Tango in 1914

Carlos Gardel: The duo opens at the Teatro Nacional, its first engagement on Corrientes street.[1]

Alfredo Attadia: Born in San Andrés, San Martín district.[2]

Oscar Rubens: Born in Buenos Aires.[3]

Orlando Goñi: Born Orlando Cayetano Gogni in Buenos Aires.[4]

Héctor Varela: Born Salustiano Paco Varela in Avellaneda.[5]

Horacio Sanguinetti: Born Horacio Basterra in Montevideo.[6]

Horacio Basterra: Born in Montevideo.[7]

Juan Carlos Casas: Born in Tandil.[8]

Hugo Baralis: Born in Buenos Aires, son of the double bassist Hugo Ricardo Baralis.[9]

Guadalupe la Chinaca: Born in Municipio de Tezonapa.[10]

Carlos García: Born in Capilla del Señor, Buenos Aires province.[11]

Carlos García (pianista): Born in Capilla del Señor.[12]

Eduardo Del Piano: Born in Barracas, Buenos Aires, second of eight children.[13]

Héctor Grané: Born in Argentina.[14]

Wenceslao Cinosi: Born in Buenos Aires.[15]

Aníbal Troilo: Born in Buenos Aires, in the Abasto area.[16]

Aníbal Troilo: Born in Balvanera.[16]

Ricardo Ruiz: Born in Buenos Aires; grows up in Palermo Viejo.[17]

Rodolfo M. Taboada: Born in Buenos Aires.[18]

Juancito Averna: Born Juan Miguel Condoleo in Buenos Aires.[19]

Carlos Acuña: Born in Buenos Aires.[20]

Roberto Chanel: Born Alfredo Mazzochi in Caballito, the youngest of five children of Neapolitan immigrants.[21]

Alberto Castillo: Born Alberto Salvador De Lucca in Buenos Aires, son of Italian immigrants.[22]

Gerardo Matos Rodríguez: Composed “La cumparsita” (1914).[23]

Roberto Firpo: Composed “Alma de bohemio” (1914).[24][36]

Bachicha: Is the bandoneonist when Firpo's orchestra makes its debut.[25]

Pascual Contursi: Living in Montevideo, writes De vuelta al bulín to music by José Martínez and sings his lyrics at the Moulin Rouge cabaret.[26]

Carlos Bahr: His father sails for Europe at the outbreak of war and disappears; the family moves to Bernal.[27]

Víctor Soliño begins writing revues staged at the Royal and Albéniz theatres in Montevideo.[28]

Teófilo Lespés forms a vocal duo with his brother Mario.[29]

Ángel Domingo Riverol tours towns of Buenos Aires province with bandoneonist Juan Canaro.[30]

Juan Carlos Cobian releases his first tango, El motivo, and meets Carlos Gardel while playing with Eduardo Arolas at the Montmartre.[31]

Juan Andrés Caruso: Alma de bohemio, with Roberto Firpo's music, appears.[32]

Antonio Scatasso plays bandoneon at the café El Parque; writes his first work, the estilo El 6.000.[33]

Juan Bautista Deambroggio: Bandoneon in Roberto Firpo's new orchestra.[25]

Samuel Castriota: Como brilla appears.[34]

FRANCISCO PRACÁNICO begins studying at Adolfo Carabelli's conservatory.[35]

José Razzano: The duo debuts at the Teatro Nacional with Elías Alippi and Francisco Ducasse's company.[37]

Graciano de Leone leads his quartet at the Café Domínguez on Corrientes, until 1919.[38]

Domingo Santa Cruz holds a tango and waltz contest at the brothers' dance academy, Gascón 1150.[39]

Enrique Saborido returns to Buenos Aires when the war begins.[40]

Roberto Firpo — 1914[41]

Guardia Vieja — 1914Jan 1, 1914[42][56]

Matasano — 1914[43]

Alma de bohemio — 1914[44]

Max Glücksmann — By 1914 he had gained control of Argentina's record industry, pushing out Victor through long exclusive contracts; signed Gardel and Razzano in 1917; Odeon agreed1914[45]

Guardia Vieja — Bans on tango in the Russian Empire, 1914 (Saint Petersburg)1914[46][47][48][49][50][51][52][53][54][55][58][59][60][64][65][66][67][68][69][70][71][72][74][75][76][78][79][80][81][83][84][85][86][87][88]

Alma de bohemio — Alma de bohemio is premiered in 1914.1914[57]

New York — New York: in March 1914 the secretary of the American Silk Association told a meeting in New York that the introduction of the tango andMar 1914[82]

Carlos Gardel — Performed at Teatro Nacional.Jan 8, 1914[61]

Alfredo Attadia — Born.Jan 9, 1914[62][63]

Héctor Varela — Born.Jan 29, 1914[73]

Hayakawa Shimpei — Born.Feb 11, 1914[77]