The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

49 Performances · 2014–2026

Jakub Grzybek & Patrycja Cisowska

Jakub Grzybek · Patrycja Cisowska

In 42% of their Performances, Jakub Grzybek & Patrycja Cisowska danced Juan D'Arienzo; the average couple, 25%.

Orchestra known in 31 of 49 Performances. The line is the average couple.

The periods they dance most

Share of the 19 Performances whose record we can date.

  • D'Arienzo · Faster with Polito 1938–193926%
  • D'Arienzo · With Biagi 1935–193821%
  • D'Arienzo · Late years 1957–197621%
  • Di Sarli · The return 1951–195416%
  • Di Sarli · Last sides 1958–196011%

Their records

  1. Recuerdos de la Pampa

    Juan D'Arienzo · Alberto Echagüe

    3 dances
    1939

  2. El ciruja

    Carlos Di Sarli · Instrumental

    2 dances
    1951

  3. Duerme mi amor

    Carlos Di Sarli · Horacio Casares

    2 dances
    1958

  4. Corazón de artista

    Juan D'Arienzo · Instrumental

    2 dances
    1936

  5. La bruja

    Juan D'Arienzo · Mario Bustos

    2 dances
    1959

  6. Frente al mar

    Aníbal Troilo · Roberto Rufino

    1 dance
    1963

  7. Café de Los Angelitos

    Aníbal Troilo · Alberto Marino

    1 dance
    1944

  8. Bahia Blanca

    Carlos Di Sarli · Instrumental

    1 dance
    1957

Couples who dance most like them

  • 91% alike
  • 91% alike
  • 90% alike
  • 90% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,864 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 891 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.