premieres Patotero sentimental in the sainete El bailarín del cabaret.[6]

Oscar Larroca: Born Oscar Antonio Moretta in Almagro.[7]

Miguel Montero: Born Miguel Ángel Montero in San Miguel de Tucumán.[8]

Aníbal Arias: Born in Villa Devoto, Buenos Aires.[9]

Juan Carlos Godoy: Born Aníbal Llanos in Campana.[10]

Samuel Linnig: Manolita Poli introduces Melenita de oro in his sainete Milonguita.[11]

Carlos Vicente Geroni Flores: Melenita de oro is premiered on 25 August by Manolita Poli.[12]

Osvaldo Ruggiero: Born in Buenos Aires; grows up in Villa Pueyrredón.[13]

Manolo Fernández is born.[14]

Mario Battistella debuts as a theatre author with the revue Do-re-mi-fa-sol-la-si, written with Francisco Bohigas, at the Teatro Variedades, where he meets Gardel.[15]

Tito Roccatagliata: Composed “Elegante papirusa” (1922).[16]

Manuel Jovés: Composed “Patotero sentimental” (1922).[17][41]

Lucio Demare plays piano in Nicolás Verona's jazz band at the Real Cine on Esmeralda street.[18]

Charlo: His family moves to Buenos Aires, where his singing career begins.[19]

Nelly Omar: After her father's death the family moves to the city of Buenos Aires.[20]

Homero Manzi writes his first surviving song, the vals ¿Por qué no me besas?, to music by Francisco Caso; Ignacio Corsini records it.[21]

Carlos Pesce: The vals Francia, with Octavio Barbero's music, appears.[22]

José De Grandis plays briefly in Luis Petrucelli's orchestra at the Casino Pigall.[23]

María Luisa Carnelli publishes her first book of poems, Versos de mujer.[24]

Alejandro Scarpino forms the orchestra La Unión with Guillermo Césari.[25]

José Bohr writes Allá en el sur with Eugenio Cárdenas.[26]

Eduardo Bianco writes Razón quinta in Buenos Aires.[27]

José María Aguilar records in a duo with Mario Pardo; the pair had debuted at the Teatro Empire.[28]

Azucena Maizani: Chorus member at the Teatro Apolo.[29]

Roberto Díaz: First Victor recordings with the Vega-Díaz duo.[30]

Pedro Laurenz plays with Roberto Goyeneche's orchestra at the opening of Radio Cultura, where his first tango 'El rebelde' is premiered.[31]

Pedro Maffia joins Juan Carlos Cobián's sextet alongside Julio De Caro.[32]

Elvino Vardaro: Recruited by Juan Maglio from a silent-film cinema; tours the interior with his orchestra.[33]

Manuel Romero: El bailarín del cabaret runs all season at the Teatro Apolo with César Ratti's company; Ignacio Corsini introduces Patotero sentimental in it.[34]

Antonio Sureda: The Trío del Plata is hired by Federico del Ponte for the new Radio Cultura.[35]

Luis Petrucelli forms his first orchestra, with Pedro Maffia; plays the Casino Pigall.[36]

Roberto Zerrillo plays the summer season in Mar del Plata with Osvaldo Fresedo's orchestra at the Ocean Club.[37]

Antonio Buglione plays in José Martínez's orchestra at the Teatro Politeama.[38]

Francisco Lomuto: First recordings in a piano duo with Héctor Quesada; leads a sextet aboard the liner Cap Polonio.[39]

Enrique Maroni writes the zamba La salteñita, recorded by Gardel and Razzano.[40]

Antonio Scatasso returns to El Parque with a quartet including Fidel Del Negro and Luis Bernstein.[42]

ALFREDO NAVARRINE tours Chile with Los de la Raza, writing Galleguita there, then Spain and Morocco in 1923.[43]

Pedro Numa Córdoba writes Pobre corazoncito with Vicente Greco.[44]

Eduardo Pereyra returns and becomes a musical adviser to Victor.[45]

Víctor Soliño writes his first tango, No quiero; the Troupe Ateniense forms around this time.[46]

Manuel Pizarro plays aboard the Massilia for Marcelo T. de Alvear's return to Argentina, then Francisco Lomuto's Cap Polonio cruises.[47]

Emilio Fresedo writes Sollozos, recorded by Rosita Quiroga the next year.[48]

Peregrino Paulos: Roberto Firpo records the tango as Inspiración.[49]

Teófilo Lespés: The duo records for Victor, through 1923.[50]

Osvaldo Fresedo plays at the Abdullah Club, in the basement of the Galería Güemes on Florida, and in Mar del Plata.[51]

Juan Canaro forms his first own group at carnival, later a new one for the Casino Pigall.[52]

Rafael Tuegols writes Lo que fuiste with García Jiménez.[53]

Luis Teisseire writes the words of Juan de Dios Filiberto's De mil amores.[54]

Salvador Merico begins leading the orchestra of the Teatro Nacional, until 1932.[55]

FRANCISCO PRACÁNICO writes Madre.[56]

Eduardo Arolas sails to France.[58]

Esposito Genaro leads his own Orchestre Argentin in Paris after Pizarro leaves.[59]

Francisco Lomuto — active 1922–19501922[60]

Guardia Nueva — England: the English codified their own, standardised version of tango for dance schools and competitions in 1922, called English style and later International style1922[70][71]

Milonga (music) — Its first recording was Un bailongo (1922), composed and written by the Afro-Argentine José Ricardo1922[72]

Sobre el pucho — Sobre el pucho is premiered in 1922 and recorded by Carlos Gardel the following year.1922[74]

Los mareados — Los mareados is introduced in the play Los dopados, premiered on 4 May 1922 at the Teatro Porteño.May 4, 1922[79]

Buenos Aires — Alvear takes office: Radical president during the golden age of tango.Oct 12, 1922[88]

Francisco Lomuto — Led Francisco Lomuto.1922[61]

Francisco Lomuto — Led Francisco Lomuto.1922[73]

Patotero sentimental — 1922[62]

La provinciana — 1922[63]

Pobre corazoncito — 1922[64]

Sollozos — 1922[65]

Madre — 1922[66]

Lo que fuiste — 1922[67]

Loca — 1922[68]

Melenita de oro — 1922[69]

Roberto Rufino — Born.Jan 6, 1922[75]

Alberto Morán — Born.Mar 15, 1922[76]

Fernando Raymond — Born.Apr 5, 1922[77]

Armando Laborde — Born.Apr 27, 1922[78]

Mario Alonso — Born.Jun 22, 1922[80]

Oscar Larroca — Born.Jul 5, 1922[82][83]

Miguel Montero — Born.Jul 9, 1922[84][85]

Aníbal Arias — Born.Jul 20, 1922[86]

Juan Carlos Godoy — Born.Aug 21, 1922[87]

La provinciana — Premiered at Teatro Politeama Argentino.Jun 28, 1922[81]