El tango en 1941

Francisco Canaro — grabó en El tango en 1941 (42 recordings)1941[1]Single source

Juan D'Arienzo — grabó en El tango en 1941 (26 recordings)1941[1]Single source

Carlos Di Sarli — grabó en El tango en 1941 (25 recordings)1941[1]Single source

Aníbal Troilo — grabó en El tango en 1941 (24 recordings)1941[1]Single source

Ricardo Tanturi — grabó en El tango en 1941 (18 recordings)1941[1]Single source

Rodolfo Biagi — grabó en El tango en 1941 (18 recordings)1941[1]Single source

Francisco Lomuto — grabó en El tango en 1941 (18 recordings)1941[1]Single source

Osvaldo Fresedo — grabó en El tango en 1941 (16 recordings)1941[1]Single source

Ángel D'Agostino — grabó en El tango en 1941 (12 recordings)1941[1]Single source

Edgardo Donato — grabó en El tango en 1941 (11 recordings)1941[1]Single source

Cuarteto Típico Los Ases — grabó en El tango en 1941 (10 recordings)1941[1]Single source

Julio De Caro — grabó en El tango en 1941 (9 recordings)1941[1]Single source

Quinteto Suárez Paz Born in Ramos Mejía.[2]Single source

Ricardo Tanturi First record with Castillo, the vals 'Recuerdo'.[3]Single source

Elba Biscay Born.[4]Single source

Luis Petrucelli Dies suddenly in Buenos Aires, aged 38.[5]Single source

Alfredo De Angelis Debuts his own orchestra with singer Héctor Morea; Todo Tango's biography puts the debut at Café Marzotto on Corrientes, its orchestra chronicle at the Marabú cabaret.[6]Single source

Agustín Bardi Dies.[7]Single source

A. Bardi Dies in Bernal; Julio De Caro completes his unfinished last tango.[8]Single source

Amadeo Mandarino Records the duet Pájaro ciego with Fiorentino and Troilo.[9]Single source

Abel Córdoba Born Abelardo González in Caballito; raised in San Francisco, Córdoba.[10]Single source

Armando Moreno Records Llorar por una mujer with Rodríguez for Odeon.[11]Single source

Francisco Amor Premieres En esta tarde gris.[12]Single source

Enrique Saborido Dies at the War Ministry offices in Buenos Aires.[13]Single source

Orlando Medina First recordings with Ricardo Malerba for Odeon: Noches de Montmartre and Salí del paso Manolo.[14]Single source

Carlos Roldán Records Negra María with Osvaldo Fresedo, a single session.[15]Single source

Eduardo Adrian First recording with Canaro, the waltz Anoche soñé.[16]Single source

Francisco Amor Farewell Canaro session, El cuarteador; leaves with Ernesto Famá and debuts as a duo on Radio Splendid.[12]Single source

Carlos Roldán First record with Francisco Canaro, the waltz La vida en mil gramos.[15]Single source

Rodolfo Cieri Learns tango from his father before age ten; dances at La Paternal milongas (approximate).[17]Single source

Juan Bruno Starts dancing tango at 16.[18]Single source

Domingo Federico Joins Miguel Caló's orchestra as bandoneonist; writes Al compás del corazón and Yo soy el tango.[19]Single source

Enrique Mario Francini Writes Bajo un cielo de estrellas with Héctor Stamponi.[20]Single source

Reinaldo Yiso Ricardo Tanturi premieres his first song, Por eso canto yo.[21]Single source

Beba Bidart Debuts as a chorus dancer at the Teatro Casino.[22]Single source

Lorenzo Barbero Around this year debuts the Agrupación Copacabana at the Teatro Capitol in Córdoba.[23]Single source

Carlos Figari Joins José García's orchestra Los Zorros Grises.[24]Single source

Atilio Stampone Plays with Roberto Dimas's orchestra at Café Marzotto on Corrientes.[25]Single source

Mario Demarco Plays in Antonio Rodio's orchestra.[26]Single source

Roberto Di Filippo First recordings with Roberto Zerrillo's orchestra: El repique and Aquel preludio de amor.[27]Single source

Eduardo Adrian Wins the Radio Belgrano contest for a new Canaro singer.[16]Single source

Armando Moreno Appears with Enrique Rodríguez in Hogar, dulce hogar, singing María.[28]Single source

Jorge Ledesma Carnival debut at Club Juventud Unida Independiente, Lanús, with Raúl Rodríguez's orchestra, as Alberto Deluchi.[29]Single source

Homero Expósito Writes Yo soy el tango with Domingo Federico.[30]Single source

Julio Martel Joins Juan Giordano's orchestra, playing the Hotel Hurlingham in Mar del Plata and the City Hotel in Buenos Aires.[31]Single source

Carlos Bahr Writes Humillación with Rodolfo Biagi.[32]Single source

Julian Centeya Publishes his first book of poems as Enrique Alvarado.[33]Single source

Oscar Herrero Plays with Romeo Gentile on LR2 Radio Argentina.[34]Single source

Carlos Acuña Hired by Carlos Di Sarli; sings on Radio El Mundo and at the Marabú; records Cuando el amor muere on 2 August.[35]Single source

Roberto Caló Forms the Juan y Roberto Caló orchestra with his brother Juan; it lasts about a year, then he tours the United States and Latin America.[36]Single source

José Garcia Carlos Alberti is the orchestra's singer.[37]Single source

Francisco Fiorentino First RCA Victor session with Troilo, including Yo soy el tango and Mano brava.[38]Single source

Roberto Rufino Sings briefly with Alfredo Fanuele's orchestra.[39]Single source

Enrique Campos Sings with the orchestra billed as Pintín Castellanos at the Palacio de la Cerveza, the Tabarís cabaret and Radio Monumental.[40]Single source

José María Contursi Writes Toda mi vida with Aníbal Troilo and En esta tarde gris with Mariano Mores.[41]Single source

Juan José Guichandut Writes Sencillo y compadre with Carlos Bahr.[42]Single source

Carlos Posadas Aníbal Troilo records El jagüel, Cordón de oro and El tamango.[43]Single source

Andrés Domenech Writes El antifaz rojo with Fernández Blanco.[44]Single source

Victor D'Amario Appears in the film La mujer del zapatero.[45]Single source

Alfredo Attadia Tres esquinas, written with D'Agostino and Enrique Cadícamo, dates from this year.[46]Single source

Alberto Castillo His first record with Ricardo Tanturi's orchestra, the waltz Recuerdo, becomes a best seller.[47]Single source

Homero Manzi Writes Malena to Lucio Demare's music.[48]Single source

Catulo Castillo Writes Tinta roja with Sebastián Piana.[49]Single source

Armando Baliotti Writes Ahora no me conocés with Carlos Giampé.[50]Single source

Eduardo Escaris Méndez Publishes the poem Ya que en la España me encuentro.[51]Single source

Ricardo Malerba Begins recording for Odeon: thirty sides through 1945, mostly with Orlando Medina.[52]Single source

Pintín Castellanos Writes Candombe oriental.[53]Single source

José Tinelli Moves from Radio Belgrano to Radio Mitre, with Chola Bosch and Horacio Acosta singing.[54]Single source

Antonio Maida Appears in Joven viuda y estanciera.[55]Single source

José Bohr Records Por el camino as a singer of the Típica Victor.[56]Single source

Antonio Rodio Debuts his own orchestra on Radio Splendid, with Alberto Serna and Mario Corrales singing.[57]Single source

Héctor María Artola Joins Osvaldo Fresedo's orchestra in March, staying until early 1942.[58]Single source