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Tango’s world

Lunfardo under the censors, 1943–49

From June 1943 the rules for Argentine radio were enforced to the letter: no “turns of phrase that debase the language”, lunfardo above all. Lyricists rewrote their tangos to stay on the air. Here are 10 rewrites a historian dates, each with the words it changed and the records to hear.

The rules and the rewrites, 1940–1955

  1. 1933

    Radio rules let the Post Office police what stations broadcast; from 1935 they bar “turns of phrase that debase the language”.

  2. April 1943

    Moneda de cobre
  3. 14 June 1943

    The rules are enforced to the letter; stations receive lists of words to replace.

  4. September 1943

    Que nunca me falte
  5. 15 February 1949

    Mi noche triste
  6. 25 March 1949

    Tango’s musicians meet Perón and radio censorship ends in practice. No rule lifts it, and SADAIC goes on checking lyrics.

  7. 13 October 1953

    Control of lyrics officially ends.

The rewrites

Did the slang disappear?

Less than the stories say, and it came back. In the songs recorded with a singer, lunfardo was already rare before the rules; under them its share barely moved, and after 1949 it rose.

Share of the songs recorded with a singer whose lyrics, as written, use a word from Tangopedia’s lunfardo glossary (84 words; tango’s own words such as compadrón or milonguero left out). As written, not as sung: a record made under the rules sang the rewritten words. Each period counts a song once; the gold line is the 95% interval. We hold the lyrics of about a third of the songs recorded with a singer, too few to read year by year.

0%10%20%30%9%1935–1943before · 26 of 2766%1944–1948under the rules · 11 of 17619%1949–1955after · 33 of 175

Source for every date and rewrite: Emiliano Sued, “Sobre censura y corrección en las letras de tango”, Revista Argentina de Musicología 15–16 (2014–2015).